Vatican City, May 6, 2020 / 05:30 am (CNA).- The coronavirus crisis can be an opportunity to recenter work on the dignity of each person, Pope Francis said in an appeal at the end of his general audience broadcast on Wednesday.
“On May 1, I received several messages about the world of work and its problems. I was particularly struck by that of the agricultural workers, among them many migrants, who work in the Italian countryside. Unfortunately, many are very harshly exploited,” Pope Francis said May 6.
“It is true that the current crisis affects everyone, but people's dignity must always be respected. That is why I add my voice to the appeal of these workers and of all exploited workers. May the crisis give us the opportunity to make the dignity of the person and of work the center of our concern,” he said.
Amid fears of a food shortage, the Italian government is currently discussing whether to legalize some undocumented migrant workers. These workers are particularly vulnerable to exploitation with illegal contracts that can pay less than half of Italy’s minimum wage for the agricultural sector.
May 1 is recognized as Labor Day in Italy and many countries throughout Europe, however it is not an official holiday in the Vatican, which instead celebrates the feast of St. Joseph the Worker, established by Pope Pius XII in 1955.
On the feast day, the pope asked St. Joseph to help Catholics fight for dignified work. He prayed that “no one might be without work and all might be paid a just wage.”
Pope Francis said in his Wednesday audience that prayer is “a cry that comes for the heart of those who believe and entrust themselves to God.” The pope began a new cycle of weekly catechesis on May 6 focused on prayer.
“Not only do Christians pray, they share the cry of prayer with all men and women. But the horizon can still be widened. Paul says that the whole creation ‘groans and suffers the pains of childbirth,’” he said, quoting St. Paul’s letter to the Romans.
“The Catechism states that ‘humility is the foundation of prayer,’” the pope said. “Prayer … comes from our precarious state, from our continuous thirst for God.”
Pope Francis focused his catechesis on the Gospel account of Bartimaeus, the blind beggar from Jericho.
Bartimaeus “uses the only weapon in his possession: his voice. He starts shouting: ‘Son of David, Jesus, have mercy on me,’” the pope explained.
“And Jesus listens to his cry. Bartimaeus' prayer touches his heart, the heart of God, and the doors of salvation are opened for him,” he said. “He recognizes in that poor, helpless, despised man, all the power of his faith, which attracts the mercy and power of God.”
“Stronger than any argument, there is a voice in the human heart that calls out. We all have this voice inside. A voice that comes out spontaneously, without anyone commanding it, a voice that questions the meaning of our journey down here, especially when we are in the dark: ‘Jesus, have mercy on me! Jesus, have mercy on me!’ This is a beautiful prayer,” Pope Francis said.
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Pope Francis meets with Eastern Orthodox priests and monks on Feb. 6, 2025, at his Santa Marta home in the Vatican instead of in the Apostolic Palace as planned. / Credit: Vatican Media
Vatican City, Feb 6, 2025 / 12:30 pm (CNA).
Pope Francis w… […]
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary, Virgin Immaculate, in the Chapel of the Choir in St. Peter’s Basilica. / Daniel Ibañez/CNA
Vatican City, May 29, 2023 / 10:30 am (CNA).
To honor the Blessed Virgin Mary, the Vatican offers a special Marian pilgrimage within St. Peter’s Basilica each Saturday afternoon during the month of May.
The Marian itinerary brings pilgrims from Michelangelo’s marble sculpture of the Pieta to Our Lady of Perpetual Help, a 12th-century painting brought into the basilica in 1578 in a solemn procession.
For those unable to travel to the Eternal City, CNA is providing the following “virtual tour” with photos by Daniel Ibañez of eight beautiful images of Our Lady in St. Peter’s Basilica for the feast of Mary, Mother of the Church.
In St. Peter’s Basilica’s Chapel of the Choir, a large mosaic based on painting by Italian artist Pietro Bianchi depicts Mary, Virgin Immaculate, in the glory of heaven being venerated by St. John Chrysostom (left) and other saints. Daniel Ibañez/CNA
Virgin Immaculate
In the basilica’s Chapel of the Choir, a large altarpiece reveals Mary, Virgin Immaculate, in the glory of heaven above angels and saints. The mosaic based on an 18th-century painting by Italian artist Pietro Bianchi depicts St. John Chrysostom St. Francis of Assisi, and St. Anthony of Padua venerating the Blessed Virgin Mary.
The chapel is located on the left side of the basilica behind an iron gate designed by Gian Lorenzo Bernini. St. John Chrysostom is buried beneath the altar, which also contains relics of St. Francis and St. Anthony.
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary. Pope Pius X later added a larger diamond crown to mark the 50th anniversary of the declaration in 1904.
The original painting by Bianchi can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.
