As Cardinal Donald Wuerl, archbishop of Washington, remarked at a pre-opening celebration of the splendid new Museum of the Bible in the nation’s capital, the Bible has been systematically “bleached out” of our national life over the past several decades.
The Museum of the Bible is a museum in Washington D.C. opened on November 17, 2017 (Image: twitter.com/museumofBible)
On September 29, 1952, the publication of the complete Revised Standard Version of the Bible was celebrated at the National Guard Armory in Washington, D.C., and the principal speaker was the U.S. Secretary of State, Dean Acheson. The son of the Episcopal bishop of Connecticut, Acheson movingly described the ways in which the King James Bible, which the new RSV was to supplant, had once shaped American culture and our national life:
In the earliest days in the Northeast, the Book was All. The settlers came here to live their own reading of it. It was the spiritual guide, the moral and legal code, the political system, the sustenance of life, whether that meant endurance of hardship, the endless struggle against nature, battle with enemies, or the inevitable processes of life and death. And it meant to those who cast the mold of this country something very specific and very clear. It meant that the purpose of man’s journey through this life was to learn and identify his life and effort with the purpose and will of God…
That biblical vision helped form the bedrock convictions of the American idea: that government stood under the judgment of divine and natural law; that government was limited in its reach into human affairs, especially the realm of conscience; that national greatness was measured by fidelity to the moral truths taught by revelation and inscribed in the world by a demanding yet merciful God; that only a virtuous people could be truly free.
“But this… did not exhaust the teachings of this Bible,” Secretary Acheson continued. “For it taught also that the fear of God was the love of God and that the love of God was the love of man and the service of man.”
At this perilous moment in our national history, when contempt and hatred seem far more characteristic of our civic life than charity and solidarity, it’s worth pondering how far we have come, and why. To claim that “the Book is All” today would be risible. On the contrary: As Cardinal Donald Wuerl, archbishop of Washington, remarked at a pre-opening celebration of the splendid new Museum of the Bible in the nation’s capital, the Bible has been systematically “bleached out” of our national life over the past several decades. And that bleaching has not produced a more tolerant people, but a far more intolerant civic life, of which the recent awfulness in Charlottesville, Virginia, may stand as a vile symbol.
At Thanksgiving-2017, too many voices in America seem to suggest that some of us must hate others of us if America is to flourish, even survive. But the great Dean Acheson had an answer for that essentially totalitarian claim, too: “In order to love our country we do not have to hate anyone. There is enough to inspire love here…Out of many, [Americans] are one. [Ours] is a unity [amidst a] great and vigorous diversity based on respect for man, the individual…And this, indeed, is the source of our strength, and of the lasting power of our society. For the solidarity which is built, not upon servility, but upon the common loyalty of free men, is resilient and enduring.”
We may, and should hope, that Secretary Acheson’s confidence in the resilience of America has not been falsified by the secularist “bleaching” of which Cardinal Wuerl spoke. That hope has been strengthened by the opening of the Museum of the Bible on November 17. Three blocks from the U.S. Capitol, we now have a striking witness, in architecture, art, and artifact, to the enduring power of the Word of God. The museum is thoroughly ecumenical and interreligious; all of the people of the Book, be they Catholic, Orthodox, Protestant, or Jewish, will find much to learn there, in a series of both classic and interactive displays that nourish the mind and soul. Anyone who cares about the Bible owes the donors who made this striking facility possible, and the men and women who designed it with evident care, an enormous vote of thanks.
For if it succeeds in its mission, the Museum of the Bible will help reverse the bleaching out from our culture of what is arguably its deepest, noblest, and most important wellspring: the Word of God, molding the lives of the readers of the Book.
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In a statement on October 24, the Diocese of Memphis, Tennessee announced that the Holy Father had relieved its bishop, Martin Holley, of his duties as ordinary, effective immediately. Holley’s removal followed a June 2018 […]
Fr. Richard Cassidy, professor of Sacred Scripture at Sacred Heart Major Seminary, dresses in Roman prisoner garb as he holds a copy of his newest book, “A Roman Commentary on St. Paul’s Letter to the Philippians.” Fr. Cassidy’s eighth scholarly work, the book explores the subversive nature of St. Paul’s Letter to the Philippians, which the apostle wrote from behind bars in a Roman prison cell. / Valaurian Waller | Detroit Catholic
Detroit, Mich., Apr 30, 2022 / 08:00 am (CNA).
