Atlanta, Ga., May 10, 2019 / 03:30 pm (CNA).- Following the passage of the Living Infants Fairness and Equality (LIFE) Act in Georgia earlier this week, a promised boycott by film and television figures has failed to materialize.
Gov. Brian Kemp (R) signed the bill into law on Wednesday. Actress Alyssa Milano wrote an open letter Kemp in March, threatening a widespread entertainment industry boycott should the LIFE Act pass. The letter was co-signed by about 50 Hollywood actors.
At the time of the bill's signing, Kemp said that “I realize that some may challenge [this bill] in the court of law. But our job is to do what is right, not what is easy.”
So far, only the three companies–Blown Deadline, Killer Films, and Duplass Brothers Production– have said that they will only consider filming in Georgia if the law is overturned. None have previously worked in the state.
Milano herself is still filming for her current project “Insatiable,” which is shot in Atlanta. While she remains on set, the former child star of “Who’s the Boss?” told BuzzFeed News that she would not return to the show if it were to be renewed for a third season, unless production was moved from Georgia.
The Motion Picture Association of America, which represents entertainment companies such as Walt Disney Studios, Paramount Pictures, and Netflix, all of whom actually film movies and television shows in Georgia, has not taken any position on the boycott.
MPAA spokesman Chris Ortman told the Hollywood Reporter that the organization had taken no decision to boycott the state, citing its deep ties to the local economy and the likely legal challenges the law will face.
“It is important to remember that similar legislation has been attempted in other states, and has either been enjoined by the courts or is currently being challenged. The outcome in Georgia will also be determined through the legal process,” said Ortman, adding, “We will continue to monitor developments.”
Actress Ashley Bratcher, who lives in Georgia, did not join in on the calls for boycott. Bratcher, who starred as pro-life activist Abby Johnson in the film “Unplanned,” wrote a rebuttal to Milano defending the legislation and the sanctity of life. During the filming of Unplanned, Bratcher learned that she was herself nearly aborted.
The Supreme Court found in the 1973 decision Roe vs. Wade that a woman in the United States has a constitutional right to abortion. Since that decision, laws that criminalize abortion prior to fetal viability have typically been overturned as unconstitutional.
The so-called “heartbeat bills” have faced challenges in every state where they have been passed. These legal battles have prompted some pro-life advocates, including Catholic bishops, to withhold endorsing the legislation.
Tennessee’s Catholic bishops chose to oppose their state’s heartbeat bill over concerns that it would not stand up to judicial scrutiny. They voiced concern that it was an imprudent approach to fighting legal abortion, citing other states where legal challenges to such bills ended up further enshrining a legal “right to abortion” and forcing the state to pay significant sums of money to the lawyers representing the pro-abortion challengers to the laws.
The Georgia law is set to go into effect on January 1, several pro-abortion organizations have promised to challenge it in court.
The entertainment industry also threatened to boycott Georgia should Kemp be elected governor. This boycott did not materialize.
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Fr. Richard Cassidy, professor of Sacred Scripture at Sacred Heart Major Seminary, dresses in Roman prisoner garb as he holds a copy of his newest book, “A Roman Commentary on St. Paul’s Letter to the Philippians.” Fr. Cassidy’s eighth scholarly work, the book explores the subversive nature of St. Paul’s Letter to the Philippians, which the apostle wrote from behind bars in a Roman prison cell. / Valaurian Waller | Detroit Catholic
Detroit, Mich., Apr 30, 2022 / 08:00 am (CNA).
It was a tough decision for Rick Cassidy as he began graduate studies at the University of Michigan in mid-1960s. Would he take the course on Imperial Rome, because of his love of history, or the course History of Slavery, because of his deep concern for social justice?
The Dearborn native chose the course on slavery. The insights he acquired have helped to guide Fr. Richard Cassidy’s scholarly work for three decades, including his latest work, “A Roman Commentary on St. Paul’s Letter to the Philippians“ (Herder & Herder, 2020).
Paul’s letter, composed in chains and secreted out of his Roman jail cell, is intentionally “counter-slavery” argues Father Cassidy, professor of Sacred Scripture at Sacred Heart Major Seminary since 2004, as well as “counter-emperor.” At its core, Philippians is an underground epistle that subverts the Roman power structure and the “lordship pretensions of Nero.” Reviewers praise the “distinctive thesis” of Father’s groundbreaking work as “fresh and illuminating,” making for “fascinating reading.”
This is Father Cassidy’s seventh book that examines the influence of Roman rule on the writers of the New Testament, and his eighth book overall. He returned to Ann Arbor on a rainy afternoon in late June to discuss his newest work.
Dan Gallio: St. Paul’s Letter to the Philippians is most known for its soaring declaration of the divinity Christ, before whom one day “every knee must bend,” and “every tongue proclaim” his universal lordship (2:6-11).
Your new book presents a unique argument: Paul’s letter is primarily a “subversive” document of resistance against the Roman Empire—particularly against emperor worship and slavery. How did you arrive at this against-the-grain interpretation?
“A Roman Commentary on St. Paul’s Letter to the Philippians” (Herder & Herder, 2020) is Fr. Cassidy’s eighth book and a follow-up on his 2001 work, “Paul in Chains: Roman Imprisonment and the Letters of St. Paul”. Valaurian Waller | Detroit Catholic
Father Cassidy: These insights were the result of long hours with the text, spending a lot of prayer time for guidance, as to Paul’s situation.
