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PHOTOS: Discover 8 beautiful images of the Virgin Mary in St. Peter’s Basilica

May 29, 2023 Catholic News Agency 4
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary, Virgin Immaculate, in the Chapel of the Choir in St. Peter’s Basilica. / Daniel Ibañez/CNA

Vatican City, May 29, 2023 / 10:30 am (CNA).

To honor the Blessed Virgin Mary, the Vatican offers a special Marian pilgrimage within St. Peter’s Basilica each Saturday afternoon during the month of May.

The Marian itinerary brings pilgrims from Michelangelo’s marble sculpture of the Pieta to Our Lady of Perpetual Help, a 12th-century painting brought into the basilica in 1578 in a solemn procession.

For those unable to travel to the Eternal City, CNA is providing the following “virtual tour” with photos by Daniel Ibañez of eight beautiful images of Our Lady in St. Peter’s Basilica for the feast of Mary, Mother of the Church.

In St. Peter's Basilica's Chapel of the Choir, a large mosaic based on painting by Italian artist Pietro Bianchi depicts Mary, Virgin Immaculate, in the glory of heaven being venerated by St. John Chrysostom (left) and other saints. Daniel Ibañez/CNA
In St. Peter’s Basilica’s Chapel of the Choir, a large mosaic based on painting by Italian artist Pietro Bianchi depicts Mary, Virgin Immaculate, in the glory of heaven being venerated by St. John Chrysostom (left) and other saints. Daniel Ibañez/CNA

Virgin Immaculate

In the basilica’s Chapel of the Choir, a large altarpiece reveals Mary, Virgin Immaculate, in the glory of heaven above angels and saints. The mosaic based on an 18th-century painting by Italian artist Pietro Bianchi depicts St. John Chrysostom St. Francis of Assisi, and St. Anthony of Padua venerating the Blessed Virgin Mary.

The chapel is located on the left side of the basilica behind an iron gate designed by Gian Lorenzo Bernini. St. John Chrysostom is buried beneath the altar, which also contains relics of St. Francis and St. Anthony.

When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary. Pope Pius X later added a larger diamond crown to mark the 50th anniversary of the declaration in 1904.

The original painting by Bianchi can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.

Mother of the Church

St. Peter's Basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”. Daniel Ibañez/CNA
St. Peter’s Basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”. Daniel Ibañez/CNA

The basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”

The original image of the Virgin Mary and the Christ Child was painted on a column in old St. Peter’s Basilica, built by Emperor Constantine in the fourth century. It was later transferred to the 16th-century St. Peter’s Basilica. Paul VI honored the icon with the title “Mater Ecclesiae” after the Second Vatican Council.

The icon can still be seen above one of the basilica’s side altars in the Chapel of Our Lady of the Column, which also contains the remains of Pope St. Leo the Great (440-461).

A mosaic of the Virgin Mary overlooking St. Peter’s Square was inspired by the original Mater Ecclesiae image. The mosaic was installed after the assassination attempt against St. John Paul II in 1981.

When he blessed the mosaic, John Paul II prayed “that all those who will come to this St. Peter’s Square will lift up their gaze towards you [Mary], to direct, with feelings of filial trust, their greetings and their prayers.”

In 2018, Pope Francis added the memorial of “Mary, Mother of the Church” to the liturgical calendar for the Monday after Pentecost.

Mother of Pilgrims

A restored 16th-century painting of Our Lady holding her Son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV under the title "Mother of Pilgrims.". Daniel Ibañez/CNA
A restored 16th-century painting of Our Lady holding her Son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV under the title “Mother of Pilgrims.”. Daniel Ibañez/CNA

A restored 16th-century painting of Our Lady holding her son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV.

The image is titled “Mater Peregrinorum” or Mother of Pilgrims. The original artist is not known, but Italians also refer to the painting as the “Madonna di Scossacavalli” because it came from Rome’s Church of San Giacomo Scossacavalli, which was demolished in 1937 to create the current Via della Conciliazione leading to St. Peter’s Basilica.