It was a tough decision for Rick Cassidy as he began graduate studies at the University of Michigan in mid-1960s. Would he take the course on Imperial Rome, because of his love of history, or the course History of Slavery, because of his deep concern for social justice?
The Dearborn native chose the course on slavery. The insights he acquired have helped to guide Fr. Richard Cassidy’s scholarly work for three decades, including his latest work, “A Roman Commentary on St. Paul’s Letter to the Philippians“ (Herder & Herder, 2020).
Paul’s letter, composed in chains and secreted out of his Roman jail cell, is intentionally “counter-slavery” argues Father Cassidy, professor of Sacred Scripture at Sacred Heart Major Seminary since 2004, as well as “counter-emperor.” At its core, Philippians is an underground epistle that subverts the Roman power structure and the “lordship pretensions of Nero.” Reviewers praise the “distinctive thesis” of Father’s groundbreaking work as “fresh and illuminating,” making for “fascinating reading.”
This is Father Cassidy’s seventh book that examines the influence of Roman rule on the writers of the New Testament, and his eighth book overall. He returned to Ann Arbor on a rainy afternoon in late June to discuss his newest work.
Dan Gallio: St. Paul’s Letter to the Philippians is most known for its soaring declaration of the divinity Christ, before whom one day “every knee must bend,” and “every tongue proclaim” his universal lordship (2:6-11).
Your new book presents a unique argument: Paul’s letter is primarily a “subversive” document of resistance against the Roman Empire—particularly against emperor worship and slavery. How did you arrive at this against-the-grain interpretation?
“A Roman Commentary on St. Paul’s Letter to the Philippians” (Herder & Herder, 2020) is Fr. Cassidy’s eighth book and a follow-up on his 2001 work, “Paul in Chains: Roman Imprisonment and the Letters of St. Paul”. Valaurian Waller | Detroit Catholic
Father Cassidy: These insights were the result of long hours with the text, spending a lot of prayer time for guidance, as to Paul’s situation.
The issue of slavery came into play strongly. I now saw that Jesus was executed as a violator of Roman sovereignty, condemned by Pilate, executed under Emperor Tiberius—and that this was the slave’s form of death. This is a crucial point.
In regards to the two topics you mention, I had the intuition that the Letter to the Philippians was “counter-emperor cult” and “counter-slavery.” First, the self emptying of Christ from on high—descending downward into human form, downward, downward to the point of the slave’s death on a Roman cross—and then you have St. Paul’s wonderful words in chapter 2, verses 9-11.
My insight was that there is going to be a redressing of what has happened. Because of the great faithfulness of Jesus Christ, the Father intervenes and begins the lifting up, the ascending of Christ, where the Father exalts Jesus and bestows upon him “the name above every other name.”
So I can now speak about this famous passage in terms of a kind of “drama”: four scenes that represent the descent of Jesus, and four scenes that represent his ascent, akin to a medieval passion play. The Father intervenes on Christ’s behalf, conferring upon him the name of “Lord.” Now all of creation, including the emperor, the governor, the imperial personnel, are all subject to Jesus. They have to prostrate themselves before the name of Jesus.
DG: So, essentially, Philippians is subversive because it makes a political statement as much as a theological one.
FC: Yes, but for some, it is a great privilege to genuflect at the name of Jesus. This includes slaves! Paul had integrated slaves into his community in Philippi. They were empowered now to proclaim the name of Jesus, standing alongside free men and women. They are standing alongside the Roman imperial power structure, all involved in the same process of bowing before Christ and proclaiming his name.
