The statue, called “Christ in Death,” portrays Jesus’ corpse lyng on a burial shroud with a crown of thorns laid alongside his lower legs. / Paul Braun/Diocese of Fargo
Denver, Colo., Jan 27, 2023 / 08:08 am (CNA).
A woman was arrested after allegedly causing serious damage to a statue of Jesus at St. Mary’s Cathedral in Fargo, North Dakota, on Monday evening, possibly while she was under the influence of drugs.
“We were saddened to see the damage done to a very old statue at our cathedral, and we hope the person responsible gets the help they need,” Paul Braun, communications director for the Diocese of Fargo, told CNA Jan. 26. “We are praying for that person as well.”
The statue, called “Christ in Death,” portrays Jesus’ corpse laying on a burial shroud with a crown of thorns laid alongside his lower legs. Photos provided to CNA show damage to the statue’s head and feet and damage to one hand, as well as damage to the crown of thorns and the base of the statue.
A woman was arrested for allegedly causing serious damage to a statue of Jesus at St. Mary’s Cathedral in Fargo, North Dakota, on Jan. 23, 2023. Paul Braun/Diocese of Fargo
Fargo police officers said they saw 35-year-old Brittany Marie Reynolds leaving the cathedral at about 6:24 p.m. They detained her after she allegedly attempted to flee. She was not wearing a shirt, a bra, or shoes. She was unable to answer basic questions and appeared to be under the influence of drugs, the Fargo newspaper The Forum reported, citing court documents.
Police entered the cathedral and found that a large statue of Jesus had been smashed on the floor. Church surveillance footage reportedly shows the half-dressed Reynolds in the church. She flipped over a potted plant before destroying the statue.
Reynolds was arrested and served a warrant for allegedly acting aggressively toward hospital staff.
A woman was arrested after allegedly damaging a statue of Jesus inside St. Mary’s Cathedral in Fargo, North Dakota, on Jan. 23, 2023. Paul Braun/Diocese of Fargo
Monsignor Joseph Goering told police he did not know the monetary value of the statue. Officers said a similar statue they found online was appraised at $11,500.
“We were saddened to see the damage done to a very old statue at our cathedral, and we hope the person responsible gets the help they need,” Paul Braun, communications director for the Diocese of Fargo, told CNA Jan. 26, 2023. Paul Braun/Diocese of Fargo
Braun told CNA an expert in art restoration is examining the damaged statue to determine whether it should be repaired or replaced.
Reynolds faces a felony charge of criminal mischief, which could result in a maximum of 10 years in prison and a $20,000 fine, The Forum reported.
Police said Brittany Marie Reynolds was seen on surveillance footage destroying the statue at St. Mary’s Cathedral in downtown Fargo. https://t.co/DQsetyGkmg
There have been previous incidents of vandalism at the cathedral and other area churches. In April 2021, a statue of Jesus in front of St. Mary’s Cathedral in Fargo was defaced with black paint on its face. An unknown person removed the paint several days later. In 2018, a statue of the Virgin Mary was decapitated at St. Anthony of Padua Catholic Church in south Fargo.
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Washington D.C., Jan 25, 2019 / 02:00 pm (CNA).- New York’s newly-signed abortion law permits abortion for any reason up until the 24th week of a pregnancy, and then afterwards in cases to protect the “life and health” of the mother, … […]
Michelangelo’s The Creation of Eve, from the Sistine Chapel ceiling, c. 1510. / null
Denver, Colo., Nov 15, 2022 / 09:00 am (CNA).
Michelangelo’s artistic masterpiece in the Sistine Chapel broke new ground in portraying the dynamic creative acts of God, but his work also depicts the combined importance of men and women through all of sacred history, art historian Elizabeth Lev has said.
“The spirit of artistic adventure led the artist to experiment with a completely new vision of creation,” Lev said Nov. 12. “He took a book that had been painted, sculpted, mosaiced, and illuminated over and over again in the history of art and created something completely new.”
