St. Mary Magdalene relic at the Basilica of St. John the Baptist of the Florentines. / Credit: Daniel Ibanez/CNA
Vatican City, Jul 22, 2023 / 02:00 am (CNA).
As the stories of many ancient things go, the relic of St. Mary Magdalene’s left foot had been lost to memory for centuries before it was rediscovered in the year 2000.
For a little over a decade now, the bone fragments, which rest in a silver foot-shaped reliquary, have been displayed for veneration in the Basilica of St. John the Baptist of the Florentines, a church just across the river from the Vatican.
St. Mary Magdalene’s relic in Rome at the Basilica of St. John the Baptist of the Florentines. Photo credit: Daniel Ibanez/CNA
A popular belief says most of the mortal remains of the woman who first saw the resurrected Christ are in various places in France, transferred there from Byzantium as a gift to the king of France from the king of Jerusalem in the ninth century.
Mary Magdalene’s body passed through Rome on the journey to France, the story goes, and bone fragments from her foot were given to the pope.
The relics, which are held to be from the foot that first entered Christ’s empty tomb, were placed for veneration in a chapel at the beginning of the Sant’Angelo Bridge.
At one time, crossing the ancient Sant’Angelo Bridge over the Tiber River was the fastest way for pilgrims to reach the old St. Peter’s Basilica from the center of Rome.
St. Mary Magdelene’s relic at the Basilica of St. John the Baptist of the Florentines. Photo credit: Daniel Ibanez/CNA
In that location, the foot of “the apostle to the apostles” was, therefore, a symbolic last relic for pilgrims to visit before arriving at the tomb of St. Peter.
The silver reliquary holding the relics is believed to be a work of Benvenuto Cellini and dates to the 16th century.
This is where the story of the relic gets lost — until the start of the new millennium when it was somehow rediscovered and placed in a small museum of sacred art opened at the parish of the Basilica of St. John the Baptist of the Florentines in 2001.
The basilica, which is not far from Sant’Angelo Bridge, was completed in the 17th century. One historic point of interest about the church is that St. Philip Neri was its rector for more than a decade before founding his society of priests, the Oratorians.
On May 24, 2012, St. Mary Magdalene’s relic was solemnly transferred from the basilica’s museum to a niche on the left side of the church nave.
Cardinal Carlo Caffarra, the basilica’s titular cardinal before his death in 2017, led the enthronement of the relic in its new place of veneration.
The evening included the praying of vespers and the cutting of a ribbon to signify the opening of a welcome point for pilgrims walking the medieval Via Francigena pilgrimage route.
Though the museum connected to the Basilica of St. John the Baptist of the Florentines is temporarily closed, the church continues to welcome locals and visitors alike to pray, worship, admire its artworks, and to venerate the relic of St. Mary Magdalene’s foot.
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Vatican City, Mar 14, 2019 / 09:16 am (CNA).- Cardinal Godfried Danneels died Thursday at the age of 85 in his native Belgium. Danneels served as Archbishop of Mechelen-Brussels and leader of the Belgian Bishops’ Conference for more than thirty years.
In later life, Danneels was widely recognized as an influential member of the college of cardinals and an at times controversial figure.
“This zealous pastor served the Church with dedication not only in his diocese but also at the national level as President of the Conference of Bishops of Belgium, while being a member of various Roman Dicasteries,” Pope Francis wrote March 14 in a telegram to the bishops of Belgium expressing his condolences.
“Attentive to the challenges of the contemporary Church, Cardinal Danneels took an active part in various Synods of Bishops, including those of 2014 and 2015 on the family. He has just been reminded of God at this time of purification and of walking toward the Resurrection of the Lord,” Francis said.
Considered among the more progressive churchmen of his generation, Danneels was an enthusiastic supporter of the liturgical reforms which followed Vatican Council II. He was also a prominent advocate for decentralized Church governance and interreligious dialogue.
As leader of the Church in Belgium, the cardinal was an established figure in national life, keeping close company with politicians and members of the royal family. He was sometimes criticized for his apparent willingness to embrace secular-liberal politics, once controversially describing same-sex marriage as a “positive development” in Belgium.
In recent years, accusations of mismanagement and cover-up of clerical sexual abuse cast a shadow over his past leadership of the church in Belgium.
Danneels was at the center of a national scandal when the Belgian newspapers De Standaard and Het Nieuwsblad published transcripts of a recording in which he appeared to pressure a victim of sexual abuse to remain silent.
The victim had been abused by his uncle, Belgian Bishop Roger Vangheluwe, beginning at the age of 5. When the victim met with Danneels to report the abuse and insist on his uncle’s removal from office, the cardinal told the man that Vangheluwe would retire in a few months.
“I don’t think you’d do yourself or [your uncle] a favor by shouting this from the rooftops,” Danneels was recorded saying.
The cardinal denied that he intended any cover-up.
Danneels was born June 4, 1933 in Kanegem, diocese of Bruges, and grew up in a family of six in Eastern Flanders.
