Cleveland priest sentenced to life in prison for child pornography, exploitation

Washington D.C., Sep 1, 2018 / 06:44 pm (CNA).- The former nuncio to the US wrote Thursday his account of Pope Francis’ 2015 meeting with Kim Davis, a county clerk who had refused out of conscience to issue marriage licenses to same-sex couples.

Davis, a clerk for Rowan County, Kentucky, served five days in jail for her refusal, in the wake of Obergefell v. Hodges.

The pope met Davis at the apostolic nunciature in Washington, D.C., Sept. 24, 2015, during his visit to the US.

Davis’ lawyer told multiple media outlets of the encounter. According to the Liberty Counsel, Davis said that “Pope Francis was kind, genuinely caring, and very personable. He even asked me to pray for him. Pope Francis thanked me for my courage and told me to ‘stay strong’.”

When first asked about the meeting, then-head of the Holy See press office, Fr Federico Lombardi, said: “I don’t deny that the meeting may have taken place but I don’t have comments to add.”

Several days later, Oct. 2, 2015, Fr. Lombardi said Pope Francis met with Davis alongside several dozen others who had been invited by the nunciature to greet him as he prepared to leave Washington for New York City.

Such brief greetings “occur on all papal visits and are due to the Pope’s characteristic kindness and availability,” he said, adding that the only specific audience granted by the Pope at the nunciature “was with one of his former students and his family.”

Fr. Lombardi stated that during Pope Francis’ meeting with Davis, the Pope “did not enter into the details” of her situation, and specified that the meeting with her “should not be considered a form of support of her position in all of its particular and complex aspects.”

Fr. Thomas Rosica, an English-language assistant to Holy See Press Office, told journalists Oct. 2, 2015 that Pope Francis had not been fully briefed on Davis’ situation, or the impact such a meeting would have.

Archbishop Vigano, who was apostolic nuncio to the US at the time of Francis’ visit to the country, issued his Aug. 30 statement in response to an Aug. 28 article in the New York Times.

In that article, the clerical sex abuse victim Juan Carlos Cruz recounted that in April, Francis told him: “I did not know who the woman [Davis] was and he [Msgr. Viganò] snuck her in to say hello to me — and of course they made a whole publicity out of it. And I was horrified and I fired that Nuncio.”

In his statement, published by LifeSiteNews Aug. 31, Archbishop Vigano stated that “Faced with the Pope’s reported statement, I feel obliged to recount the events as they really unfolded.”

The former nuncio said that on Sept. 23, 2015, he spoke with Pope Francis “to bring to his attention, and possible approval, a delicate and easily achievable initiative; that is, to meet personally and in a completely confidential way, out of the media spotlight, with Kim Davis.”

He says he gave the pope a brief memo summarizing Davis’ case, and that Francis “appeared in favor of such an initiative” but wanted Archbishop Vigano to speak with Cardinal Pietro Parolin about the political implications of such a meeting.

Archbishop Vigano said he went that evening, with two of his counselors, to the hotel where the Secretary of State was staying, and he was met by two of his deputies, Archbishop Angelo Becciu and Archbishop Paul Gallagher. Cardinal Parolin had already retired for the night.

“I gave them the same memo that I had given to the Pope, setting forth its content and explaining the reason for my visit, Archbishop Vigano wrote. “After considering the case, Archbishop Becciu was immediately in favor of the Pope receiving Davis privately before he left Washington for New York.”

He said Archbishop Gallagher was more cautious, but was reassured by a canonist of the nunciature that “there were no procedural obstacles,” and he then “gave an unconditionally favorable opinion that the Pope should receive Davis.”

According to Archbishop Vigano, the following morning he told the pope of the positive opinion of the officials from the Secretariat of State. “The Pope then gave his consent, and I organized to have Davis come to the Nunciature without anyone noticing, by having her sit in a separate room,” he said.

The former nuncio wrote that he told the L’Osservatore Romano photographer not to release photos of the meeting without his superior’s permission, and that his photos are kept in the paper’s photographic archive.

That afternoon, Archbishop Vigano recounted, Pope Francis “entered as planned into the sitting room where Davis and her husband were waiting for him. He embraced her affectionately, thanked her for her courage, and invited her to persevere. Davis was very moved and started crying. She was then taken back to her hotel in a car driven by a pontifical gendarme, accompanied by an American Monsignor and staff member of the Nunciature.”

The former nuncio said he was called by Cardinal Parolin in October 2015, after the news of the meeting had broke, who told him, “You must come immediately to Rome because the Pope is furious with you.”

Archbishop Vigano wrote that he met with the pope Oct. 9, 2015 for about an hour, during which he “did not mention even once the audience with Davis”, and praised the visit to the US and his reception there.

“As soon as my audience with the Pope was over, I immediately phoned Cardinal Parolin,” Archbishop Vigano wrote, “and said to him, ‘The Pope was so good with me. Not a word of reproach, only praise for the success of his visit to the USA.’ At which point Cardinal Parolin replied, ‘It’s not possible, because with me he was furious about you.’”

Archbishop Vigano wrote that regarding Cruz’ interview with the New York Times, “either Cruz or the Pope” lied about Francis’ understanding of his visit with Davis.

“What is certain is that the Pope knew very well who Davis was, and he and his close collaborators had approved the private audience,” the former nuncio stated. “Journalists can always check, by asking the prelates Becciu, Gallagher and Parolin, as well as the Pope himself.”

“It is clear, however, that Pope Francis wanted to conceal the private audience with the first American citizen condemned and imprisoned for conscientious objection.”

[…]

South Bend, Ind., Jan 18, 2020 / 04:00 am (CNA).- Raffaella Stroik loved beauty.