She spoke at the closing keynote Saturday evening at the fall conference of the University of Notre Dame’s de Nicola Center for Ethics and Culture. Lev teaches at the Rome campus of Duquesne University and the Pontifical University of St. Thomas Aquinas. Her speech, “Creation, Complementarity, & St. John Paul II in Michelangelo’s Sistine Ceiling,” focused on one of the key artistic treasures of Vatican City.
The 16th-century Florentine artist Michelangelo was commissioned by Pope Julius II to paint the Sistine Chapel’s ceiling and the upper section of its walls. This was the artist’s focus from 1508 to 1512. He later finished the Last Judgment above the chapel altar from 1535 to 1541.
The ceiling frescoes show the creation of the heavens and the earth, the creation of Adam and Eve, their expulsion from the Garden of Eden, the great flood, and the rebirth of humankind through Noah.
Lev cited St. John Paul II’s description of Michelangelo’s work in his poem “Meditations on the Book of Genesis at the Threshold of the Sistine Chapel.”
“It is the book of the origins — Genesis,” the pope said. “Here, in this chapel, Michelangelo penned it, not with words, but with the richness of piled-up colors. We enter in order to read it again, going from wonder to wonder.”
Lev reflected on the first three panels depicting the creation of the world. These show “the mighty dynamic figure of God the Father at work.”
“It’s not what God creates, it’s that God creates,” she said. Michelangelo broke ground in portraying God as “physically engaged in creation.” For Lev, this offers “a preview of the Incarnation.”
Turning to Michelangelo’s famous depiction of the Creation of Adam, Lev noted that the artist depicts “just God and the creature formed in his likeness.” Adam is shown as “somewhat listless” in contrast with God’s energy. Adam is “sentient and awake but he has no will or strength or purpose to rise,” she said. “He looks completely passive and dependent despite that incredibly beautiful form.”
“It’s God who reaches towards man,” she continued. For Lev, the outstretched finger of God makes the viewer “almost lean forward in his seat waiting for that final Act of Creation, the divine spark, the Breath of Life that will release that latent energy and allow Adam to take his place as the greatest of creations.”
“This is the joy in humanity that permeates the Renaissance,” Lev said.
Michelangelo’s The Fall and Expulsion from Paradise from the Vatican’s Sistine Chapel (1508-12).
There is academic debate over a female figure shown in the Creation of Adam. As God the Father stretches out one arm to Adam, his other arm curls around a female figure. Some have identified this figure as Wisdom, some as Mary.
Lev suggested it is best to identify this figure as Eve, both because the figure provides visual balance to Adam and because her gaze “connects her more intimately with Adam.”
The creation of Eve from Adam, depicted next on the chapel ceiling, shows Eve emerging from Adam’s side with her hands clasped in prayer, an image of the Church and the personification of Mary, the “Second Eve.”
Lev cited St. John Paul II’s 1999 homily inaugurating the newly restored Sistine Chapel, after centuries of grime and soot were removed. The pope called the chapel the “sanctuary of the theology of the human body,” alluding to his catecheses offered from 1979 to 1984. The pope suggested that Michelangelo allowed himself to be guided by the Book of Genesis’ depiction of mankind in Eden: “the man and his wife were both naked and they felt no shame.”
Before the fall, Lev commented, Michelangelo depicted Adam and Eve in the state of grace as “two of his most beautiful figures.”
“They are filled with dynamism. They’re buoyant. They’re luminous,” Lev said, adding that their bodies “suggest immortality.” After the fall, however, both of their bodies “lose their luminosity” and appear heavier, like a burden. Adam’s shoulder seems to force Eve into the background, “subjugating her.”
For Lev, the artistic depiction of the genealogy of Jesus Christ also deserves attention. The portrayal of the ancestors of Jesus Christ shows “a genealogy of men and women struggling from generation to generation.” These figures seem “more approachable” and “much more similar to candid family photographs.” Even though 22 women in Jesus’ genealogy are not named, Michelangelo pairs them with their husbands.