The issue of slavery came into play strongly. I now saw that Jesus was executed as a violator of Roman sovereignty, condemned by Pilate, executed under Emperor Tiberius—and that this was the slave’s form of death. This is a crucial point.
In regards to the two topics you mention, I had the intuition that the Letter to the Philippians was “counter-emperor cult” and “counter-slavery.” First, the self emptying of Christ from on high—descending downward into human form, downward, downward to the point of the slave’s death on a Roman cross—and then you have St. Paul’s wonderful words in chapter 2, verses 9-11.
My insight was that there is going to be a redressing of what has happened. Because of the great faithfulness of Jesus Christ, the Father intervenes and begins the lifting up, the ascending of Christ, where the Father exalts Jesus and bestows upon him “the name above every other name.”
So I can now speak about this famous passage in terms of a kind of “drama”: four scenes that represent the descent of Jesus, and four scenes that represent his ascent, akin to a medieval passion play. The Father intervenes on Christ’s behalf, conferring upon him the name of “Lord.” Now all of creation, including the emperor, the governor, the imperial personnel, are all subject to Jesus. They have to prostrate themselves before the name of Jesus.
DG: So, essentially, Philippians is subversive because it makes a political statement as much as a theological one.
FC: Yes, but for some, it is a great privilege to genuflect at the name of Jesus. This includes slaves! Paul had integrated slaves into his community in Philippi. They were empowered now to proclaim the name of Jesus, standing alongside free men and women. They are standing alongside the Roman imperial power structure, all involved in the same process of bowing before Christ and proclaiming his name.
A security guard at Sacred Heart Major Seminary helps Fr. Cassidy don his “prisoner’s clothing” for a photo shoot promoting Fr. Cassidy’s latest book, “A Roman Commentary on St. Paul’s Letter to the Philippians,” which details Paul’s experience behind bars and the conditions under which he wrote his Letter to the Philippians. Valaurian Waller | Detroit Catholic
And that name is “Lord.” Jesus is being acclaimed as Lord, and not the emperor, to the glory of God the Father. This is the decisive element of Philippians 2:6-11, blended together in this one passage.
DG: You provide a forty-four-page introduction to the social situation of the Roman colony of Philippi. Why did you feel such an informative but lengthy introduction was necessary to support your thesis?
FC: I had to establish that conditions at Philippi mirror conditions at Rome. This is important. Philippi was like “Little Rome.” When Paul is speaking of conditions at Philippi, his is also experiencing the same oppressive conditions at Rome as a chained prisoner. I had to establish that emperor worship was everywhere, in Philippi’s renowned amphitheater, in the streets, in public artifacts. That is why I had to go into an extensive introduction to set the stage of what Paul is doing in his letter.
DG: Your appendices are extensive, too, like bookends to the introduction, driving the thesis home again using illustrations.
FC: There is one illustration of a monument where slaves are chained, and a slave trader is proclaiming his prowess as a slave trader. This monument to the degradation of slavery was at a city adjacent to Philippi. Paul almost certainly passed by it on his way to and from Philippi. It was discovered back in the 1930s and almost destroyed in the war by Nazi bombings.
DG: Paul is sometimes criticized by revisionist commentators for not rejecting the institution of slavery in his letters. Is your book an answer to these critics?
FC: Paul’s approach to slavery is complicated. There are some letters where he seems to envision the imminent return of Christ. Possibly he minimized the importance of slaves being freed in these letters. However, in Philippians, his final letter before his death, he addresses the issue definitively. It is very undermining of slavery.
I intended to de-establish the idea that Paul acquiesced to slavery. He did not acquiesce. The laudatory prepublication comments by scholars make me think the book will have a decisive role in re-imaging Paul.
Against a prevailing notion that St. Paul “acquiesced” to the idea of slavery in his writings, Fr. Cassidy’s book aims to counter the idea by showing how St. Paul’s Letter to the Philippians actually served a subversive purpose in a Roman empire dominated by emperor worship and tight controls. Valaurian Waller | Detroit Catholic
DG: Back to Philippians 2:6-11. Why do you maintain this passage is not a hymn or baptismal catechesis, as is customarily believed, but is an original composition of Paul? Is this position another example of your counter exegesis?
FC: This is not some other preexisting hymn. No! This is fresh imaging. Visceral imaging. This is intensity from identifying with Christ as the “slave crucified.” No one else could have composed this passage. And Paul could not have composed this passage until he was in Roman chains and could see the threat posed against Jesus by the counterfeit claims that Emperor Nero is Lord.
DG: It’s almost like the passage is “supra-inspired,” that he would get such an original insight while in such dreadful circumstances.
FC: Correct. And there is a real question as to how this letter could be transmitted from prison, with the security and censorship. In garments? In pottery? It is possible the original written letter was confiscated. So how is Paul is getting his subversive thoughts past the Roman guards?
I suggest in my book that Paul was drilling his associates, Timothy and Epaphroditus, to memorize his letter, given the role of memory in early Christian life.
DG: With your busy teaching and pastoral duties, where to you find the motivation and energy to produce such a thoroughly researched, and beautifully written, work of scholarship?
FC: It’s Spirit driven!
DG: Is the Spirit driving you to another book?
FC: I would say so. After a book comes to publication, there is always a kind of mellowing period. So right now I have not identified the next project. I am appreciating the graces I have received from this book, and trusting that the same Spirit who has shepherded me through this sequence will still stand by me, guiding me forward.
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