Ordained in 1957, Danneels went on to teach theology at the Flemish Catholic University of Louvain as a professor for ten years, after earning a doctorate at the Pontifical Gregorian University of Rome.
Danneels was appointed as the bishop of Antwerp by Pope Paul VI in 1977, became archbishop of Mechelen-Brussels in 1980, and created cardinal by Pope John Paul II three years later.
After his retirement in 2010, Danneels would infrequently speak in public.
In 2013, Danneels stood next to the newly elected Pope Francis on the loggia of St. Peter’s Basilica. Pope Francis later invited Danneels to attend the two sessions of the Synod of Bishops on the family as a special delegate.
In a 2015 authorized biography of the cardinal, Danneels was listed as being part of a group of cardinals who coordinated efforts ahead of the conclave that elected Pope Francis.
The funeral for Cardinal Danneels will take place in the Cathedral of St. Rombouts in Mechelen, and will be celebrated by the current Archbishop of Mechelen-Brussels Cardinal Jozef De Kesel.
In a March 14 statement announcing the death, Cardinal Kesel recognized Danneels’ years of service, “We are very grateful to Cardinal Danneels. For many years he has exercised shepherding in the Church in a period of fundamental changes in Church and society.”
“He has experienced trials, and in the end he was greatly weakened and exhausted. We continue to thank him gratefully. May he rest in God’s peace,” he said.
Father J.J. Mech, rector of the Cathedral of the Most Blessed Sacrament in Detroit, stands next to the life-sized statues of the apostles that have now been installed in the cathedral’s worship space, along with first-class relics of each apostle. The “Journey with the Saints” pilgrimage, which will be dedicated Feb. 8, 2024, in a special ceremony with Archbishop Allen H. Vigneron, is part of the cathedral’s ongoing transformation into an “apostolic center for the arts and culture.” / Credit: Photo courtesy of the Cathedral of the Most Blessed Sacrament and Detroit Catholic
Detroit, Mich., Jan 29, 2024 / 06:00 am (CNA).
At the Cathedral of the Most Blessed Sacrament in Detroit, the band is getting back together. The band of Christ’s 12 apostles, that is.
On Feb. 8, Detroit’s mother church will publicly unveil its long-awaited “Journey with the Saints” project, a permanent installation of 14 “larger than life” statues accompanied by first-class relics of each apostle, the latest accomplishment in the cathedral’s ongoing mission to turn itself into an apostolic center in the city of Detroit.
Archbishop Allen H. Vigneron will join Father J.J. Mech, rector of the cathedral, to dedicate the new installation during a special event at 7 p.m.
From its central perch on Woodward Avenue, the looming gothic cathedral of the Archdiocese of Detroit stands out in its neighborhood. Following Vigneron’s instruction to turn the church into a “cathedral of the arts,” Mech has spent the last several years converting the cathedral into a hub of missionary activity and beauty, drawing people to the faith via “shallow entry points.”
“Our goal is that we are going to be more accessible to people off of Woodward,” Mech told Detroit Catholic. “We want this to be a flexible public space, maybe even a community hub for not only spiritual enrichment but cultural enrichment, and it will be a safe place, and we will have security and all of that.”
St. Simon, St. Thomas, and St. Matthias are pictured in their permanent fixtures atop the pillars inside the Cathedral of the Most Blessed Sacrament. The statues and relics of the apostles will be officially unveiled Feb. 8, 2024, as part of a permanent pilgrimage experience at the cathedral, “Journey with the Saints.” Credit: Photo courtesy of Detroit Catholic
The name “Cathedral of the Arts,” Mech explained, is a reminder that the proof of God is beauty — a principle that guides each of the new initiatives he and his team have undertaken on the cathedral’s campus.
The latest project, the installation of the seven-and-a-half-foot-tall statues and relics encircling the cathedral’s interior worship space, is the crowning jewel of those efforts, transforming the cathedral into a permanent pilgrimage site, guided by the men who knew Christ most intimately during his time on earth.
Complete with first-class relics, the new installation is among the first of its kind in North America bringing together all 12 of Christ’s apostles for veneration, and the only exhibit in the world with the relics accessible in this way.
The 14 statues — including two eight-foot angels — each were carved from a single tree trunk in St. Ulrich Groeden, in modern-day Italy, in 1927. The statues were rescued from St. Benedict Church in Highland Park, which closed in 2014. After undergoing extensive restoration, the statues were installed in the cathedral’s nave in December.
The statue of St. Andrew. Each of the statues were carved from a single tree trunk and rescued from St. Benedict Church in Highland Park, which closed in 2014. After undergoing extensive restoration, the statues were installed in the cathedral’s nave in December 2023. Credit: Photo courtesy of Detroit Catholic
The statues include two angels, 10 of the original 12 apostles, St. Paul, and St. Matthias, the apostle who replaced Judas. Mech discovered that he had relics corresponding to the 12 saints, part of a collection of nearly 200 relics owned by the cathedral, all of which he hopes to be able to one day put on display.