Lev noted that Michelangelo broke with artistic convention both by including mothers and by showing them as busy, everyday women “tending to toddlers, toilettes, and tasks.” His style of painting them with “incredible immediacy” adds observations of human nature: Eleazar’s wife holds the purse strings and the key to the house, and her husband looks “startled” as she surveys their son. Other depictions are “tender and intimate,” like the portrayal of the wife of Manasseh, who cradles a swaddled son while rocking an infant’s cradle.
Here, Lev drew on John Paul II’s 1995 “Letter to Women.” He wrote that womanhood and manhood are complementary at the physical, psychological, and even ontological level.
“It is only through the duality of the masculine and the feminine that the human finds full recognition,” the pope said. “To this unity of the two, God has entrusted not only the work of procreation and family life but the creation of history itself.”
Lev noted that the passing of generations “necessarily emphasizes the begetting of children.” This means that the complementarity of the sexes is essential for a population to form and for creation to continue.
In Michelangelo’s portrayal of the Last Judgment, the artist still looks back to creation but also breaks new ground. He placed Mary next to Christ, as “a foil to Christ’s sternness.”
“She is the picture of mercy gazing down towards the elect, placed by the wound in Christ’s side whence the Church sprang,” Lev said. “Mary is transfigured into the Bride of Christ, for whom he gave his life and to whom he cannot say no. She is the conduit to Christ, as Eve was the link between God and man in the creation of woman.”
For Lev, the Sistine Chapel shows the “incredible gift of creation” from the beginning of the world down through the generations, “through which all of us today are a part of that continuation of creation.”
Springfield, Ill., Jul 26, 2017 / 06:01 am (CNA/EWTN News).- A prominent media priest who criticized Bishop Thomas Paprocki’s restatement of norms regarding church funerals “gets a lot wrong,” the bishop said in a response noting the importance of repentance for everyone.
Bishop Paprocki explained his decree in a July 9 video on the Diocese of Springfield’s website. He reminded everyone with a ministry in the Church that “while being clear and direct about what the Church teaches, our pastoral ministry must always be respectful, compassionate and sensitive to all our brothers and sisters in faith, as was the ministry of Christ Jesus, the Good Shepherd and our everlasting model for ministry,” the bishop said.
“People with same-sex attraction are welcome in our parishes in the Catholic Diocese of Springfield in Illinois as we repent our sins and pray for God to keep us in his grace,” he said.
On June 12 the Bishop of Springfield had issued an internal decree discussing same-sex marriage and pastoral issues in his diocese. The decree was leaked.
Father James Martin, S.J., an editor-at-large of America Magazine, had claimed on Twitter that the bishop’s diocesan norms regarding a ban on church funeral rites only focused on “LGBT people” and would not be applied to others living in public sin, such as a man and a woman in an irregular union, or private sin, such as users of birth control. Fr. Martin suggested such a focus constituted unjust discrimination.
Bishop Paprocki had said his decree was “totally consistent with Catholic teaching.” The decree was “a rather straightforward application of existing Catholic doctrine and canon law” in a new situation where same-sex couples are receiving a legal marital status in civil law, contrary to Catholic teaching.
“Father Martin gets a lot wrong in those tweets, since canon law prohibits ecclesiastical funeral rites only in cases of ‘manifest sinners’ which gives ‘public scandal,’ and something such as using birth control is a private matter that is usually not manifest or made public,” the bishop said.
Bishop Paprocki rejected the characterization of his decree as focusing on “LGBT people.” Rather, he said, it focused on “so-called same-sex marriage, which is a public legal status.”
“No one is ever denied the sacraments or Christian burial for simply having a homosexual orientation,” the bishop continued. “Even someone who had entered into a same-sex marriage can receive the sacraments and be given ecclesiastical funeral rites if they repent and renounce their marriage.”
The bishop said the priest-commentator missed the key phrase in the decree: the section saying that ecclesiastical funeral rites are to be denied to those in same-sex marriages “unless they have given some signs of repentance before their death.”
