Pope Francis waves from the window of the Apostolic Palace on Feb. 7, 2021. / Vatican Media/CNA.
Vatican City, Apr 18, 2021 / 08:00 am (CNA).
In his Regina Coeli address Sunday, Pope Francis applauded the beatification of six Cistercian monks who were martyred while trying to protect the Eucharist from French soldiers in 1799.
Blessed Siméon Cardon and five other Cistercian monks were beatified on April 17 in the Italian abbey where they were martyred more than 200 years ago.
Speaking from the window of the Vatican’s Apostolic Palace for the first time in weeks, Pope Francis asked the pilgrims gathered in St. Peter’s Square on April 18 to applaud “the new Blesseds”.
“In 1799, when French soldiers, in retreat from Naples, sacked churches and monasteries, these meek disciples of Christ resisted with heroic courage, unto death, to defend the Eucharist from desecration,” the pope said.
“May their example spur us to a greater commitment of fidelity to God, capable of transforming society and making it more just and fraternal.”
Cardinal Marcello Semeraro, prefect of the Congregation for the Causes of Saints, presided over the beatification of the six Cistercian monks in Casamari Abbey in Frosinone, Italy.
Four of the martyred monks — Siméon Cardon, Modeste-Marie Burgen, Maturin Pitré and Albertin Marie Maisonade — were French and had previously fled the violence of the French Revolution.
The French army, which had occupied Naples, had sacked the Benedictine monastery of Monte Cassino and other churches and monasteries while on retreat northward.
While most of the Cistercians of Casamari Abbey escaped amid chaos of the looting, six monks remained to try to save the consecrated hosts in the tabernacle from desecration and were killed by the soldiers.
In the pope’s Regina Coeli address, he said that “the Eucharistic banquet” is the focal point of Christian community.
“Eating together the Body of Christ: this is the core of Christian life,” Pope Francis said.
“Being Christian is not first of all a doctrine or a moral ideal; it is a living relationship with Him, with the Risen Lord: we look at him, we touch him, we are nourished by Him and, transformed by his Love, we look at, touch and nourish others as brothers and sisters,” he said.
The pope also asked for people to pray for peace in eastern Ukraine, where tensions have risen due to the build-up of Russian troops along the border.
“On this Third Sunday of Easter, we return to Jerusalem, in the Cenacle, as guided by the two disciples of Emmaus, who had listened with great emotion to Jesus’ words along the way and then had recognized him ‘in the breaking of the bread’. Now, in the Cenacle, the Risen Christ presents himself in the midst of the group of disciples and greets: ‘Peace to you,’” he said.
“Brothers and sisters, this Gospel passage tells us that Jesus is not a ‘ghost,’ but a living Person; that when Jesus draws near to us he fills us with joy, to the point of disbelief, and he leaves us bewildered, with that astonishment that only God’s presence gives, because Jesus is a living Person,” Pope Francis said.
If you value the news and views Catholic World Report provides, please consider donating to support our efforts. Your contribution will help us continue to make CWR available to all readers worldwide for free, without a subscription. Thank you for your generosity!
Click here for more information on donating to CWR. Click here to sign up for our newsletter.
CNA Staff, Mar 8, 2024 / 16:35 pm (CNA).
In a “resounding victory” for religious freedom, a court in North Dakota ruled this week that the federal government cannot compel religious employers and he… […]
The members of the general board of directors of the Regnum Christi Federation, before its first general convention from April 29 to May 4, 2024, in Rome. / Credit: Regnum Christi
ACI Prensa Staff, Feb 6, 2025 / 17:20 pm (CNA).
The Vatican has … […]
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary, Virgin Immaculate, in the Chapel of the Choir in St. Peter’s Basilica. / Daniel Ibañez/CNA
Vatican City, May 29, 2023 / 10:30 am (CNA).
To honor the Blessed Virgin Mary, the Vatican offers a special Marian pilgrimage within St. Peter’s Basilica each Saturday afternoon during the month of May.
The Marian itinerary brings pilgrims from Michelangelo’s marble sculpture of the Pieta to Our Lady of Perpetual Help, a 12th-century painting brought into the basilica in 1578 in a solemn procession.
For those unable to travel to the Eternal City, CNA is providing the following “virtual tour” with photos by Daniel Ibañez of eight beautiful images of Our Lady in St. Peter’s Basilica for the feast of Mary, Mother of the Church.
In St. Peter’s Basilica’s Chapel of the Choir, a large mosaic based on painting by Italian artist Pietro Bianchi depicts Mary, Virgin Immaculate, in the glory of heaven being venerated by St. John Chrysostom (left) and other saints. Daniel Ibañez/CNA
Virgin Immaculate
In the basilica’s Chapel of the Choir, a large altarpiece reveals Mary, Virgin Immaculate, in the glory of heaven above angels and saints. The mosaic based on an 18th-century painting by Italian artist Pietro Bianchi depicts St. John Chrysostom St. Francis of Assisi, and St. Anthony of Padua venerating the Blessed Virgin Mary.
