Pope Francis shares a joyful moment with members of the Union of St. Catherine of Siena Missionary Teachers during an audience in the Vatican’s Clementine Hall, Jan. 4, 2025. / Credit: Vatican Media
CNA Newsroom, Jan 4, 2025 / 07:00 am (CNA).
Pointing to the perils of pastoral pessimism, Pope Francis urged a congregation of teaching sisters on Saturday to cultivate joy in their ministry, warning them that stern countenances drive people away from the faith.
“Many times in my life I have encountered nuns with a vinegar face, and this is not friendly, this is not something that helps to attract people,” the pope said.
Speaking to participants in the General Chapter of the Union “St. Catherine of Siena” of School Missionaries in the Vatican’s Clementine Hall, Francis emphasized three essential qualities for religious educators: holiness, preparation, and friendliness.
The congregation, marking its centenary year, chose as its chapter theme “Understanding the present to comprehend together the future of the Union as it journeys with the Church” — an approach Francis praised as being “in line with the legacy” left by their founder, Venerable Luigia Tincani.
The pope quoted St. John Paul II’s 1995 description of their founding vision, which called for “constant commitment to one’s own sanctification, a serious theological and professional preparation, and a lifestyle that is friendly and loving toward everyone, especially young people.”
Francis particularly emphasized the Dominican motto that shapes their educational ministry: “contemplata aliis tradere” (to hand on to others the fruits of contemplation).
The pope also delivered a strong warning against gossip in religious communities. “Please, distance yourself from gossip. Gossip kills, gossip poisons,” he said. “Please, no gossip among you, none. And to ask this of a woman is heroic, but come on, let’s go forward, and no gossip.”
During an exchange about vocations, when sisters indicated they had “a dozen” novices worldwide, Francis encouraged them to actively seek new apostolates. “Look for a vocational apostolate, look for it!” he urged.
The Union of St. Catherine of Siena Missionary Teachers was founded in Italy in 1925 by Tincani. Following the spiritual heritage of St. Catherine of Siena and the Dominican tradition of combining contemplation with education, the congregation focuses on promoting Christian humanism through education, serving in schools and universities across several continents.
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When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary, Virgin Immaculate, in the Chapel of the Choir in St. Peter’s Basilica. / Daniel Ibañez/CNA
Vatican City, May 29, 2023 / 10:30 am (CNA).
To honor the Blessed Virgin Mary, the Vatican offers a special Marian pilgrimage within St. Peter’s Basilica each Saturday afternoon during the month of May.
The Marian itinerary brings pilgrims from Michelangelo’s marble sculpture of the Pieta to Our Lady of Perpetual Help, a 12th-century painting brought into the basilica in 1578 in a solemn procession.
For those unable to travel to the Eternal City, CNA is providing the following “virtual tour” with photos by Daniel Ibañez of eight beautiful images of Our Lady in St. Peter’s Basilica for the feast of Mary, Mother of the Church.
In St. Peter’s Basilica’s Chapel of the Choir, a large mosaic based on painting by Italian artist Pietro Bianchi depicts Mary, Virgin Immaculate, in the glory of heaven being venerated by St. John Chrysostom (left) and other saints. Daniel Ibañez/CNA
Virgin Immaculate
In the basilica’s Chapel of the Choir, a large altarpiece reveals Mary, Virgin Immaculate, in the glory of heaven above angels and saints. The mosaic based on an 18th-century painting by Italian artist Pietro Bianchi depicts St. John Chrysostom St. Francis of Assisi, and St. Anthony of Padua venerating the Blessed Virgin Mary.
The chapel is located on the left side of the basilica behind an iron gate designed by Gian Lorenzo Bernini. St. John Chrysostom is buried beneath the altar, which also contains relics of St. Francis and St. Anthony.
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary. Pope Pius X later added a larger diamond crown to mark the 50th anniversary of the declaration in 1904.
The original painting by Bianchi can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.
Mother of the Church
St. Peter’s Basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”. Daniel Ibañez/CNA
The basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”
The original image of the Virgin Mary and the Christ Child was painted on a column in old St. Peter’s Basilica, built by Emperor Constantine in the fourth century. It was later transferred to the 16th-century St. Peter’s Basilica. Paul VI honored the icon with the title “Mater Ecclesiae” after the Second Vatican Council.
A mosaic of the Virgin Mary overlooking St. Peter’s Square was inspired by the original Mater Ecclesiae image. The mosaic was installed after the assassination attempt against St. John Paul II in 1981.
When he blessed the mosaic, John Paul II prayed “that all those who will come to this St. Peter’s Square will lift up their gaze towards you [Mary], to direct, with feelings of filial trust, their greetings and their prayers.”
In 2018, Pope Francis added the memorial of “Mary, Mother of the Church” to the liturgical calendar for the Monday after Pentecost.