He cited Christ’s public proclamation in the Gospel of Mark: “This is the time of fulfilment. The kingdom of God is at hand. Repent, and believe in the gospel.”
The bishop further explained the Church’s response to church burial rites.
“This does not mean that unrepentant manifest sinners will simply be refused or turned away,” he said. “Even in those cases where a public Mass of Christian Burial in church cannot be celebrated because the deceased person was unrepentant and there would be public scandal, the priest or deacon may conduct a private funeral service, for example, at the funeral home.”
Bishop Paprocki did find a point in the priest’s criticism.
“Father Martin’s tweets do raise an important point with regard to other situations of grave sin and the reception of Holy Communion. He is right that the Church’s teaching does not apply only to people in same-sex marriages,” he said.
Citing canon law, the bishop said everyone conscious of grave sin should not receive Holy Communion without first going to confession and receiving absolution. This is relevant to everyone who has committed a grave sin, whether it is sexual sin, missing Mass on Sundays and Holy Days of Obligation without grave cause, procuring an abortion, or having attempted remarriage after a divorce without obtaining a decree of nullity.
The bishop noted that a couple who agrees to live as brother and sister in an irregular union, if there is no public scandal, could receive Holy Communion after repenting, going to confession, and amending their lives. This similarly would apply to two men or two women who live chastely with each outher.
Bishop Paprocki’s decree drew significant media coverage.
“The fact that there would be such an outcry against this decree is quite astounding and shows how strong the LGBT lobby is both in the secular world as well as within the Church,” he said.
Citing Pope Francis’ comments against judgementalism, the bishop noted that the Pope had warned against any form of lobbies, including a “gay lobby.”
Burial rites were only one part of the June 12 decree, which concerned topics including the use of Catholic facilities and diocesan personnel in same-sex ceremonies, as well as the response to people in same-sex unions and to any children who live with such couples and are presented for the sacraments or Catholic education.
So sad to see these statues vandalized by people for whatever misguided reasons. More reason we need to pray harder as these times when so much atheism, secularism and outright hatred against things of Christian devotion, especially Catholic devotion seem to be flourishing in this Godless age. Forgive them Father for they know not what they do.
Caught in the act — or shortly thereafter — is the only way to be able to prosecute the perpetrators of anti-Catholic vandalism. It’s a horrible fact that the victims of these acts have to be vigilant or lucky in order to catch those responsible.
The people who desecrated the statue of St. Junipero Serra in San Rafael, CA were known and not immediately arrested, because anti-Catholic vandalism is not a crime in the US but rather heroic. There was so much vandalism at that Point in time, and a substantial backlash, although not much acknowledged by the mainstream media, that the Marin County DA took the remarkable step of arresting them. Predictably, a few months later the charges were quietly dismissed.
Here us another example of Christophobia, the war against Christians and Christianity, waged under the labels of “tolerance,” “inclusion,” multi-culturalism,” and “diversity.”
So sad to see these statues vandalized by people for whatever misguided reasons. More reason we need to pray harder as these times when so much atheism, secularism and outright hatred against things of Christian devotion, especially Catholic devotion seem to be flourishing in this Godless age. Forgive them Father for they know not what they do.
Caught in the act — or shortly thereafter — is the only way to be able to prosecute the perpetrators of anti-Catholic vandalism. It’s a horrible fact that the victims of these acts have to be vigilant or lucky in order to catch those responsible.
The people who desecrated the statue of St. Junipero Serra in San Rafael, CA were known and not immediately arrested, because anti-Catholic vandalism is not a crime in the US but rather heroic. There was so much vandalism at that Point in time, and a substantial backlash, although not much acknowledged by the mainstream media, that the Marin County DA took the remarkable step of arresting them. Predictably, a few months later the charges were quietly dismissed.
Here us another example of Christophobia, the war against Christians and Christianity, waged under the labels of “tolerance,” “inclusion,” multi-culturalism,” and “diversity.”
This is a hate crime but will it be prosecuted as such? Highly doubtful. After all it’s perfectly acceptable to hate the evil, un-WOKE Catholics.