ACI Prensa Staff, Mar 17, 2021 / 11:45 am (CNA).- Fr. Gonzalo Mazarrasa, a Spanish priest, credits Saint Joseph for the survival of all passengers of a plane his brother Jaime was piloting in 1992 that split in two upon landing in Granada.
Mazarrasa, a seminarian at that time, was studying in Rome and had just completed 30 days of prayer to St. Joseph for “impossible things” when that same day his brother’s plane broke in half on the runway.
According to the local press, 26 of the 94 passengers were injured and no one was killed. The Spanish television program El Hormiguero called it “the miracle plane.”
In a recent article published on the Catholic social media Hozana, Mazarrasa told the story of the Aviaco Airlines McDonnell Douglas DC-9 “miracle plane” that greatly strengthened his devotion to Saint Joseph, the saint who “has great power before the Throne of God.”
In those days, the priest said, “I was studying in Rome in 1992 and residing at the Spanish College of Saint Joseph, which that year was celebrating its centenary.”
“I was finishing a 30 day prayer to ask the Holy Patriarch for impossible things and a plane broke in two when landing (in Granada) with almost a hundred people aboard: the pilot was my brother.”
“There was only one seriously injured man who, thank God, recovered. That day I learned that Saint Joseph has a lot of power before the Throne of God,” the priest said.
“This year I have once again prayed the 30 day prayer to the Spouse of Mary in March, which is his month; I have been doing it for thirty years now and he has never let me down, on the contrary he has far exceeded my hopes,” he stressed.
“I know in whom I have placed my trust. To enter this world, God only needed one woman. But it was also necessary for a man to take care of her and her Son, and God thought of a son of the House of David: Joseph, the Spouse of Mary, from whom Jesus was born, called the Christ,” the Spanish priest explained.
“In a dream, the angel told Joseph, who did not believe himself worthy to take into his home the Mother of the Lord and Ark of the New Covenant, to not hesitate to do so because he would have to name him Jesus, since He would save his people from their sins. With his fears dispelled, Joseph obeyed and took his wife into his home.”
The priest encouraged people to ask “Saint Joseph to teach us to bring Mary with Jesus into our home so that we always live to serve them. Like he did.”
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The Holy Tunic of Christ on display in Argenteuil, France, in 2016. / Credit: Simon de l’Ouest, CC BY-SA 4.0, via Wikimedia Commons
Paris, France, Apr 24, 2025 / 11:00 am (CNA).
A rare exhibit of the Holy Tunic of Christ — believed to be the garment worn by Jesus during his passion — is drawing unprecedented crowds to the Basilica of Saint-Denis in Argenteuil, a suburb of Paris.
Open to the public from April 18 to May 11, the exhibit is galvanizing Catholic faithful across Europe. More than 400,000 pilgrims are expected during the 23-day event — more than double the attendance of the previous exhibit in 2016.
Argenteuil, a city that has seen significant Muslim immigration in recent decades, now finds itself at the heart of a surprising spiritual resurgence.
To accommodate the historic influx of visitors, the Diocese of Pontoise — which oversees the basilica — has launched a large-scale logistical effort. The monument will remain open daily from 9 a.m. to 10 p.m., with overnight access on the three Saturdays following Easter.
An educational and spiritual path accompanies pilgrims as they venerate the Holy Tunic, with several hundred trained volunteers assisting to guide the faithful and maintain a smooth flow of visitors.
The exhibit of the Holy Tunic opened on Good Friday, April 18, with a solemn Mass celebrated by Bishop Benoît Bertrand of Pontoise, followed by a public Stations of the Cross procession through the streets of Argenteuil. Secretary of State Cardinal Pietro Parolin was originally scheduled to preside over the closing Mass on May 11, but the recent death of Pope Francis on April 21 and the upcoming conclave may alter the Vatican delegation’s presence.
The Holy Tunic has only been publicly displayed twice in the 20th century — in 1934 and 1984 — drawing approximately 80,000 visitors each time.
In a statement, the Diocese of Pontoise emphasized that the purpose of the exhibit is to offer believers “an opportunity to meditate on the passion of Christ and the profound meaning of his sacrifice.”
Speaking to the Catholic weekly Famille Chrétienne, Father Guy-Emmanuel Cariot, rector of the basilica, underlined the spiritual dimension of the event. “Our task is to organize the encounter between people and the Holy Tunic — then the Lord does what he has to do,” he said.
For Cariot, the relic is “an open book of the Passion,” capable of moving modern hearts. “More than the relic itself, it is Jesus who draws people in,” he added, inviting every pilgrim to contemplate the mystery of redemption.
The Holy Tunic of Argenteuil is considered one of the most precious relics in Christendom. According to tradition, it was discovered in Jaffa in the fourth century by St. Helena, mother of Emperor Constantine, and later gifted by Empress Irene of Constantinople to Charlemagne in the year 800. It was then entrusted to the Benedictine nuns of the Argenteuil abbey. After disappearing during the French Revolution, it was rediscovered in the 19th century and has since undergone several restorations.
The Saint-Denis Basilica in Argenteuil, France. Credit: BastienM, CC BY-SA 3.0, via Wikimedia Commons
While scholars continue to debate its authenticity, the air of mystery surrounding the tunic has only deepened its veneration. For the faithful, it represents far more than a historical artifact: It is a tangible link to Christ’s passion — a sacred object that connects believers today with the redemptive suffering of Jesus.
Historian Jean-Christian Petitfils, author of “La sainte tunique d’Argenteuil: Authentique relique de la Passion du Christ”(“The Holy Tunic of Argenteuil: An Authentic Relic of Christ’s Passion”), argues that both scientific testing and historical indicators support the relic’s authenticity. Nonetheless, he acknowledges that gaps in documentation — and periods when the tunic vanished from the historical record — leave parts of its story shrouded in uncertainty.
This year’s exhibit takes place in a city that has experienced profound socio-religious shifts in recent decades. Argenteuil, home to nearly 110,000 residents — around a third of whom have at least one parent of immigrant origin — has witnessed a sharp and steady decline in Catholic practice, even as Islam has become more visibly present in the public sphere.
Against this backdrop, the display of the Holy Tunic carries significant symbolic weight. It represents a revival of Christian memory and a reaffirmation of the Church’s enduring presence in a society undergoing deep cultural and spiritual transformation. For many, it is a moment of awakening — a testament that the Catholic faith continues to resonate, even in a secularized and religiously diverse environment.
The pastoral programming reflects this ambition. Daily solemn Masses are celebrated by different Church leaders, including Cardinal Louis Raphaël Sako, patriarch of the Chaldeans in Iraq, and Cardinal Juan José Omella, archbishop of Barcelona. Special days are devoted to children, along with scouting vigils and catechesis sessions for families, youth, and spiritual seekers.
In the lead-up to the exhibit, the Holy Tunic toured several French cathedrals between 2024 and March 2025, preparing the public and cultivating a spirit of curiosity and reverence.
This display also coincides with the broader revitalization of the Basilica of Saint-Denis — a spiritual and historical landmark of the Île-de-France region and traditional burial place of French royalty. A major restoration project is underway to reconstruct its north tower and spire, dismantled in the 19th century after a storm.
Since 2022, archaeological excavations have unearthed Merovingian tombs and rare Romanesque elements, paving the way for a full restoration of the west façade, launched in 2023 and scheduled for completion in 2029. The initiative is not only architectural but also educational, featuring a craft village and immersive displays.
Like the exhibit in Argenteuil, it bears witness to a shared drive to revive France’s Christian roots through the transmission and enhancement of its sacred heritage.
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