A devout Catholic and a talented professional ballerina, Raffaella felt she experienced the beatific vision when she was performing for others. She hoped her art could be transformative in their lives.

But Raffaella’s short life ended in tragedy. On Nov. 14, 2018, her body was found in a lake some 140 miles from St. Louis, where she was a member of the city’s ballet. She was 23 years old.

Authorities ruled that there seemed to have been neither foul play nor self-harm.

“…the only thing that seems to have happened, could have happened, is some kind of an accident,” Duncan Stroik, Raffaella’s father, told WNDU News in South Bend, Indiana in November. “We don’t know what could have happened.”

In order to honor and continue their daughter’s legacy, Duncan and his family have decided to create a traditional ballet in honor of Rafaella, loosely based on her life and incorporating the elements of beauty and art that their daughter loved about ballet.

“We were trying to figure out how to remember her and how to memorialize her,” Stroik told CNA. “And I’m an architect, so I think buildings, monuments, tombstones, all kinds of things. And my wife actually had a dream that we would remember her through dance.”

“The goal was to continue her work, which was as a ballerina, in a way that we could, which is to create a new ballet,” he said.

Creating a new ballet is no easy feat, particularly a traditional ballet, which includes more in the way of sets and costumes and artistry than the minimalistic style of most contemporary ballets.

For help, the family set up an online fundraiser in order to raise the necessary money to hire professionals who could write the music and the choreography and help design the sets and costumes of the ballet.

“There’s a lot of cooks in the kitchen,” Stroik said. “There’s a lot of artists that are part of this. And I’ve been calling myself the impresario, the producer in movie terms, who’s organizing all of it, but then trying to hire the best people that would share our vision for this ballet.”

Stroik said they went with a traditional ballet because that was Raffaella’s favorite style, and they believed it would be the best way to create a more timeless ballet that could endure through the ages. Raffaella was inspired by the romantic, fairy-tale style and themes of traditional ballets and believed it could do more to portray beauty than the style of contemporary ballet.

“Raffaella’s passion was to bring beauty to the world in many ways,” Stroik added. “Her prime strength was in dance and she really was trying in her own way to do things that were glorifying to God through traditional ballet and the beauty of the human body and what it can do.”

Stroik and his wife are writing the story of the ballet, which will loosely follow their daughter’s life – friends and family of Raffaella will be able to recognize the similarities, he said.

The story takes place in Italy, one of Raffaella’s favorite places to visit and the language that she studied. The story will take place in the 18th century so that it can incorporate some of the elements of traditional ballets – kings and queens, princes and princesses, peasants and village life.

The character of Rafaella will be a princess who grows up wanting to be an artist like her parents, meets interesting people in her life, and interacts with both a good prince and a deceptive prince who vie for her attention.

“(She’s) really searching for the true prince, and she sees him from time to time in her life. And then the other prince who comes along sweeps her off her feet and is very attractive, and she’s totally compelled by him but he turns out to be a deceptive prince,” Stroik said.

Stroik noted that the theme of superficial beauty and its deceptive power is a common one in other traditional ballets.

The ballet’s ending, of course, cannot be given away.

“My hope is it’s the kind of story with the kind of good and evil love, joy, hatred, fighting, peacemaking that will speak to people for generations. That’s my goal,” Stroik said.

The desire for a ballet that transcends generations is an idea that comes from his Catholic faith, Stroik added.

“We want to do something that’s timeless, that’s universal. And I think that relates to our Catholic faith. We’re not doing something just for today…but we also want it to – if it’s really good – hopefully, it will speak to future generations as well. So we’ll see, but that’s our goal,” he said. 

Rafaella’s Catholic faith was always central to her life and her art, Stroik said, and he noticed it in how she interacted with others as well as in her passion for her art.

“It caused her to try to always put other people first, which we saw a lot in her life. It caused her to forgive…and she tried, as best she could, to live the Beatitudes,” he said.

“She told us that when she danced and danced really well, she felt like she was experiencing the beatific vision. She really felt that it was a very religious, spiritual experience, especially performing,” he said. “She was experiencing a taste of heaven.”

The Stroiks have raised $115,000 of their $250,000 goal, and Duncan said he has been surprised and touched by the way this project has touched the hearts of people who knew Raffaella and those who did not.

“One of the things that’s really surprised me in a good way is how many notes I’ve gotten from people – people that I know, but also people that I don’t know – telling me they love the idea. They said, ‘What a beautiful tribute to your daughter.’ And, again, people that I don’t even know will write me notes and say, ‘This is fantastic that you’re doing this.’”

Stroik said he hopes the ballet will be ready to premiere in spring or summer of 2022. He said they are still exploring options as to where it will debut, but they are hoping to recruit dancers from Rafaella’s life – from her time at the St. Louis ballet, her college ballet at Indiana University, and her high school ballet – who are professional dancers and friends of Rafaella to perform in it.

“I’m hoping that some of them will return to be part of this production,” he said.

Stroik added that he hopes people who come to see the “Raffaella” ballet will walk away with a new appreciation for the beauty of the art form and with a sense of hope.

“We want to do this ballet in order to bring a whole new audience to ballet, for a broader audience,” he said. “And because ballet can be very beautiful, very powerful, and it can speak to all the issues that concern our lives and give us…in this case, it’s a tragedy, but the way we’ve written the story is it’s also full of hope, because Raffaella was a girl with a lot of hope and a lot of faith.”

[…]

Statue of St. Junipero Serra in Golden Gate Park. / scupperssf/wikimedia. BY CC 2.0.

Los Angeles, Calif., Jul 2, 2021 / 15:01 pm (CNA).
The early Catholic missionaries to what became the United States were witnesses to the American belief that a… […]