Our Lady of Perpetual Help

A 12th-century painting on wood titled Our Lady of Perpetual Help in the Gregorian Chapel of St. Peter's Basilica. Daniel Ibañez/CNA
A 12th-century painting on wood titled Our Lady of Perpetual Help in the Gregorian Chapel of St. Peter’s Basilica. Daniel Ibañez/CNA

A 12th-century painting on wood titled Our Lady of Perpetual Help, also known as Our Lady of Succor, was transferred to an altar in St. Peter’s Gregorian Chapel on February 12, 1578 with a solemn procession.

The painting was the first artistic restoration completed under Pope Francis’ pontificate during the Year of Faith, according to a book published by the Knights of Columbus.

The remains of the Doctor of the Church St. Gregory of Nazianzus (d. 390) are preserved in an urn beneath the Altar of Our Lady of Succor in the Gregorian Chapel, found on the right side of the basilica.

Ark of the Covenant

A mosaic altarpiece of the Presentation of the Virgin Mary in the Temple can be found above the tomb of Pope St. Pius X near the left-front entrance of the basilica. Daniel Ibañez/CNA
A mosaic altarpiece of the Presentation of the Virgin Mary in the Temple can be found above the tomb of Pope St. Pius X near the left-front entrance of the basilica. Daniel Ibañez/CNA

A colorful mosaic altarpiece of the Presentation of the Virgin Mary in the Temple brightens the wall above the tomb of Pope St. Pius X (d. 1914) in the Presentation Chapel near the left-front entrance of the basilica.

A young Mary is depicted on the steps of the Temple with her parents, Sts. Anne and Joachim, the grandparents of Jesus.

The mosaic completed by Pietro Paolo Cristofari in 1728 is based on a painting by 17th-century artist Giovanni Francesco Romaneli, the original of which can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.

Gate of Heaven

According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the oldest door of St. Peter’s Basilica is a reminder of Mary’s title, “Gate of Heaven.”. Daniel Ibañez/CNA
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the oldest door of St. Peter’s Basilica is a reminder of Mary’s title, “Gate of Heaven.”. Daniel Ibañez/CNA

The central door leading to basilica was retained from the old St. Peter’s Basilica and is known as the Filarete Door. Created by a Florentine artist in 1455, the door depicts Christ, the Virgin Mary, and the apostles Sts. Peter and Paul.

According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the door is a reminder of Mary’s title, “Gate of Heaven.”

Queen Assumed into Heaven

The mosaics decorating the interior dome of St. Peter's Basilica depict the Blessed Virgin Mary next to Christ the Redeemer and the Apostles. Daniel Ibañez/CNA
The mosaics decorating the interior dome of St. Peter’s Basilica depict the Blessed Virgin Mary next to Christ the Redeemer and the Apostles. Daniel Ibañez/CNA

Looking up at the soaring cupola, or dome, of St. Peter’s Basilica, one sees mosaics depicting the Blessed Virgin Mary next to Christ the Redeemer, along with St. John the Baptist and the apostles.

The mosaic of the Virgin Mary on the Great Dome, completed in 1610 by Orazio Gentileschi, is based on drawings by Italian Mannerist painter Giuseppe Cesari.

Mother of the Redeemer

Michelangelo's Pieta conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified. Daniel Ibañez/CNA
Michelangelo’s Pieta conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified. Daniel Ibañez/CNA

Michelangelo Buonarroti carved the Pieta from a single slab of Carrara marble when he was 24-years old. The sculpture was unveiled in St. Peter’s Basilica for the Jubilee of 1500.

The moving sculpture conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified.

The sculpture sits above a side-altar near the front entrance of St. Peter’s Basilica, where Mass was sometimes offered before recent restrictions. Visitors to the basilica can only see the Pieta behind bulletproof glass after a man attacked the sculpture with a hammer in May 1972.

The Pieta was the only work of art that Michelangelo ever signed.

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Pope Francis has a fever, Vatican spokesman confirms

May 26, 2023 Catholic News Agency 2
Pope Francis at the Wednesday general audience in St. Peter’s Square on May 24, 2023. / Daniel Ibanez/CNA

Rome Newsroom, May 26, 2023 / 07:07 am (CNA).

Pope Francis canceled meetings on Friday morning due to a fever, a Vatican spokesman confirmed.

Matteo Bruni, director of the Holy See Press Office, told CNA that “due to a feverish condition, Pope Francis did not receive [anyone] in audience this morning.”

