Washington, D.C. Newsroom, Aug 25, 2020 / 09:30 am (CNA).- A Catholic publisher has apologized for using a Mormon image on the cover of two of its 2021 publications. Oregon Catholic Press said the use of the image of the Mormon figure of Moroni was a mistake, and the company believed it to be a general image of an angel. The artist – a Catholic who abandoned the faith for Mormonism – had listed the image as of Moroni on his own social media account.
Oregon Catholic Press issued a statement after the painting “Angel VIII” by Latter-Day Saint artist Jorge Cocco Santangelo, placed on the cover of the publications “Today’s Missal Music Issue 2021” and “Respond & Acclaim,” drew criticism this week.
OCP, please, please recall these books! This is an image of the “angel” Moroni, which comes from Mormonism. This is not compatible with Catholicism in any way, and is highly inappropriate for a Catholic publisher to place in Catholic parishes. Recall these books immediately! pic.twitter.com/qgLm3XCX6O
— Father Cory Sticha (@FrCorySticha) August 24, 2020
The painting uses Santangelo’s distinct style of “sacrocubism” and depicts an angel standing on a golden sphere, blowing a horn and holding a box or book of gold. These are staples of images of the figure Moroni, a character in the Mormon religion, statues of whom feature on the spires of Mormon temples.
In a statement published to their Facebook page Aug. 24, Oregon Catholic Press explained that “Great care goes into choosing the art for our missals.”
“The sounding of the trumpet at the last is a strong traditional Christian image. We chose this angel because he’s holding a trumpet and what looks like the book that will be opened at the last,” said Oregon Catholic Press.
The publishing company stated that the artist, Santangeo, “did not offer us images that were assigned to a specific angel” and that he was aware Oregon Catholic Press was a Catholic company.
“At the same time, it is reasonable that those who hold the Mormon faith might see this same image as the casket containing the golden tablets of their faith,” they said.
On his own website and social media accounts, Santangelo has identified the image as of Moroni.
“We, of course, apologize for any misunderstanding that this may have caused,” said the statement.
“We saw a beautiful image of an angel, and nothing more. We commit to redoubling our efforts in vetting missal art in the future, and hope that this explanation helps our partners in ministry better understand why we chose this particular art piece for the 2021 Music Issue cover.”
Cocco Santangelo, the painter of the cover art, was raised Catholic in Argentina. He, along with his wife, underwent Mormon initiation rites in 1962. The pair were among the first Mormons in Argentina.
Although Oregon Catholic Press said Santangelo’s image was not of any specific angelic figure, “Angel VIII,” which was painted in 2017, is virtually identical to a 2018 painting titled “Angel Moroni.” Additionally, the 12th entry in Santangelo’s 2017 “Angel” collection, which is a series of paintings of an angel with a horn and box, is labeled on his website as “Angel M XII.”
The image of “Angel VIII” was posted on Cocco Santangelo’s Instagram account on April 3, 2020 under the title “Angel Moroni.”
“Most of the angels in this collection are in fact different versions of the angel known as Moroni, who lived in the American continent hundreds of years ago as the last prophet that wrote and kept the sacred records of the Nephite nation,” said the Instagram caption.
“He is the angel that appeared to Joseph Smith and directed him to the golden plates that were translated and we know now as The Book of Mormon.”
OCP’s use of the image on the cover of “Respond & Acclaim” was first posted online on Aug. 10, but the unusual choice of cover art for a Catholic worship aid did not draw widespread attention until Monday, Aug. 24.
OCP did not respond to requests for comment by CNA.
Fr. Robert Badger, a priest of the Diocese of Gallup, who was raised as a Mormon before converting to Catholicism in 1993 at the age of 19, was one of the first to note that the image on the missals strongly resembles depictions of Angel Moroni.
The cover art, said Badger, “offers me an excellent reason to sever our relationships with Oregon Catholic Press.”
After OCP posted their statement to Facebook, Badger, whose family includes the original members of the LDS Church, tweeted that he “did not buy” the explanation.
Badger said on Monday evening “I am descended from Mormon pioneers and grew up in the Mormon church. It’s definitely the angel Moroni, the same one that adorns most of the Mormon temples around the world.”
