Vilnius, Lithuania, Sep 22, 2018 / 02:36 pm (CNA).- Traveling Saturday to Lithuania, Pope Francis joked that, in the eyes of some, Pope St. John Paul II is considered a saint while he himself is considered “a devil.”
The pope’s joke came amidst a Sept. 22 conversation with journalists, the Associated Press reported, during which he was presented a book about Pope St. John Paul II, written by long-time papal photographer Grzegorz Galazka.
Francis joked as he examined the book, reportedly telling reporters “[John Paul II] was a saint, I am a devil.”
“No, you are both saints!” Galazka responded.
The pope has shown a similar penchant for self-deprecating humor in the past.
Talking with reporters in August, he said his role in securing Italy’s reception of controversial controversial migrants had been that of “the devil’s paw.”
In January, Francis joked with cloistered nuns in Peru that they had come to hear him speak only “to get out of the convent a bit to take a stroll.”
In 2015, Pope Francis reportedly joked with then-Ecuadorian president Rafael Correa. After a visit, Correa tweeted that Pope Francis had made a joke based on stereotypes about Argentine vanity. “Being Argentine, they thought I would call myself Jesus II,” Francis reportedly told Correa.
The pope’s trip to Lithuania is the start of a four-day trip through the Baltic states, during which Pope Francis will visit Lithuania, Latvia, and Estonia, before returning to Rome Sept. 25.
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Pope Francis at his general audience in St. Peter’s Square on May 17, 2023. / Vatican Media
Rome Newsroom, May 18, 2023 / 07:00 am (CNA).
Pope Francis offered his condolences Thursday after at least nine people died in devastating floods in northeastern Italy.
The pope sent a condolence telegram to Cardinal Matteo Maria Zuppi, the archbishop of Bologna, on May 18 after intense rainfall across the Italian region of Emilia Romagna caused severe flooding and landslides.
Thousands have been evacuated from the worst-hit areas, which include Ravenna, a city famous for its Catholic churches’ sixth-century Byzantine mosaics.
Images from the towns of Faenza and Cesena show cars almost entirely submerged in muddy water. Rescue workers used helicopters and dinghies to help people escape from flooded buildings.
According to local officials, some parts of the region received nearly 20 inches of rain in 36 hours. The heavy rains caused 23 rivers across the region to burst their banks and 120 landslides.
Situazione drammatica in #EmiliaRomagna. Pesante alluvione.
Sarà allerta rossa anche domani. Nel frattempo le immagini che arrivano dalla Romagna fanno paura.
Catholic bishops in Emilia-Romagna have called for the region to remain united in the face of the emergency and committed to doing everything necessary to collaborate with relief efforts to aid those in need. Zuppi has asked for priests to notify Caritas of emergency situations that need to be addressed.
The telegram sent on the pope’s behalf by Archbishop Edgar Peña Parra, the Substitute (Sostituto) of the Vatican Secretariat of State, said: “While assuring fervent prayers of repose for the deceased and expressing condolences to their families, the Supreme Pontiff invokes from God comfort for the wounded and consolation for those suffering consequences from the grave calamity.”
“Pope Francis thanks all those who in these hours of particular difficulty are working to bring relief and alleviate all suffering, as well as the diocesan communities for their expressions of communion and fraternal closeness to the most afflicted populations. The Supreme Pontiff sends apostolic blessing to all as a sign of his spiritual closeness.”
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary, Virgin Immaculate, in the Chapel of the Choir in St. Peter’s Basilica. / Daniel Ibañez/CNA
Vatican City, May 29, 2023 / 10:30 am (CNA).
To honor the Blessed Virgin Mary, the Vatican offers a special Marian pilgrimage within St. Peter’s Basilica each Saturday afternoon during the month of May.
The Marian itinerary brings pilgrims from Michelangelo’s marble sculpture of the Pieta to Our Lady of Perpetual Help, a 12th-century painting brought into the basilica in 1578 in a solemn procession.
For those unable to travel to the Eternal City, CNA is providing the following “virtual tour” with photos by Daniel Ibañez of eight beautiful images of Our Lady in St. Peter’s Basilica for the feast of Mary, Mother of the Church.
In St. Peter’s Basilica’s Chapel of the Choir, a large mosaic based on painting by Italian artist Pietro Bianchi depicts Mary, Virgin Immaculate, in the glory of heaven being venerated by St. John Chrysostom (left) and other saints. Daniel Ibañez/CNA
Virgin Immaculate
In the basilica’s Chapel of the Choir, a large altarpiece reveals Mary, Virgin Immaculate, in the glory of heaven above angels and saints. The mosaic based on an 18th-century painting by Italian artist Pietro Bianchi depicts St. John Chrysostom St. Francis of Assisi, and St. Anthony of Padua venerating the Blessed Virgin Mary.
The chapel is located on the left side of the basilica behind an iron gate designed by Gian Lorenzo Bernini. St. John Chrysostom is buried beneath the altar, which also contains relics of St. Francis and St. Anthony.
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary. Pope Pius X later added a larger diamond crown to mark the 50th anniversary of the declaration in 1904.
The original painting by Bianchi can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.
Mother of the Church
St. Peter’s Basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”. Daniel Ibañez/CNA
The basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”
The original image of the Virgin Mary and the Christ Child was painted on a column in old St. Peter’s Basilica, built by Emperor Constantine in the fourth century. It was later transferred to the 16th-century St. Peter’s Basilica. Paul VI honored the icon with the title “Mater Ecclesiae” after the Second Vatican Council.
