Phil Donahue, talk show pioneer and ‘lapsed Catholic’ who courted controversy, dies at 88

Pope Francis with members of the ‘Pope’s Team – Fratelli tutti’ in the Vatican’s Clementine Hall, Nov. 20, 2021. / Vatican Media.

Vatican City, Nov 20, 2021 / 08:00 am (CNA).
Pope Francis met with members of a soccer squad known as the “Pope’s … […]

Denver, Colo., Sep 1, 2018 / 06:04 am (CNA/EWTN News).- When sex abuse scandals first rocked the Catholic Church in the United States in 2002, Miriel Thomas Reneau was young, and felt “truly shocked to realize that men of God could inflict such terrible wounds on victims with impunity.”

This summer, as accusations of abuse against former cardinal Theodore McCarrick surfaced, a grand jury report from Pennsylvania detailed decades of clerical abuse, and the Pope has been accused of allegedly covering up abuse, Reneau, as well as many other lay Catholics, wanted to do to something.

“I wanted to express my solidarity with the victim-survivors of these abuses and do everything within my power to urge the leaders of the Church to act as courageous fathers in enacting meaningful and visible reform,” she told CNA.

That’s why Reneau, along with a friend who wished to remain anonymous, started The Siena Project, which encourages laity to write letters to their bishops “to enact meaningful reforms in light of recent revelations of grievous abuses in the Catholic Church.”

On its website, the Siena Project includes printable letter templates that can be sent to the apostolic nuncio to the United States, to Cardinal Daniel DiNardo of Galveston-Houston, president of the U.S. Conference of Catholic Bishops, and a template letter that can be sent to one’s local ordinary.

Reneau told CNA that she had already written letters to her bishop and to Cardinal DiNardo when she felt inspired to build a website that would help other Catholics do the same.

Using St. Catherine of Siena as the namesake for the project was a no-brainer for Reneau, who has a strong devotion to the Dominican tertiary, even naming a daughter after her. Furthermore, St. Catherine met and corresponded with Gregory XI so persistently that she eventually convinced him to move back to Rome after 67 years of papal exile in France.

Her example “shows us that courageous and persistent correspondence with Church leaders can be a channel of renewal during times of crisis in the Church,” Reneau said.

The project also lists in their mission statement six points which they affirm, including that clergy publicly admit the sins of the Church, that they submit to outside investigations, that seminaries and places of formation be reformed, and that the Church works to extend statute of limitations laws so as to give victims more time to find justice in court. Those who affirm the mission statement in whole are encouraged to sign it.

However, “we care much less about acquiring signatures than we do about encouraging people to write to their bishops in their own voices and from their own convictions,” Reneau said.

“I didn’t really know what to expect when I launched the website, and the response has reassured me on the most important point: I am not alone in perceiving a need for profound and visible reforms within the Church that I love so much.”

A similar letter-writing initiative was organized by a group of Catholic women, who signed an open letter to Pope Francis demanding answers to the questions and accusations raised in a letter by former U.S. nuncio Archbishop Carlo Maria Viganò.

As of Friday afternoon, the letter had more than 20,000 signatures.

Kendra Tierney is another lay Catholic who felt called to do something as the news of scandals in the Church kept coming this summer.

A mom who blogs at Catholic All Year, Tierney said the response to the scandals was something that frequently came up in a Facebook group of female Catholic bloggers to which she belongs.

Together with Bonnie Engstrom, who blogs at A Knotted Life, Tierney launched a social campaign encouraging prayer and fasting, which is how #SackClothandAshes began.

The women designed shareable graphics which describe the mission of the campaign, explain the purpose of prayer and fasting, and provide prayers of reparation. The campaign is set to last 40 days – it began Aug. 22, the feast of the Queenship of Mary, and will last through the month of September.

“We are Catholic, faithful to the Magisterium and disgusted by the abuse and cover-ups that have plagued the Roman Catholic Church. We are heartsick over the 1,000+ victims of abuse in the state of Pennsylvania and all the other boys and girls, men and women who have been sexually abused by priests and further victimized by the bishops who covered up these crimes,” one graphic for the #SackClothandAshes campaign states.

Tierney said she didn’t expect as big a response to the campaign as it has received.

“The response has been really heartwarming, because it felt like here was something real and concrete and based in Catholic doctrine and tradition that we could do,” she said.

Fasting in particular is a practice that has “sort of fallen by the wayside in Catholicism recently,” Tierney said, “yet this is a tool that makes us better and makes our Church better.”

Tierney said one of the most encouraging responses to the campaign she has received is from a woman who was sexually abused by a priest as a child. While the abuse happened many years ago, and the woman has since married and left the Church, she told Tierney that “it was the first time that she felt like the Catholic Church was supporting her and all that she had gone through.”