The chapel is located on the left side of the basilica behind an iron gate designed by Gian Lorenzo Bernini. St. John Chrysostom is buried beneath the altar, which also contains relics of St. Francis and St. Anthony.
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary. Pope Pius X later added a larger diamond crown to mark the 50th anniversary of the declaration in 1904.
The original painting by Bianchi can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.
Mother of the Church
St. Peter’s Basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”. Daniel Ibañez/CNA
The basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”
The original image of the Virgin Mary and the Christ Child was painted on a column in old St. Peter’s Basilica, built by Emperor Constantine in the fourth century. It was later transferred to the 16th-century St. Peter’s Basilica. Paul VI honored the icon with the title “Mater Ecclesiae” after the Second Vatican Council.
A mosaic of the Virgin Mary overlooking St. Peter’s Square was inspired by the original Mater Ecclesiae image. The mosaic was installed after the assassination attempt against St. John Paul II in 1981.
When he blessed the mosaic, John Paul II prayed “that all those who will come to this St. Peter’s Square will lift up their gaze towards you [Mary], to direct, with feelings of filial trust, their greetings and their prayers.”
In 2018, Pope Francis added the memorial of “Mary, Mother of the Church” to the liturgical calendar for the Monday after Pentecost.
Mother of Pilgrims
A restored 16th-century painting of Our Lady holding her Son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV under the title “Mother of Pilgrims.”. Daniel Ibañez/CNA
A restored 16th-century painting of Our Lady holding her son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV.
The image is titled “Mater Peregrinorum” or Mother of Pilgrims. The original artist is not known, but Italians also refer to the painting as the “Madonna di Scossacavalli” because it came from Rome’s Church of San Giacomo Scossacavalli, which was demolished in 1937 to create the current Via della Conciliazione leading to St. Peter’s Basilica.
Our Lady of Perpetual Help
A 12th-century painting on wood titled Our Lady of Perpetual Help in the Gregorian Chapel of St. Peter’s Basilica. Daniel Ibañez/CNA
A 12th-century painting on wood titled Our Lady of Perpetual Help, also known as Our Lady of Succor, was transferred to an altar in St. Peter’s Gregorian Chapel on February 12, 1578 with a solemn procession.
The painting was the first artistic restoration completed under Pope Francis’ pontificate during the Year of Faith, according to a book published by the Knights of Columbus.
The remains of the Doctor of the Church St. Gregory of Nazianzus (d. 390) are preserved in an urn beneath the Altar of Our Lady of Succor in the Gregorian Chapel, found on the right side of the basilica.
Ark of the Covenant
A mosaic altarpiece of the Presentation of the Virgin Mary in the Temple can be found above the tomb of Pope St. Pius X near the left-front entrance of the basilica. Daniel Ibañez/CNA
A colorful mosaic altarpiece of the Presentation of the Virgin Mary in the Temple brightens the wall above the tomb of Pope St. Pius X (d. 1914) in the Presentation Chapel near the left-front entrance of the basilica.
A young Mary is depicted on the steps of the Temple with her parents, Sts. Anne and Joachim, the grandparents of Jesus.
The mosaic completed by Pietro Paolo Cristofari in 1728 is based on a painting by 17th-century artist Giovanni Francesco Romaneli, the original of which can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.
Gate of Heaven
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the oldest door of St. Peter’s Basilica is a reminder of Mary’s title, “Gate of Heaven.”. Daniel Ibañez/CNA
The central door leading to basilica was retained from the old St. Peter’s Basilica and is known as the Filarete Door. Created by a Florentine artist in 1455, the door depicts Christ, the Virgin Mary, and the apostles Sts. Peter and Paul.
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the door is a reminder of Mary’s title, “Gate of Heaven.”
Queen Assumed into Heaven
The mosaics decorating the interior dome of St. Peter’s Basilica depict the Blessed Virgin Mary next to Christ the Redeemer and the Apostles. Daniel Ibañez/CNA
Looking up at the soaring cupola, or dome, of St. Peter’s Basilica, one sees mosaics depicting the Blessed Virgin Mary next to Christ the Redeemer, along with St. John the Baptist and the apostles.
The mosaic of the Virgin Mary on the Great Dome, completed in 1610 by Orazio Gentileschi, is based on drawings by Italian Mannerist painter Giuseppe Cesari.
Mother of the Redeemer
Michelangelo’s Pieta conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified. Daniel Ibañez/CNA
Michelangelo Buonarroti carved the Pieta from a single slab of Carrara marble when he was 24-years old. The sculpture was unveiled in St. Peter’s Basilica for the Jubilee of 1500.
The moving sculpture conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified.
The sculpture sits above a side-altar near the front entrance of St. Peter’s Basilica, where Mass was sometimes offered before recent restrictions. Visitors to the basilica can only see the Pieta behind bulletproof glass after a man attacked the sculpture with a hammer in May 1972.
The Pieta was the only work of art that Michelangelo ever signed.
Leave a Reply