A security guard at Sacred Heart Major Seminary helps Fr. Cassidy don his “prisoner’s clothing” for a photo shoot promoting Fr. Cassidy’s latest book, “A Roman Commentary on St. Paul’s Letter to the Philippians,” which details Paul’s experience behind bars and the conditions under which he wrote his Letter to the Philippians. Valaurian Waller | Detroit Catholic
And that name is “Lord.” Jesus is being acclaimed as Lord, and not the emperor, to the glory of God the Father. This is the decisive element of Philippians 2:6-11, blended together in this one passage.
DG: You provide a forty-four-page introduction to the social situation of the Roman colony of Philippi. Why did you feel such an informative but lengthy introduction was necessary to support your thesis?
FC: I had to establish that conditions at Philippi mirror conditions at Rome. This is important. Philippi was like “Little Rome.” When Paul is speaking of conditions at Philippi, his is also experiencing the same oppressive conditions at Rome as a chained prisoner. I had to establish that emperor worship was everywhere, in Philippi’s renowned amphitheater, in the streets, in public artifacts. That is why I had to go into an extensive introduction to set the stage of what Paul is doing in his letter.
DG: Your appendices are extensive, too, like bookends to the introduction, driving the thesis home again using illustrations.
FC: There is one illustration of a monument where slaves are chained, and a slave trader is proclaiming his prowess as a slave trader. This monument to the degradation of slavery was at a city adjacent to Philippi. Paul almost certainly passed by it on his way to and from Philippi. It was discovered back in the 1930s and almost destroyed in the war by Nazi bombings.
DG: Paul is sometimes criticized by revisionist commentators for not rejecting the institution of slavery in his letters. Is your book an answer to these critics?
FC: Paul’s approach to slavery is complicated. There are some letters where he seems to envision the imminent return of Christ. Possibly he minimized the importance of slaves being freed in these letters. However, in Philippians, his final letter before his death, he addresses the issue definitively. It is very undermining of slavery.
I intended to de-establish the idea that Paul acquiesced to slavery. He did not acquiesce. The laudatory prepublication comments by scholars make me think the book will have a decisive role in re-imaging Paul.
Against a prevailing notion that St. Paul “acquiesced” to the idea of slavery in his writings, Fr. Cassidy’s book aims to counter the idea by showing how St. Paul’s Letter to the Philippians actually served a subversive purpose in a Roman empire dominated by emperor worship and tight controls. Valaurian Waller | Detroit Catholic
DG: Back to Philippians 2:6-11. Why do you maintain this passage is not a hymn or baptismal catechesis, as is customarily believed, but is an original composition of Paul? Is this position another example of your counter exegesis?
FC: This is not some other preexisting hymn. No! This is fresh imaging. Visceral imaging. This is intensity from identifying with Christ as the “slave crucified.” No one else could have composed this passage. And Paul could not have composed this passage until he was in Roman chains and could see the threat posed against Jesus by the counterfeit claims that Emperor Nero is Lord.
DG: It’s almost like the passage is “supra-inspired,” that he would get such an original insight while in such dreadful circumstances.
FC: Correct. And there is a real question as to how this letter could be transmitted from prison, with the security and censorship. In garments? In pottery? It is possible the original written letter was confiscated. So how is Paul is getting his subversive thoughts past the Roman guards?
I suggest in my book that Paul was drilling his associates, Timothy and Epaphroditus, to memorize his letter, given the role of memory in early Christian life.
DG: With your busy teaching and pastoral duties, where to you find the motivation and energy to produce such a thoroughly researched, and beautifully written, work of scholarship?
FC: It’s Spirit driven!
DG: Is the Spirit driving you to another book?
FC: I would say so. After a book comes to publication, there is always a kind of mellowing period. So right now I have not identified the next project. I am appreciating the graces I have received from this book, and trusting that the same Spirit who has shepherded me through this sequence will still stand by me, guiding me forward.
And,so is anyone at all aware of the implications of the Bible now situated inside a museum? Let mr repeat that word: “museum.” Isn’t that all a bit ironic in our increasingly aggressive anti-Christian culture?
And,so is anyone at all aware of the implications of the Bible now situated inside a museum? Let mr repeat that word: “museum.” Isn’t that all a bit ironic in our increasingly aggressive anti-Christian culture?
The Word of God is full of Good News that liberates and empowers.