The LDS Church teaches that the Angel Moroni first appeared to Joseph Smith on September 21, 1823, and informed him that there was an “ancient record engraved on plates” that was buried near his house. Over the next six years, per LDS doctine, Moroni repeatedly appeared to Smith and assisted with the location and translation of these plates. The contents of the plates would become the Book of Mormon, the LDS Church teaches.
A statue of the Angel Moroni is featured on the spire of many LDS temples as a tribute to his status as the “messenger of the restoration.” The LDS Church teaches that the Angel Moroni was the key figure in “restoring” the true gospel.
The controversy over the use of a Mormon image for two of its publications comes a week after a federal court ruled an antitrust lawsuit against OCP could continue.
On Aug. 18, a federal judge in Indiana refused to dismiss a suit against OCP, brought by several smaller Catholic publishers, accusing OCP of monopolistic practices aimed at driving them out of business.
U.S. District Judge Robert L. Miller Jr. issued an order denying a motion to dismiss by OCP, ruling that the suit can continue.
According to the legal news website Law360, several Catholic publishers, including Lamb Publications LLC and International Liturgy Publications, allege OCP imposes anti-competitive licencing terms on smaller competitors, and has illegal market allocation agreements in place with rivals.
Lawyer for the claimants Donald J. Schmid, told Law360 last week that OCP has used its position to try to drive other Catholic music publishers out of business and reduce competition, calling the publisher “a monopolist.”
The suit includes allegations that OCP deliberately instructed its composers to use the same song titles as its rivals’ best-selling works in an effort to confuse customers.
OCP has argued that the suit, filed in August 2019, is part of a decade-long attempt by rivals “to gain unfettered access” to its back catalogue.
Per Oregon Catholic Press’ website, “Respond & Acclaim” is an “annual collection of psalms and Gospel Acclamations from Owen Alstott,” “Today’s Missal,” which is published three times per year, texts of Sunday and weekday liturgies together with music published by OCP.
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Thank you father! A long overdue corrective action.
Long overdue indeed.
A brave priest. I pray that in the end he will not pay too heavy a price for following church teachings. I am sure that the Bishop of the diocese will have a word with him. I hope that CWR will follow up on this story.
This is excellent news, I only wish this had taken place years ago, not necessarily with Biden, but with Pelosi, Kennedy, Kerry, et. al.
I wonder what Biden has to say, as in – how will he spin it? Hopefully he will keep his mouth shut – for once.
I so respect this priest who through the Spirit stood up to callous disrespect of the Body & Blood of Jesus.
God bless this priest.
You know according to a family member, Ted Kennedy had the humility to not present himself for Communion- at least at one Mass where they were present.
Mr. Biden is either woefully ignorant or hugely presumptuous. Or a bit of both.
Using the denial of communion as a political weapon is no virtue. Such an act of denial should have been done in private, not for public consumption.
Well, I agree those sort of things are always better handled in private but how does a priest have that opportunity when confronted in a public line of communicants?
Mr. Maglietta;
This was no political act – Biden has been doing this for years and has certainly been warned. In any case Biden should not have presented himself for Communion – his doing so was a political act and has been for years. Accusing the Priest of using denial of Communion as a “political weapon” is inaccurate.
If memory serves he was told by a Bishop in neighboring Pennsylvania a number of years ago not to present himself for Communion, I don’t know the result of that.
His standard defense though the years has been “I don’t believe in abortion but I would never impose my beliefs on others.” Personally I wouldn’t ask him to impose his (our) beliefs on others, but I would expect him at least to DEFEND them, and at this he has been woefully remiss.
Politics be damned. This is a moral and religious issue that happens to have become a political football. The only part politics plays in this scenario is that Joe Biden has let his views on abortion become public knowledge. Read MrsCrackers comments. I would add this, if the priest gave him communion, he would put himself in a state of grave sin and give the appearance of approving of Mr. Biden’s views. Therefore the priest should feel no regret for refusing to let him receive communion during a public mass.
Frank, when Biden presents himself during Mass for communion, this is a public act by Biden. By so doing Biden is challenging the priest in public, forcing the priest to take a decision for or against a fundamental teaching of the Church.
The response by the priest is not a political point but is a defence of the truth and is to be congratulated. If you think communion should have been refused in private to Biden, why not also in public? Are you saying that we should hide the truth simply because there is likely to be some publicity?