Mother of Pilgrims
A restored 16th-century painting of Our Lady holding her Son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV under the title “Mother of Pilgrims.”. Daniel Ibañez/CNA
A restored 16th-century painting of Our Lady holding her son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV.
The image is titled “Mater Peregrinorum” or Mother of Pilgrims. The original artist is not known, but Italians also refer to the painting as the “Madonna di Scossacavalli” because it came from Rome’s Church of San Giacomo Scossacavalli, which was demolished in 1937 to create the current Via della Conciliazione leading to St. Peter’s Basilica.
Our Lady of Perpetual Help
A 12th-century painting on wood titled Our Lady of Perpetual Help in the Gregorian Chapel of St. Peter’s Basilica. Daniel Ibañez/CNA
A 12th-century painting on wood titled Our Lady of Perpetual Help, also known as Our Lady of Succor, was transferred to an altar in St. Peter’s Gregorian Chapel on February 12, 1578 with a solemn procession.
The painting was the first artistic restoration completed under Pope Francis’ pontificate during the Year of Faith, according to a book published by the Knights of Columbus.
The remains of the Doctor of the Church St. Gregory of Nazianzus (d. 390) are preserved in an urn beneath the Altar of Our Lady of Succor in the Gregorian Chapel, found on the right side of the basilica.
Ark of the Covenant
A mosaic altarpiece of the Presentation of the Virgin Mary in the Temple can be found above the tomb of Pope St. Pius X near the left-front entrance of the basilica. Daniel Ibañez/CNA
A colorful mosaic altarpiece of the Presentation of the Virgin Mary in the Temple brightens the wall above the tomb of Pope St. Pius X (d. 1914) in the Presentation Chapel near the left-front entrance of the basilica.
A young Mary is depicted on the steps of the Temple with her parents, Sts. Anne and Joachim, the grandparents of Jesus.
The mosaic completed by Pietro Paolo Cristofari in 1728 is based on a painting by 17th-century artist Giovanni Francesco Romaneli, the original of which can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.
Gate of Heaven
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the oldest door of St. Peter’s Basilica is a reminder of Mary’s title, “Gate of Heaven.”. Daniel Ibañez/CNA
The central door leading to basilica was retained from the old St. Peter’s Basilica and is known as the Filarete Door. Created by a Florentine artist in 1455, the door depicts Christ, the Virgin Mary, and the apostles Sts. Peter and Paul.
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the door is a reminder of Mary’s title, “Gate of Heaven.”
Queen Assumed into Heaven
The mosaics decorating the interior dome of St. Peter’s Basilica depict the Blessed Virgin Mary next to Christ the Redeemer and the Apostles. Daniel Ibañez/CNA
Looking up at the soaring cupola, or dome, of St. Peter’s Basilica, one sees mosaics depicting the Blessed Virgin Mary next to Christ the Redeemer, along with St. John the Baptist and the apostles.
The mosaic of the Virgin Mary on the Great Dome, completed in 1610 by Orazio Gentileschi, is based on drawings by Italian Mannerist painter Giuseppe Cesari.
Mother of the Redeemer
Michelangelo’s Pieta conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified. Daniel Ibañez/CNA
Michelangelo Buonarroti carved the Pieta from a single slab of Carrara marble when he was 24-years old. The sculpture was unveiled in St. Peter’s Basilica for the Jubilee of 1500.
The moving sculpture conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified.
The sculpture sits above a side-altar near the front entrance of St. Peter’s Basilica, where Mass was sometimes offered before recent restrictions. Visitors to the basilica can only see the Pieta behind bulletproof glass after a man attacked the sculpture with a hammer in May 1972.
The Pieta was the only work of art that Michelangelo ever signed.
Vatican City, Oct 17, 2018 / 12:30 pm (CNA).- Pope Francis told a group of Italian seminarians to report immediately to their bishop if they ever see or suspect any kind abuse, sexual or otherwise, on the part of a priest.
Vinegar faces? Would that include the sourpuss face he displays towards those who try to remind him of the objective, “rigid” because they’re coherent, precepts of the Sermon on the Mount? Which includes the reminder that the Christian life involves carrying crosses.
Vinegar faces?
Tart tongue on display.
I don’t know about vinegar but orthodoxy is what attracts vocations to religious communities today.
He certainly knows how to endear himself to the members of the Body of Christ of which he is the temporal head.
A sexist comment?…“Please, no gossip among you, none. And to ask this of a woman is heroic [!], but come on, let’s go forward, and no gossip.”
Gossip is whatever remarks are made by anyone who openly disagrees with oneself.
Vinegar faces? Would that include the sourpuss face he displays towards those who try to remind him of the objective, “rigid” because they’re coherent, precepts of the Sermon on the Mount? Which includes the reminder that the Christian life involves carrying crosses.
Unfortunate remarks…..
Bergoglio is *such* a delightful person. Always ready with an inspirational, encouraging, uplifting comment.
(Facepalm emoji.)