“There’s so many intentions for this (campaign), but that has to be one of the main ones, is showing the people who have survived this kind of abuse that we are aware of them and that we want to do what we can to support them,” Tierney said.

She noted that September is an especially appropriate time for a campaign that calls for fasting and reparation, as it contains the feasts of Our Lady of Sorrows and the Exaltation of the Cross, as well as the autumn ember days – the Wednesday, Friday, and Saturday after the third Sunday in September, which were, historically, days of fast and abstinence.

The sacrifices and prayers are “a daily reminder that I haven’t given up on this, I haven’t forgotten about it, it’s…40 days that I keep it in the forefront of my mind,” she added.

Author Leah Libresco is also inviting laity to use the Sept. 14 feast of Our Lady of Sorrows as an opportunity to call their bishops about their concerns.

In her Facebook event, Libresco said she will be asking her bishop “what (he) knew about McCarrick, what he did, and what he plans to do now. I’ll also ask for him to work for the release of documents that would confirm or refute Archbishop Viganò’s testimony.”

She encourages attendees of the event to use the letter templates from The Siena Project as a guide for what to say on the call, and also to pray the sorrowful mysteries of the rosary or the Chaplet of Seven Sorrows for the bishops and their staff ahead of time.

“Let them know when you call that you’re praying for them!” she noted.

Kevin Heider is a Catholic singer-songwriter who has responded to the scandal through song.

“The Body” is the result of thoughts that Heider started having as news of sexual accusations against McCarrick came out this summer, as well the thoughts he had surrounding his wife’s pregnancy and the birth of his son.

“As we snuggled and stared and held our son close for two days in the hospital, our minds were split between the joy of this new life and the shame and sorrow wrought by recent revelations of the extent of the suffering our church has brought to so many of the men, women, and children she was supposed to shelter — not abandon,” Heider wrote in a reflection which he shared on his Facebook page.

Heider told CNA that he had been reflecting on the Church.

His song opens with a meditation on the ugliness of sin among the members of the body of Christ, the Church.

As member of the body of Christ “we have to embrace the pain caused by our members and bear it and deal with the weight of it all,” he told CNA.

Music helps Heider process, and he said he hopes his song could help others who are struggling with the scandal in the Church to do the same. He said he hoped it might have a unifying effect, and could help his listeners move from anger to sadness.

“When people allow themselves to just be sad, they’re truly united in that sadness. There’s a beauty in that, I think, in the simple acknowledgment that we’re in this together.”

In his Facebook reflection, he closed with an apology to anyone who has been hurt by members of the Church.

“To every beautiful body one of her members has ever perversely desecrated: I do not have the words to tell you how sorry I am.”

Chris Stefanick, a Catholic speaker and evangelist with Real Life Catholic, told CNA that the pain of the abuse crisis “hits very close to home,” as he has had family members endure the devastation of abuse, with effects that can last for decades.

“So any form of institutionalized cover ups infuriates me on a very personal level. I know I’m not alone in that. I think that watching this kicks up a lot of personal pain for a lot of people…even if it wasn’t a member of the clergy who abused them,” he said.

He encouraged Catholics to do four things in the face of the abuse crisis: demand transparency, pray, hope, and remain faithful.

“Don’t ever let anyone inside or outside the Church tell you not to talk. Solid accusations must be dealt with until they’re resolved. Be an annoying voice if you need to be,” he said on the need for transparency.

At the same time, Catholics should not let the crisis “rob you of your focus on Jesus.”

“I’ll never let Judas drive me away from Christ,” he said.

“In every crisis in the Church God sends saints as the solution. This is a time of profound crisis. God is calling us to be saints. To rebuild his Church.”

[…]

Denver, Colo., Nov 15, 2022 / 09:00 am (CNA).

Michelangelo’s artistic masterpiece in the Sistine Chapel broke new ground in portraying the dynamic creative acts of God, but his work also depicts the combined importance of men and women through all of sacred history, art historian Elizabeth Lev has said.

“The spirit of artistic adventure led the artist to experiment with a completely new vision of creation,” Lev said Nov. 12. “He took a book that had been painted, sculpted, mosaiced, and illuminated over and over again in the history of art and created something completely new.”

She spoke at the closing keynote Saturday evening at the fall conference of the University of Notre Dame’s de Nicola Center for Ethics and Culture. Lev teaches at the Rome campus of Duquesne University and the Pontifical University of St. Thomas Aquinas. Her speech, “Creation, Complementarity, & St. John Paul II in Michelangelo’s Sistine Ceiling,” focused on one of the key artistic treasures of Vatican City.

The 16th-century Florentine artist Michelangelo was commissioned by Pope Julius II to paint the Sistine Chapel’s ceiling and the upper section of its walls. This was the artist’s focus from 1508 to 1512. He later finished the Last Judgment above the chapel altar from 1535 to 1541.