A mosaic of the Virgin Mary overlooking St. Peter’s Square was inspired by the original Mater Ecclesiae image. The mosaic was installed after the assassination attempt against St. John Paul II in 1981.
When he blessed the mosaic, John Paul II prayed “that all those who will come to this St. Peter’s Square will lift up their gaze towards you [Mary], to direct, with feelings of filial trust, their greetings and their prayers.”
In 2018, Pope Francis added the memorial of “Mary, Mother of the Church” to the liturgical calendar for the Monday after Pentecost.
Mother of Pilgrims
A restored 16th-century painting of Our Lady holding her Son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV under the title “Mother of Pilgrims.”. Daniel Ibañez/CNA
A restored 16th-century painting of Our Lady holding her son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV.
The image is titled “Mater Peregrinorum” or Mother of Pilgrims. The original artist is not known, but Italians also refer to the painting as the “Madonna di Scossacavalli” because it came from Rome’s Church of San Giacomo Scossacavalli, which was demolished in 1937 to create the current Via della Conciliazione leading to St. Peter’s Basilica.
Our Lady of Perpetual Help
A 12th-century painting on wood titled Our Lady of Perpetual Help in the Gregorian Chapel of St. Peter’s Basilica. Daniel Ibañez/CNA
A 12th-century painting on wood titled Our Lady of Perpetual Help, also known as Our Lady of Succor, was transferred to an altar in St. Peter’s Gregorian Chapel on February 12, 1578 with a solemn procession.
The painting was the first artistic restoration completed under Pope Francis’ pontificate during the Year of Faith, according to a book published by the Knights of Columbus.
The remains of the Doctor of the Church St. Gregory of Nazianzus (d. 390) are preserved in an urn beneath the Altar of Our Lady of Succor in the Gregorian Chapel, found on the right side of the basilica.
Ark of the Covenant
A mosaic altarpiece of the Presentation of the Virgin Mary in the Temple can be found above the tomb of Pope St. Pius X near the left-front entrance of the basilica. Daniel Ibañez/CNA
A colorful mosaic altarpiece of the Presentation of the Virgin Mary in the Temple brightens the wall above the tomb of Pope St. Pius X (d. 1914) in the Presentation Chapel near the left-front entrance of the basilica.
A young Mary is depicted on the steps of the Temple with her parents, Sts. Anne and Joachim, the grandparents of Jesus.
The mosaic completed by Pietro Paolo Cristofari in 1728 is based on a painting by 17th-century artist Giovanni Francesco Romaneli, the original of which can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.
Gate of Heaven
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the oldest door of St. Peter’s Basilica is a reminder of Mary’s title, “Gate of Heaven.”. Daniel Ibañez/CNA
The central door leading to basilica was retained from the old St. Peter’s Basilica and is known as the Filarete Door. Created by a Florentine artist in 1455, the door depicts Christ, the Virgin Mary, and the apostles Sts. Peter and Paul.
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the door is a reminder of Mary’s title, “Gate of Heaven.”
Queen Assumed into Heaven
The mosaics decorating the interior dome of St. Peter’s Basilica depict the Blessed Virgin Mary next to Christ the Redeemer and the Apostles. Daniel Ibañez/CNA
Looking up at the soaring cupola, or dome, of St. Peter’s Basilica, one sees mosaics depicting the Blessed Virgin Mary next to Christ the Redeemer, along with St. John the Baptist and the apostles.
The mosaic of the Virgin Mary on the Great Dome, completed in 1610 by Orazio Gentileschi, is based on drawings by Italian Mannerist painter Giuseppe Cesari.
Mother of the Redeemer
Michelangelo’s Pieta conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified. Daniel Ibañez/CNA
Michelangelo Buonarroti carved the Pieta from a single slab of Carrara marble when he was 24-years old. The sculpture was unveiled in St. Peter’s Basilica for the Jubilee of 1500.
The moving sculpture conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified.
The sculpture sits above a side-altar near the front entrance of St. Peter’s Basilica, where Mass was sometimes offered before recent restrictions. Visitors to the basilica can only see the Pieta behind bulletproof glass after a man attacked the sculpture with a hammer in May 1972.
The Pieta was the only work of art that Michelangelo ever signed.
Pope Francis greets altar servers from France. / Credit: Vatican Media
ACI Prensa Staff, Jul 5, 2024 / 07:00 am (CNA).
The city of Rome will host an international pilgrimage of the association of altar servers “Coetus Internationalis Ministrant… […]
4 Comments
His own conscience causes him. He is doing nothing of importance for the church.It must be very hard to be Pope, just look Benedict had to quit. Lord have mercy.
I find it remarkable that his statement, “I am the Devil” came only days after referring, in two different homilies, to those who openly accuse bishops and priests of sexual abuse, of using their ranks to intimidate and/or covering up said abuse, to be in effect “The Great Accuser” and “Satan.”
His own conscience causes him. He is doing nothing of importance for the church.It must be very hard to be Pope, just look Benedict had to quit. Lord have mercy.
Love him, hate him, or whatever, he sure trolls the media like a pro, and that’s not all bad.
I find it remarkable that his statement, “I am the Devil” came only days after referring, in two different homilies, to those who openly accuse bishops and priests of sexual abuse, of using their ranks to intimidate and/or covering up said abuse, to be in effect “The Great Accuser” and “Satan.”
So if i and millions of my protestant brothers and sisters say we are in agreement
To the popes comment is that condiered imflamatory or a per