The relics and the signage were installed beneath each statue beginning on Jan. 8, in time for the dedication and blessing of the new reliquary pilgrimage on Feb. 8.
“I am so excited about the transformation that is happening,” Mech said. “When you come in, there will be three main signs that tell you how to go on a pilgrimage, what the goal of a pilgrimage is, and how to interact with these relics. [Pilgrims] are going to walk away transformed, different, and they are going to enter through prayer.”
“Journey with the Saints” is much more than a museum of Church history, Mech said, but a rare opportunity to invoke the help of Catholicism’s greatest saints.
“It’s not just about looking at a pretty statue and touching some bones. [Pilgrims] are going to have a purpose when they walk away,” Mech said. “People can decide what they want intercession for, what they are hoping for when they pray to a particular saint, and when they walk away, they’ll keep praying for that.”
Keith Calleja began installation of relics on Jan. 8, 2024, starting with the relic of St. Philip. Credit: Photo courtesy of Detroit Catholic
Mech said those whose prayers have been answered through the intercession of the saints will be invited to return to the cathedral and contribute a tile to a mosaic art piece that will be installed to show how God is answering prayers through the project.
While the saints and relics are the culmination of a long-sought project, it’s all part of a greater vision for Detroit’s cathedral, Mech said.
Another piece of the puzzle will be dedicated on May 12, when Archbishop Vigneron will unveil a new outdoor grotto at the cathedral in honor of the Blessed Virgin Mary.
During the height of the coronavirus pandemic in 2020, as the archbishop emotionally addressed the faithful during a livestreamed Mass from the cathedral, he entrusted the archdiocese to the protection of Our Lady of Lourdes and pledged to build the grotto “as a perpetual reminder” of her care and in memory of the lives lost to COVID-19.
Under the guidance of the archbishop, the Cathedral of the Most Blessed Sacrament finished a majority of the work on the grotto this fall, including statues of St. Bernadette Soubirous and Our Lady, whose face will reflect the one St. Bernadette saw in Lourdes, France, in 1858.
The first-class relics are among nearly 200 relics currently housed in the cathedral, which Father Mech hopes to find a way to display. The gold reliquaries are installed beneath each of the apostles’ statues. January 2024. Courtesy of Detroit Catholic
“People are already presently coming to pray [at] the grotto with the Blessed Mother,” Mech said. “We put some beautiful landscaping in this fall so people would feel welcomed, and in fact, we have used the site in a couple of ways for prayer services already.”
The grotto will also connect seamlessly with a garden walk that is being created around the cathedral’s plaza lawn, which will include art, benches, solar charging stations, a dog park, a bird sanctuary and pollination habitat.
Working alongside the U.S. Fish and Wildlife Service, the cathedral’s co-director of family ministries, Christine Broses, is spearheading the transformation of two previously empty lots on the corner of Trowbridge and John R Streets into green space for wildlife to thrive.
“We learned that the city of Detroit is a north, south, east, and west crossing for bird migration,” Broses said. “So a lot of birds fly over the city of Detroit, but they don’t have anywhere to stop and rest because there isn’t a lot of green space. Creating green space is really important for the city and for wildlife in general, and research shows hearing birds and having green space in neighborhoods helps improve people’s mental health.”
Last spring, Broses oversaw the planting of native flowers in the area, and the next step is to let the space grow wild, which will inevitably attract birds and bees over the coming years. Broses said the final step will be to add educational plaques and pathways to make the spot accessible to schools and families.
Mech wants the garden spaces and pathways to be welcoming and intends to build benches — something the neighborhood is currently lacking.
The statues, pictured in their final fixed locations above the cathedral’s pillars, are just one piece of an ever-developing project to turn the cathedral into a true apostolic center in the heart of Detroit, Father J.J. Mech said. Credit: Photo courtesy of Detroit Catholic
“We did a study of our neighborhood and found there is not a single park bench in any of the parks in our area,” Mech said. “We want to have park benches so people can come and rest and enjoy themselves. This will be a place where community can be built, and people will realize that the cathedral is not a fortress; we are actually unleashing the Gospel.”
And there is more.
In June, construction began on the Cathedral Arts Apartments, which will include four stories and 53 two-bedroom housing units for low-income Detroiters. The $19.7 million project is the joint effort of the Archdiocese of Detroit; MHT Housing, Inc.; and the city of Detroit and will include a community space and workforce training center.
At the end of the day, the vision of a “Cathedral of the Arts” — like the cathedrals of old — is about listening to the Holy Spirit and making a difference from the very small to the large scale, so that everyone who steps onto the property is transformed, Mech said.
“When we get people onto the campus, they start to see what we are doing, and they get involved,” he said. “Then, the Holy Spirit does the rest and helps them to get to know Our Lord in new and wonderful ways.”
Saint Mary Magdalene – Pray for us.