The ceiling frescoes show the creation of the heavens and the earth, the creation of Adam and Eve, their expulsion from the Garden of Eden, the great flood, and the rebirth of humankind through Noah.

Lev cited St. John Paul II’s description of Michelangelo’s work in his poem “Meditations on the Book of Genesis at the Threshold of the Sistine Chapel.”

“It is the book of the origins — Genesis,” the pope said. “Here, in this chapel, Michelangelo penned it, not with words, but with the richness of piled-up colors. We enter in order to read it again, going from wonder to wonder.”

Lev reflected on the first three panels depicting the creation of the world. These show “the mighty dynamic figure of God the Father at work.”

“It’s not what God creates, it’s that God creates,” she said. Michelangelo broke ground in portraying God as “physically engaged in creation.” For Lev, this offers “a preview of the Incarnation.”

Turning to Michelangelo’s famous depiction of the Creation of Adam, Lev noted that the artist depicts “just God and the creature formed in his likeness.” Adam is shown as “somewhat listless” in contrast with God’s energy. Adam is “sentient and awake but he has no will or strength or purpose to rise,” she said. “He looks completely passive and dependent despite that incredibly beautiful form.”

“It’s God who reaches towards man,” she continued. For Lev, the outstretched finger of God makes the viewer “almost lean forward in his seat waiting for that final Act of Creation, the divine spark, the Breath of Life that will release that latent energy and allow Adam to take his place as the greatest of creations.”

“This is the joy in humanity that permeates the Renaissance,” Lev said.

There is academic debate over a female figure shown in the Creation of Adam. As God the Father stretches out one arm to Adam, his other arm curls around a female figure. Some have identified this figure as Wisdom, some as Mary.

Lev suggested it is best to identify this figure as Eve, both because the figure provides visual balance to Adam and because her gaze “connects her more intimately with Adam.”

The creation of Eve from Adam, depicted next on the chapel ceiling, shows Eve emerging from Adam’s side with her hands clasped in prayer, an image of the Church and the personification of Mary, the “Second Eve.”

Lev cited St. John Paul II’s 1999 homily inaugurating the newly restored Sistine Chapel, after centuries of grime and soot were removed. The pope called the chapel the “sanctuary of the theology of the human body,” alluding to his catecheses offered from 1979 to 1984. The pope suggested that Michelangelo allowed himself to be guided by the Book of Genesis’ depiction of mankind in Eden: “the man and his wife were both naked and they felt no shame.”

Before the fall, Lev commented, Michelangelo depicted Adam and Eve in the state of grace as “two of his most beautiful figures.”

“They are filled with dynamism. They’re buoyant. They’re luminous,” Lev said, adding that their bodies “suggest immortality.” After the fall, however, both of their bodies “lose their luminosity” and appear heavier, like a burden. Adam’s shoulder seems to force Eve into the background, “subjugating her.”

For Lev, the artistic depiction of the genealogy of Jesus Christ also deserves attention. The portrayal of the ancestors of Jesus Christ shows “a genealogy of men and women struggling from generation to generation.” These figures seem “more approachable” and “much more similar to candid family photographs.” Even though 22 women in Jesus’ genealogy are not named, Michelangelo pairs them with their husbands.

Lev noted that Michelangelo broke with artistic convention both by including mothers and by showing them as busy, everyday women “tending to toddlers, toilettes, and tasks.” His style of painting them with “incredible immediacy” adds observations of human nature: Eleazar’s wife holds the purse strings and the key to the house, and her husband looks “startled” as she surveys their son. Other depictions are “tender and intimate,” like the portrayal of the wife of Manasseh, who cradles a swaddled son while rocking an infant’s cradle.

Here, Lev drew on John Paul II’s 1995 “Letter to Women.” He wrote that womanhood and manhood are complementary at the physical, psychological, and even ontological level.

“It is only through the duality of the masculine and the feminine that the human finds full recognition,” the pope said. “To this unity of the two, God has entrusted not only the work of procreation and family life but the creation of history itself.”

Lev noted that the passing of generations “necessarily emphasizes the begetting of children.” This means that the complementarity of the sexes is essential for a population to form and for creation to continue.

In Michelangelo’s portrayal of the Last Judgment, the artist still looks back to creation but also breaks new ground. He placed Mary next to Christ, as “a foil to Christ’s sternness.”

“She is the picture of mercy gazing down towards the elect, placed by the wound in Christ’s side whence the Church sprang,” Lev said. “Mary is transfigured into the Bride of Christ, for whom he gave his life and to whom he cannot say no. She is the conduit to Christ, as Eve was the link between God and man in the creation of woman.”

For Lev, the Sistine Chapel shows the “incredible gift of creation” from the beginning of the world down through the generations, “through which all of us today are a part of that continuation of creation.”

[…]