The Dispatch: More from CWR...

The Peanut Butter Falcon is a funny, poignant tale of redemption

The magic of Falcon, starring Shia LaBoeuf, lies in its ability to bring viewers into the lives of people they normally wouldn’t encounter or even consider in real life.

"The Peanut Butter Falcon" stars Shia LaBoeuf, Dakota Johnson, and Zack Gottsagen.

Everyone loves a comeback, especially when it’s a beloved actor finding his way back from big struggles via a TV show or movie that has special meaning on its own terms as well.

Shia LaBoeuf—the child actor turned major movie star of Holes, Disturbia, Eagle Eye and the fourth Indiana Jones movie, who went through an apparent meltdown a couple years back—is experiencing such a moment now with a wonderful film called The Peanut Butter Falcon.

Better yet, Falcon is a bracingly uplifting film that has surprising Christian undertones and elements laced under the surface throughout as it unspools its own tale of redemption for three unlikely people. Best of all, its portrayal of a young man with Down Syndrome who refuses to give up on his dreams of becoming a pro wrestler make this a film that can change hearts and minds for the better in an age when many consider abortion upon learning that an unborn child has challenges.

The magic of Falcon lies in its ability to bring viewers into the lives of people they normally wouldn’t encounter or even consider in real life. It shines a light on a group of people who have been forgotten by society but find deep connections and strength from each other.

Falcon follows the story of Zak, a thirtysomething man with Down Syndrome (Zack Gottsagen) who has been forced to live in an assisted living facility as a ward of the state for two-and-half years since the death of his parents. Zak obsessively watches an old VHS wrestling video from the 1980s in which a wrestler called the Salt Water Redneck (Thomas Haden Church) unleashes an array of moves upon opponents, making him Zak’s hero.

Zak wants to escape and learn wrestling from the Salt Water Redneck and engages in a ridiculous yet effective plan to do so. He strips down to his underwear, lathers himself in baby oil and then slides through the bars of his room window into the night.

He hides under a tarp on a small boat owned by Tyler (Shia LaBeouf), a shady local fisherman who is always illicitly fishing crabs in an area he’s not licensed to be in. When Tyler burns a large pile of equipment owned by his rivals, Tyler is forced to run for his life, not realizing that Zak is on his boat.

The two become unlikely friends, with the aimless Tyler having nowhere to go and Zak begging him to take him down river to the Salt Water Redneck’s wrestling school. They are joined by a young widowed social worker named Eleanor (Dakota Johnson), who has been ordered to bring Zak back to the assisted living facility but suddenly feels that perhaps Zak is best served by living his life of adventure.

The unlikely and often unpredictable events that evolve from this journey are a true delight, with Falcon (named after Zak’s chosen pro wrestling moniker) slowly but very surely revealing a Christian undercurrent. Not only does Tyler slowly seek to change his ways for the better, but key songs throughout have gospel or Christ-centered lyrics without being heavy-handed. In addition, a man they encounter on their trip speaks happily about Jesus and faith as he hosts them for a night before baptizing Zak in a river the next day.

Falcon has an incredible sweetness at its core, which should overcome its frequent use of relatively mild foul language. The relationship that develops between Tyler and Eleanor is chaste and touching to behold, and there’s a real sense of triumph as Zak starts to realize his dreams.

One of the film’s producers is Special Olympics chief Tim Shriver, ensuring this as a positive portrayal of a mentally-challenged man who just wants to make friends and live life with some sense of independence and freedom. These universal desires make the movie eminently relatable, and parallels the real-life events that star Shia LaBeouf is undergoing now as he makes a comeback from several years of troubling behavior.

LaBeouf had been a rising star regarded as a possible successor to Tom Hanks as the preeminent and lovable Everyman on the big screen, until he was detoured by apparent mental instability and repeated arrests for drunken behavior. He has another film with great buzz coming out this fall called Honey Boy that he wrote about his difficult childhood with a mentally unstable dad, in which he plays the role of his father pushing his son’s child acting career too far. It seems that he has come through his troubled phase with an artistic interest in redemptive plots.

Overall, this is a truly terrific movie that provides fresh entertainment in a summer overrun by sequels and superheroes.  The Peanut Butter Falcon is highly recommended as one of the best movies of the year.

If you value the news and views Catholic World Report provides, please consider donating to support our efforts. Your contribution will help us continue to make CWR available to all readers worldwide for free, without a subscription. Thank you for your generosity!

Click here for more information on donating to CWR. Click here to sign up for our newsletter.

About Carl Kozlowski 18 Articles
Carl Kozlowski is a Catholic writer and comedian who wrote the "Cinemazlowski" movie-review column for EWTN's Catholic News Agency for four years. He is a Rotten Tomatoes film critic and was arts editor for Pasadena Weekly for a decade. He co-owns and co-runs Catholic Laughs, which brings clean, clever standup comedy with a Catholic twist to Catholic parishes and other venues nationwide. He is the author of Dozed and Confused: Tales from A Nutty, Narcoleptic Life (2022), described as a "memoir that is stunning, funny, uplifting and inspirational" by Chicago Tribune.


    • Miss Barbara,
      I’ve visited the Outer Banks several times with my family and loved it. It’s a very special place.
      I sure hope you were safe in the hurricane.

  1. Once again I’m reminded of how many American films are just The Adventures of Huckleberry Finn with slightly different characters. I often wonder if the people who write these ‘buddy-buddy/road’ films are aware that they are rehashing Twain. (Not to diminish the deeply American experience reflected in Huck Finn, which makes it ideal for an American audience.)

Leave a Reply

Your email address will not be published.

All comments posted at Catholic World Report are moderated. While vigorous debate is welcome and encouraged, please note that in the interest of maintaining a civilized and helpful level of discussion, comments containing obscene language or personal attacks—or those that are deemed by the editors to be needlessly combative or inflammatory—will not be published. Thank you.