As of Friday afternoon, the pope does not have any public appointments scheduled for May 27, according to the Vatican calendar. He is currently scheduled to say Mass in St. Peter’s Basilica for the solemnity of Pentecost on May 28, followed by the recitation of the Regina Caeli antiphon.

Pope Francis, 86, was hospitalized for four days at the end of March for a lung infection.

During his return flight from a three-day trip to Budapest, Hungary, a month later the pope said his “body responded well to the treatment. Thank God.”

This week Pope Francis had both public and closed-door meetings with Italian bishops for their 77th general assembly. He also led his weekly Wednesday morning audience with the public.

On Thursday, May 25, Francis met with a group of religious sisters, with bishops and lay delegates of the synodal journey in Italy, and with participants in a congress hosted by Scholas Occurentes.

Also on May 25, Pope Francis gave an exclusive interview in Spanish to Telemundo News.

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Pope Francis: St. Andrew Kim Taegon teaches us ‘we must not give up’

May 24, 2023 Catholic News Agency 1
Pope Francis spoke about apostolic zeal and the example of Korean martyr St. Andrew Kim Taegon at the Wednesday general audience in St. Peter’s Square on May 24, 2023. / Vatican Media

Vatican City, May 24, 2023 / 05:26 am (CNA).

St. Andrew Kim Taegon and the other Korean martyrs teach us to have courage when sharing the Gospel, even in the face of difficult situations, Pope Francis said on Wednesday.

At his weekly public audience May 24, the pope spoke about the first Korean-born Catholic priest, who was tortured and beheaded near Seoul, South Korea in 1846 at the age of 25.

St. Andrew Kim Taegon was canonized in 1984 with 102 other Korean martyrs.

Pope Francis pointed out that around 200 years ago in Korea, Christianity was severely persecuted.

“At that time, believing in Jesus Christ in Korea meant being ready to bear witness even unto death,” he said.

“No matter how difficult the situation may be — and indeed, at times it may seem to leave no room for the Gospel message — we must not give up and we must not forsake pursuing what is essential in our Christian life, namely evangelization,” the pope said.

He recalled an event from St. Andrew Kim’s life that illustrates the quality of never giving up.

When the Korean Catholic was a seminarian, he needed to find a way to secretly welcome foreign missionary priests to Korea, since foreigners were forbidden from entering the country.

“One time,” Francis said, the saint “walked as the snow was falling, without eating, for so long that he fell to the ground exhausted, risking unconsciousness and freezing.”

“At that point, he suddenly heard a voice, ‘Get up, walk!’ Hearing that voice, Andrew came to his senses, catching a glimpse of something like a shadow of someone guiding him.”

Pope Francis said “this experience of the great Korean witness makes us understand a very important aspect of apostolic zeal; namely, the courage to get back up when one falls.”

The pope shared another example of St. Andrew’s courage in evangelization.

Given the situation at the time, to confirm the Christian identity of others, they would agree ahead of time upon a sign of recognition.

“Then the saint would surreptitiously ask the question, but all quietly: ‘Are you a disciple of Jesus?’” Francis explained. “Since other people were watching the conversation, the saint had to speak in a low voice, saying only a few words, the most essential ones. So, for Andrew Kim, the expression that summed up the whole identity of the Christian was ‘disciple of Christ.’”

As the example of St. Andrew Kim Taegon shows, the pope said, being a disciple of the Lord “means to follow him, to follow his way, and this involves giving one’s life for the Gospel.”

“The Christian is by nature a missionary and a witness, just as Jesus was a missionary and witness to the Father. Every Christian community receives this identity from the Holy Spirit, and so does the whole Church, since the day of Pentecost,” he said.

Pope Francis said seeing the example of these great saints, we might wonder to ourselves how we can evangelize in our own lives.

We can do this in our own, small way, he said, “evangelizing family, evangelizing friends, talking about Jesus, but talking about Jesus and evangelizing with a heart full of joy, full of strength.”

“Let us prepare ourselves,” he added, “to receive the Holy Spirit in the coming Pentecost and ask him for that grace, the grace of apostolic courage, the grace to evangelize, to always carry on the message of Jesus.”

The pope’s catechesis on St. Andrew Kim Taegon was part of a series on apostolic zeal.

The week prior, he highlighted the example of the Jesuit missionary St. Francis Xavier.

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