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Stephen Chbosky discusses Dear Evan Hansen, love, and teenage angst

The author and filmmaker reflects on how his understanding of love is rooted in his Catholic upbringing in Pittsburgh with parents who fully supported his artistic dreams.

Ben Platt and Kaitlyn Dever star in a scene from the movie "Dear Evan Hansen." (CNS photo/Universal Pictures)

Stephen Chbosky is a writer and filmmaker with an uncanny understanding of the teenage outsider mindset. As the writer of The Perks of Being a Wallflower – one of the biggest-selling Young Adult novels of all time – and eventually the writer-director of its highly acclaimed film adaptation, he displayed an empathetic gift for troubled teen spirits that has carried over into his subsequent projects.

Chbosky has found further success in directing the blockbuster Wonder, and in his second New York Times-bestselling novel Imaginary Friend. But his latest film, the adaptation of the Tony-winning Broadway smash Dear Evan Hansen (now out on streaming and DVD) takes things to another level by mixing a touching tale of teen angst with his vaunted skills bringing big-time musicals like Rent and the live-action Beauty and the Beast to the big screen.

Through it all, Chbosky finds that his success is driven by a sense of purpose to give voice to “all of God’s children.” And in an interview with the podcast/radio/Zoom show “Dream UP,” he noted that that expression of love is rooted in his Catholic upbringing in Pittsburgh with parents who fully supported his artistic dreams.

“The official Pittsburgh slogan should be ‘Walk it off’ when you are hurt by something, but I found I was always walking but it never seemed to come off,” recalls Chbosky. “People have all these experiences and we talk about the smallest fraction of them. I was fascinated by people and consider myself an empath, so I understand emotions and understand the desire to hide them very well. That push-pull is the cornerstone of my work.

“A line that I wrote in ‘Perks’ is the best sentence I’ve ever written: ‘We accept the love we think we deserve,’” he continues. “If you’re going to write anything that’s worth saying, you have to say it in a way that anybody can understand it. There is no elite. We’re all God’s children, and we all deserve respect, so I want to be understood by as many people as possible.”

Dear Evan Hansen brings those values to the forefront in its tale of the titular teen character, a teen loner who writes a letter to himself about his life and feelings as a psychological therapy exercise. When another troubled boy, Connor Murphy, finds and reads his note before committing suicide and being found with the letter on him, Connor’s parents and sister think that Evan was his only friend and welcome him into their lives.

As Evan finds acceptance outside of his single mother for the first time and his first love with Connor’s sister, he wrestles with the dilemma of knowing that all of these emotional gains are rooted in a huge lie. Both the play and the film address the implications of Evan’s deceit after a speech he gives about Connor – in which he stresses to everyone that “You are not alone” – becomes a worldwide viral sensation.

“I’d heard about ‘Dear Evan Hansen’ and that ‘Perks” was a spiritual influence on it, so I was curious when I was asked to see it as part of being considered to direct,” explains Chbosky. “Two and a half hours later, I was just transported.

“As it kept getting deeper and deeper and more twisty and surprising, I was wondering how did these guys turn [cult-classic teen-suicide satire] ‘Heathers’ into a page-turning thriller that makes you cry?” he adds. “I fell in love with the songs, the characters and the screenplay, and I knew I’d kill to direct it if they made it into a movie.”

Chbosky also feels that Hansen has taken on an even greater relevance amid the social isolation that everyone has experienced amid the Covid pandemic lockdowns. He also believes that focusing on the movie’s themes has helped him and his wife to find a sharper focus on how to be better parents to their 6 and 9 year old children.

“Everyone has turned to technology like Zoom and smartphones to stay connected these past couple of years, and it gives us more freedom in how we live,” says Chbosky. “But at the same time, it also leads to a little bit more isolation and loneliness. The people that see this love that it speaks to them in terms of whatever grief they might have experienced if they’ve loved somebody, or been near a loss.

“We all know what that feels like, and here’s a show and movie that unabashedly says that you are not alone,” he adds. “These things that you struggle with, there is a beautiful message of saying be yourself and ultimately, you’re going to be accepted for who you are. That’s incredibly redemptive and just very, very moving.”

• To hear more of this extensive interview, in which Chbosky discusses his upbringing, path to success and his ever-growing body of work, find the show in podcast form at Find all the episodes of “Dream UP” at, with videos of each episode found at the “Dream Up Show” channel on Youtube.

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About Carl Kozlowski 16 Articles
Carl Kozlowski is a Los Angeles-based, Catholic writer and comedian who wrote the "Cinemazlowski" movie-review column for EWTN's Catholic News Agency for four years and currently writes about film for the LA Archdiocesan magazine Angelus News. He is a Rotten Tomatoes film critic and was arts editor for Pasadena Weekly for a decade. He co-owns and co-runs Catholic Laughs, which brings clean, clever standup comedy with a Catholic twist to Catholic parishes and other venues nationwide. He's also the producer and a cohost of the weekly talk show "Man Up", which is like a funny, conservative "The View" for guys.

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