An unidentified man is in custody after driving a car at high speed through a gate at the Vatican Thursday, the Holy See press office said.
A guard stationed at the Santa Anna entrance fired his weapon in the direction of the vehicle’s front tires, hitting the left front fender, but the vehicle proceeded onto the Vatican grounds until the driver got out at the San Damaso Courtyard, the main courtyard of the Apostolic Palace, the press office said. There the man was blocked and placed under arrest by the Gendarmerie Corps, the press office said.
The incident happened after 8 p.m. at one of the main entrances to Vatican City by car. It is located north of St. Peter’s Square and next to the Swiss Guard barracks. The press office said the man initially approached the entrance in his vehicle and was turned away because he lacked the proper authorization.
“Regardless of the indications provided to him by the Pontifical Swiss Guard, which prevented him from entering the State without the relative authorizations, he temporarily left the entrance and, after having maneuvered, returned at high speed, forcing the two control gates, of the Swiss Guard and of the Gendarmerie of the Vatican City State,” the press office said.
“The man, aged about 40, was immediately subjected to a visit by the doctors of the Directorate of Health and Hygiene of the Vatican City State, who found a serious state of psychophysical alteration,” the statement said.
“Currently the person is in a prison cell in the new premises of the Gendarmerie Barracks, at the disposal of the Judicial Authority,” the statement added.
CNA Rome correspondent Hannah Brockhaus contributed to this story.
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Kazakh artist Dosbol Kasymov works on the icon “Mother of the Great Steppe” in advance of Pope Francis’ Sept. 13-15 trip to Kazakhstan. / Alexey Gotovsky/CNA
Rome Newsroom, Sep 6, 2022 / 09:03 am (CNA).
A Kazakh artist is creating possibly the first-ever painting of Mary and the Child Jesus as native Kazakhs; it will be displayed in Kazakhstan’s only Marian shrine.
It is hoped that the icon, in the form of a triptych, will be blessed by Pope Francis during his Sept. 13-15 visit to the Central Asian country, where more than 70% of the population is Muslim.
The artist, Dosbol Kasymov, told EWTN News in Almaty, Kazakhstan, on Aug. 5 that his inspiration for the image came from his culture’s love and reverence for mothers.
Mother is “a common image,” uniting mankind, Kasymov said. “We are all born, we all came into this world thanks to our mothers.”
Titled “The Mother of the Great Steppe,” the large icon was commissioned by Archbishop Tomasz Peta, the head of Kazakhstan’s Catholic diocese, Maria Santissima in Astana.
The Kazakh Steppe is a treeless, semi-desert grassland covering the northern part of the country, south of the Ural Mountains.
Peta told EWTN News last month that the image of the Kazakh Mary and Jesus is intended for Kazakhstan’s only Marian shrine, Mary Queen of Peace, in the town of Ozernoe, about 68 miles southeast of Nur-Sultan.
The painting depicts the Virgin Mary as a Kazakh woman dressed in traditional clothing. In her arms, she holds her baby son, the Child Jesus, held in the robe of an adult man, a sign of his future death and the Roman tunic he will wear on his way to the cross.
EWTN News spoke to the artist ahead of Pope Francis’ visit to Kazakhstan, while the painting was still a work in progress. Kasymov spoke about some of the traditional Kazakh symbols he incorporated into the icon.
“The Kazakh ornaments, like all the ornaments in the world, have their own symbols. The nimbus, it’s made in the form of a star. On one side is a flower, on the other side is a star, and on the other side is a part of the Kazakh carpet ‘Tuskeiz,’” he explained.
Kasymov said the Child Jesus’ halo is in the form of a shanyrak, the emblem of Kazakhstan and a common cultural symbol based on the shape of a cross.
Ethnic Kazakhs are predominantly Sunni Muslims, the most commonly practiced religion in the country. According to a 2009 national census, the second most practiced religion is Russian Orthodox Christianity, at more than 20%. The country, which has approximately 250,000 Latin-rite Catholics, according to 2008 statistics, is also home to many immigrants.
The nationally-acclaimed painter said he hopes his work will be received by the people of Kazakhstan “with love, with warmth, because, above all, it is the image of the mother.”
“Here is my personal opinion: I think that Kazakhs are very tolerant, they easily accept any culture,” he said.
The finished icon is expected to include a panel on each side depicting an ethnically Kazakh angel playing traditional musical instruments.
After the image is blessed in Nur-Sultan by Pope Francis, who will visit the city for the VII Congress of Leaders of World and Traditional Religions, it will be placed in a new prayer chapel at the Mary Queen of Peace Shrine in Ozernoe.
Peta said the new chapel would be built in the shape of a yurt, the traditional round tent used by nomadic groups in Central Asia. The shrine is also getting a new pilgrim welcome center dedicated to St. John Paul II.
The new chapel “is for all people, regardless of faith and nationality; this yurt will be a meeting place with Mary, and through Mary, with Jesus,” Peta said.
Kasymov said he faced a difficult decision when Peta asked him to create an icon of Mary and the Child Jesus, given that he himself is not Christian, nor even particularly religious.
“When the offer came in to write this work, of course I had my doubts,” he said. “But then I talked to my relatives, brothers, friends and they said, ‘Of course you should write it, it’s our common culture.’”
Kasymov said he is also interested to see how his depiction of Our Lady of the Steppe interacts with the many European images of the Blessed Virgin Mary.
“I want to praise our beauty, too, and I want the beauty of our women, the beauty of our mothers to be understandable,” he said.
He explained that Mary is shown looking away because “Kazakhs consider it not quite right or polite for a woman to look directly into the face of her interlocutor.”
“We say in Kazakh, ‘Tygylyp Karama,’ do not stare straight ahead,” he said. “A woman should not look at the spectator directly, she looks a little into the distance. It’s a trait of modesty and part of etiquette.”
The Virgin Mary’s gaze can also be interpreted to mean that she is thinking about the future, that “she senses what is going to happen to her son,” he said.
The Christ Child, who is looking the other way from his mother, “has a mixture of feelings,” the artist noted. “It is as if on the one hand, he does not want to separate from his mother, but on the other hand … somewhere in his depths, in his young subconsciousness, there is also an understanding that he has a path, as each of us has our own path.”
Probably an addicted nut job. But the incident presents the question of how a simple car can crash through two gates. It would appear that a strengthening of security is in order at the gates. . This is especially true since within living memory an assassination attempt was made on Pope JP2, although in a different manner. Time to harden defenses.
What happened to “inclusiveness”? And since Francis believes in “building bridges and not walls” shouldn’t there be two large ramps that bridge over the gate to the Vatican entrance so an invading vehicle can enter safely without getting its tires shot out?
Was he in urgent need of a foot washing?
Probably an addicted nut job. But the incident presents the question of how a simple car can crash through two gates. It would appear that a strengthening of security is in order at the gates. . This is especially true since within living memory an assassination attempt was made on Pope JP2, although in a different manner. Time to harden defenses.
What happened to “inclusiveness”? And since Francis believes in “building bridges and not walls” shouldn’t there be two large ramps that bridge over the gate to the Vatican entrance so an invading vehicle can enter safely without getting its tires shot out?