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Metropolitan Opera to perform Francis Poulenc’s powerful Dialogues of the Carmelites

The opera had its origin in a novella by Gertrud von Le Fort called Song at the Scaffold and drew on a film script by the novelist Georges Bernanos.


If you have access to a radio station that carries the Saturday matinee broadcasts from the Metropolitan Opera, you have a memorable experience waiting for you. On January 28, the featured work will be Francis Poulenc’s Dialogues of the Carmelites (1 pm EST). This is a deeply moving spiritual drama with one of the most emotionally powerful conclusions anywhere in musical theater.

The events on which Dialogues of the Carmelites are based occurred during the blood-soaked late phase of the French Revolution known as the Terror. Historian Michael Burleigh calls those terrible months “the first occasion in history when an ‘anticlerical’ and self-styled ‘non-religious’ state embarked on a program of mass murder that anticipated many twentieth-century horrors” through its large-scale use of the guillotine.

Jesus told his followers to expect persecution. See, for example, John 13:18-21. And although each episode of persecution has its own peculiar traits, persecutions commonly share certain family resemblances.

As had happened earlier in England under Henry VIII and Elizabeth I, so during the French Revolution some priests and bishops became conformers while others went underground, continuing to provide Mass and sacraments for what by then had become a clandestine Church. Many of these were apprehended and killed, while others—some 25,000 to 30,000, says Burleigh —fled the country. Meanwhile, admirers of the regime took to declaring that the Revolution itself was a “political religion” with its own special creed and ethical code.

In 1790, the French revolutionary government had adopted a law called the Civil Constitution on the clergy, which, among other things, made the common life of religious communities illegal. In August that year, government agents came to the Carmelite convent in Compiègne, north of Paris, and gave the nuns a choice: give up religious life—or else. Two years later, the government ordered all convents closed; regime goons seized the Compiègne Carmel and expelled the nuns.

Friends arranged for the Carmelites, now wearing civilian garb, to occupy several apartments in Paris and continue to practice community life together as best they could. After the Terror began in 1794, the authorities arrested and tried them for breaking the law. Convicted and sentenced to death, the 16 sisters, singing hymns, were hauled in an open cart through the city streets to the execution site, and there each one, after kissing a statue of the Virgin held by the prioress, went to the guillotine chanting the “Veni Creator Spiritus” and was beheaded. The Martyrs of Compiegne were beatified by Pope St. Pius X in 1906.

The opera had its origin in a novella by Gertrud von Le Fort called Song at the Scaffold and drew on a film script by the novelist Georges Bernanos. Poulenc completed it in 1955, and it had its first performance in January, 1957 (in Italian) at La Scala in Milan and later that year (in French) at the National Opera of Paris. It was first staged at the Metropolitan in 1977. Dialogues of the Carmelites is one of the relatively few operas of the past century to have to have won a place in the international opera repertory.

Undoubtedly, its final scene plays a part in that. The nuns go one by one to the guillotine, singing, and as the blade drops on one, the next picks up the song. When the terrible blade comes crashing down the last time, the singing stops and the opera ends. Audiences not uncommonly sit for several moments in stunned silence before the applause begins.

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About Russell Shaw 288 Articles
Russell Shaw was secretary for public affairs of the National Conference of Catholic Bishops/United States Catholic Conference from 1969 to 1987. He is the author of 20 books, including Nothing to Hide, American Church: The Remarkable Rise, Meteoric Fall, and Uncertain Future of Catholicism in America, Eight Popes and the Crisis of Modernity, and, most recently, The Life of Jesus Christ (Our Sunday Visitor, 2021).


  1. A disturbing article about what happens when secular authorities decide they are also the moral authority in a country. Those who have helped vote into office the current administration for reasons of “family tradition”, union interests, race or sexual liberality should take heed. You may well be the next victims. Let us remember that while the crowds cheered for the deaths of some, eventually the chopping block also came for many of those who started the Revolution. It is beyond disturbing to see here the legal persecution of Christian bakers, FBI investigation of PTA parents who object to the sexual distortions being taught their children as “normal”, and now passage of the so called marriage act which will in fact legalize all sorts of sexual depravities while endangering the legal freedom of religions and the right of their adherents.Today the TV crowed about how Joe Biden has given 99 federal judges a LIFETIME appointment. Their leftist poison will not end when his administration does. As in the French Revolution, blood is not just on the hands of the executioner, but on ALL of those who helped put the system into power.

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