CNA Staff, Feb 9, 2021 / 05:56 pm (CNA).- Sister Andre Randon, a religious sister in France, will turn 117 years old this week, after surviving COVID-19 last month, her congregation announced Tuesday.
Born Lucile Randon on Feb. 11, 1904, she converted to Catholicism at the age of 19. After serving young children and the elderly at a French hospital, she joined the Daughters of Charity -founded by St. Vincent de Paul- at the age of 40.
Seventy-six years later, Sister Andre moved to Sainte Catherine Labouré retirement home in Toulon, southern France. It was there that, on Jan. 16, she tested positive for COVID-19. She was isolated from other residents, but displayed no symptoms.
According to BFM television, 81 of the 88 residents of the facility tested positive for the virus in January, and 10 died.
Asked if she was scared of COVID, Sister Andre told France’s BFM television, “No, I wasn’t scared because I wasn’t scared to die… I’m happy to be with you, but I would wish to be somewhere else – join my big brother and my grandfather and my grandmother.”
The religious sister will celebrate her 117th birthday on Thursday, the feast of Our Lady of Lourdes.
According to the Gerontology Research Group, which validates details of people believed to be 110 or older, Sister Andre is the second-oldest known living person in the world. The oldest person is Japan’s Kane Tanaka, who turned 118 on Jan. 2.
Upon her 115th birthday in 2019, Sister Andre received a card and a blessed rosary from Pope Francis, which she uses every day.
When she turned 116 last year, the Vincentian nun shared her “recipe for a happy life” — prayer and a cup of hot cocoa every day.
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Catholics gather in Rome’s Basilica of St. Bartholomew on Tiber Island on Holy Tuesday, March 26, 2024, for a prayer vigil honoring Christians who have been killed for their faith in recent years. / Credit: Daniel Ibañez/CNA
Cardinal Matteo Zuppi, Archbishop of Bologna, Italy, in St. Peter’s Basilica on Oct. 5, 2019. / Daniel Ibáñez/CNA
Rome, Italy, Nov 25, 2021 / 11:00 am (CNA).
No, it does not seem as if Pope Francis is going to resign. Indeed, his dynamism and desire to do things, working to bring the Church closer to the people, should be appreciated.
That is how Cardinal Matteo Zuppi responded when asked if the Pope Francis era was about to come to an end.
The questions, however, were legitimate because they were asked at the launch of a book explicitly addressing the papacy’s future.
Zuppi was on a panel for the Nov. 18 presentation of the book “Cosa Resta del Papato? Il futuro della Chiesa dopo Bergoglio” (“What Remains of the Papacy? The future of the Church after Bergoglio”), by the Italian Vaticanist Francesco Antonio Grana.
The book examines what the institution of the papacy is and what it can become after the resignation of Benedict XVI and the pontificate of Pope Francis.
It reconstructs the last part of Benedict XVI’s pontificate, revealing that among the few people aware of the forthcoming resignation was Italy’s then president, Giorgio Napolitano. The book also offers a glimpse of what the next conclave might look like.
Returning from Slovakia in September, Pope Francis had complained about the prelates who were allegedly already seeking to identify his successor. For this reason, the presence of a cardinal at the launch of a book that also looks at the papal succession risked being viewed as part of a “hidden electoral campaign.”
This is especially the case as Zuppi, the archbishop of Bologna, northern Italy, is seen by many as one of the possible papabili in a future conclave.
A leading figure in the Community of Sant’Egidio, and known internationally also for his role as a peace mediator in Mozambique, Zuppi has nevertheless always maintained a low-key and ascetic profile. This approach made him a beloved parish priest, first at the Rome church of Santa Maria in Trastevere and then in a parish on the city’s outskirts.
His hierarchical ascent began with his appointment as an auxiliary bishop of Rome in 2012. He was then called by Pope Francis to be archbishop of Bologna, a major Italian see, in 2015, receiving the cardinal’s red hat in 2019.
Zuppi’s presence at the book launch was all the more striking because he is a cardinal loved by Pope Francis, who gives little indication of wanting to detach himself from the legacy of the reigning pope and always defends his pastoral activities. (The one exception might be his decision not to clamp down severely on the Traditional Latin Mass in his archdiocese following the motu proprioTraditionis custodes.)
The 66-year-old cardinal’s words at the book launch were cautious. He began by reflecting on the book’s title. He then focused on the Statio Orbis of March 27, 2020: the solitary prayer in St. Peter’s Square in which Pope Francis asked for an end to the pandemic. Zuppi said that on that occasion, “for the first time, Ecclesialese — the language spoken among us priests — became the common language.”
Speaking of the crisis in the Church, Zuppi said that “we can spend a lifetime arguing among ourselves, fueling an internal conflict. But the point is that it is a crisis, generative of something new.”
He stressed that John XXIII was considered “a simpleton, who seemed to impoverish the greatness of the Church,” and that Benedict XVI “defined himself as a humble worker in the Lord’s vineyard.”
In short, Francis is not, according to Zuppi, a pope who is diminishing the institution’s importance. Rather, he is giving it a new impetus. So much so, that there is “anything but an air of resignation,” Zuppi said. “In the many decisions he has made, and in the processes he has initiated, there is a great awareness and sense of the future.”