Mother of the Church
St. Peter’s Basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”. Daniel Ibañez/CNA
The basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”
The original image of the Virgin Mary and the Christ Child was painted on a column in old St. Peter’s Basilica, built by Emperor Constantine in the fourth century. It was later transferred to the 16th-century St. Peter’s Basilica. Paul VI honored the icon with the title “Mater Ecclesiae” after the Second Vatican Council.
A mosaic of the Virgin Mary overlooking St. Peter’s Square was inspired by the original Mater Ecclesiae image. The mosaic was installed after the assassination attempt against St. John Paul II in 1981.
When he blessed the mosaic, John Paul II prayed “that all those who will come to this St. Peter’s Square will lift up their gaze towards you [Mary], to direct, with feelings of filial trust, their greetings and their prayers.”
In 2018, Pope Francis added the memorial of “Mary, Mother of the Church” to the liturgical calendar for the Monday after Pentecost.
Mother of Pilgrims
A restored 16th-century painting of Our Lady holding her Son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV under the title “Mother of Pilgrims.”. Daniel Ibañez/CNA
A restored 16th-century painting of Our Lady holding her son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV.
The image is titled “Mater Peregrinorum” or Mother of Pilgrims. The original artist is not known, but Italians also refer to the painting as the “Madonna di Scossacavalli” because it came from Rome’s Church of San Giacomo Scossacavalli, which was demolished in 1937 to create the current Via della Conciliazione leading to St. Peter’s Basilica.
Our Lady of Perpetual Help
A 12th-century painting on wood titled Our Lady of Perpetual Help in the Gregorian Chapel of St. Peter’s Basilica. Daniel Ibañez/CNA
A 12th-century painting on wood titled Our Lady of Perpetual Help, also known as Our Lady of Succor, was transferred to an altar in St. Peter’s Gregorian Chapel on February 12, 1578 with a solemn procession.
The painting was the first artistic restoration completed under Pope Francis’ pontificate during the Year of Faith, according to a book published by the Knights of Columbus.
The remains of the Doctor of the Church St. Gregory of Nazianzus (d. 390) are preserved in an urn beneath the Altar of Our Lady of Succor in the Gregorian Chapel, found on the right side of the basilica.
Ark of the Covenant
A mosaic altarpiece of the Presentation of the Virgin Mary in the Temple can be found above the tomb of Pope St. Pius X near the left-front entrance of the basilica. Daniel Ibañez/CNA
A colorful mosaic altarpiece of the Presentation of the Virgin Mary in the Temple brightens the wall above the tomb of Pope St. Pius X (d. 1914) in the Presentation Chapel near the left-front entrance of the basilica.
A young Mary is depicted on the steps of the Temple with her parents, Sts. Anne and Joachim, the grandparents of Jesus.
The mosaic completed by Pietro Paolo Cristofari in 1728 is based on a painting by 17th-century artist Giovanni Francesco Romaneli, the original of which can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.
Gate of Heaven
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the oldest door of St. Peter’s Basilica is a reminder of Mary’s title, “Gate of Heaven.”. Daniel Ibañez/CNA
The central door leading to basilica was retained from the old St. Peter’s Basilica and is known as the Filarete Door. Created by a Florentine artist in 1455, the door depicts Christ, the Virgin Mary, and the apostles Sts. Peter and Paul.
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the door is a reminder of Mary’s title, “Gate of Heaven.”
Queen Assumed into Heaven
The mosaics decorating the interior dome of St. Peter’s Basilica depict the Blessed Virgin Mary next to Christ the Redeemer and the Apostles. Daniel Ibañez/CNA
Looking up at the soaring cupola, or dome, of St. Peter’s Basilica, one sees mosaics depicting the Blessed Virgin Mary next to Christ the Redeemer, along with St. John the Baptist and the apostles.
The mosaic of the Virgin Mary on the Great Dome, completed in 1610 by Orazio Gentileschi, is based on drawings by Italian Mannerist painter Giuseppe Cesari.
Mother of the Redeemer
Michelangelo’s Pieta conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified. Daniel Ibañez/CNA
Michelangelo Buonarroti carved the Pieta from a single slab of Carrara marble when he was 24-years old. The sculpture was unveiled in St. Peter’s Basilica for the Jubilee of 1500.
The moving sculpture conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified.
The sculpture sits above a side-altar near the front entrance of St. Peter’s Basilica, where Mass was sometimes offered before recent restrictions. Visitors to the basilica can only see the Pieta behind bulletproof glass after a man attacked the sculpture with a hammer in May 1972.
The Pieta was the only work of art that Michelangelo ever signed.
Vatican City, Jun 1, 2021 / 05:00 am (CNA).
The Vatican published Tuesday major revisions to Book VI of the Code of Canon Law, which covers penal law in the Church, including sanctions related to clerical sexual abuse.The revis… […]
1 Comment
Agricultural workers – year after year, they toil to cultivate our food requirements. May they and their loved ones be blessed.
Agricultural workers – year after year, they toil to cultivate our food requirements. May they and their loved ones be blessed.