He added: “Pope Francis tells us that there is so much to do now, and he helps us not to have a renunciatory attitude, as a retreating minority. His significant reform is pastoral and missionary conversion.”
“He allows us to place ourselves in an evangelical, straightforward way, close to the people, and shows us some priorities for a Church that speaks to the heart. He helps us to be more Church, in a world that makes identity fade.”
There was also talk of the Zan bill, a proposed anti-homophobia law discussed in the Italian Senate. The Holy See presented a formal diplomatic note to the Italian state, highlighting that the bill violated the Concordat between the Holy See and Italy as part of the freedom of education.
It was not an opinion of the Holy See, but rather a diplomatic initiative to avoid the violation of a treaty. One of the panelists, Peter Gomez, director of IlFattoquotidiano.it, suggested erroneously that the Holy See expresses an opinion and the secular state is free to make its own decisions. But this was not the focus of the discussion.
Zuppi has repeatedly refused to address the controversy publicly. Many have interpreted this as a tactical move. The general assembly of the Italian bishops’ conference is currently discussing who should be its next president. Zuppi is one of the leading candidates to succeed Cardinal Gualtiero Bassetti of Perugia-Città della Pieve.
Then there is the question of the next conclave that continues to hang over Zuppi. It was the author of the book himself, Francesco Grana, who sought to damp down any speculation. He explained that, despite its arresting title, the book was not presenting a manifesto.
He referred to a book recently published by Andrea Riccardi, founder of the community with which Zuppi is closely associated.
“Andrea Riccardi, the founder of the Community of Sant’Egidio, wrote the book ‘The Church burns.’ And if the Church burns, how can we not ask ourselves about the papacy of the future?” he asked.
London, England, Feb 21, 2017 / 12:02 am (CNA/EWTN News).- You may recognize the sound of the London Oratory Schola Cantorum Boys Choir from epic motion picture soundtracks like The Lord of the Rings, Harry Potter, or The Phantom of the Opera.
But the heart of the world-renowned Schola, which includes voices of boys ages 7-18, has always been liturgical music.
Now, the boys choir hopes to bring the sacred tradition of Renaissance liturgical music to a wider audience with their debut album, “Sacred Treasures of England”, produced in a partnership with AimHigher Recordings/Sony Classical, a sister label of De Monfort Music.
AimHigher Recordings CEO Kevin Fitzgibbons said he was impressed with the choir “from the first note.”
“Mirroring the majestic beauty of The Oratory itself, the repertoire from this debut recording is gorgeous and timeless,” he said.
The album features English Tudor-era motets by composers such as William Byrd and Thomas Tallis, as well as the magnificent Missa Euge bone by Christopher Tye, and is the first part of a series of albums of sacred music the choir will be producing.
Charles Cole, Director of The London Oratory Schola Cantorum Boys Choir, told CNA that the idea for the album series came from a desire to share the Schola’s large repertoire of liturgical music, comprised largely of music from Renaissance composers, with the world.
“The Schola’s primary role is the singing of this Liturgy at the Oratory and we will always be focused above all on that,” Cole said.
“However, the opportunity to work on new recordings gives us a wonderful opportunity to work with great intensity on particular areas of the repertoire and hopefully bring these wonderful works to be heard by a far larger audience.”
The album series is grouped by region or country, he said, allowing listeners “to delve into a particular sound world, and the English music on this first recording has some very beautiful characteristics.”
Fr. George Bowen, Chaplain of the London Oratory School and a priest of the London Oratory, said the album series offers the Schola a unique chance to evangelize.
“St. Philip Neri (founder of the Oratory brotherhood of priests) always wanted the Oratory to be outward looking; to evangelise. Sacred Music has always played a vital part in the work of evangelisation, and we hope that this CD will continue the tradition,” he told CNA.
The London Oratory Schola Cantorum Boys Choir, founded in 1996, is one of three choirs associated with the London Oratory. It provides school age boys with an education immersed in the experience of learning and performing sacred liturgical music.
The choir is in high demand, and sings frequently on tours throughout the world and for projects such as the CD, movie soundtracks or philanthropic concerts for organizations such as Aid to the Church in Need. They also sing for every Vigil Mass at the London Oratory during the school year.
It all takes an incredible amount of hard work and discipline, Cole said. The boys choir rehearse every morning before school for an hour, as well as several other times throughout their school day at the Oratory.
This discipline transfers into other areas of the boys’ lives – academics, athletics – but most importantly, their immersion in the liturgy “gives them a heaven-sent opportunity to develop a love of their Faith.”
“It is a very immersive experience for them, both musically and liturgically, allowing them to experience the beautiful repertory which adorns the major feasts of the Church year,” Cole said.
“We hope that this album will bring more and more people into contact with the beautiful musical treasures of the Church.”
The Schola will be going on tour to promote their new album, which will include a leg in the United States in October. For more information about the album, including the track list, visit: http://aimhigherrecordings.com/loscbc.php/. The album is available on Amazon and iTunes.
A very happy birthday to Reverend Sister Andre Randon.
With that age she helped many souls in purgatory. Happy Birthday Sister Andre.