Vatican City, Feb 14, 2019 / 05:41 am (CNA/EWTN News).- Pope Francis Thursday nominated a new camerlengo, Irish-American Cardinal Kevin Joseph Farrell, prefect of the Dicastery for Laity, Family, and Life, and a former bishop of Dallas.
Farrell’s responsibilities as camerlengo will include overseeing the preparations for a papal conclave and managing the administration of the Holy See in the period between a pope’s death or renunciation and the election of a new pope.
The office of camerlengo of the Holy Roman Church, which is situated within the pontifical household, has been vacant since the death of Cardinal Jean-Louis Tauran last July.
To take office, Farrell, 71, will take an oath before Pope Francis, who will give him a scepter, a symbol of the authority of the camerlengo. The current scepter, covered in red velvet, dates to the papacy of Benedict XV.
Born in Ireland and ordained a priest in 1978 as a member of the Legion of Christ, Farrell eventually relocated to Washington, DC, serving as director of Washington’s Spanish Catholic Center, before becoming the archdiocese’s finance officer in 1989.
In 2002, he became an auxiliary bishop of Washington, serving as moderator of the curia and vicar general, a chief advisory role, to then-Cardinal Theodore McCarrick, with whom Farrell lived in a renovated parish building in Washington’s Kalorama neighborhood.
He was named Bishop of Dallas in 2007, where he served until his appointment as the first prefect of the Dicastery for Laity, Family, and Life in August 2016, which put him in charge of the planning of the World Meeting of Families in Dublin in 2018 and World Youth Day in Panama in January 2019.
Farrell became a cardinal in November 2016.
The camerlengo is one of two head officials of the Roman Curia who do not lose their office while the papacy is vacant. The position of camerlengo, which is regulated by the apostolic constitutions Pastor bonus and Universi dominici gregis, administers Church finances and property during the interregnum.
Paragraph 17 of Universi dominici gregis establishes that “the Camerlengo of Holy Roman Church must officially ascertain the Pope’s death” and “must also place seals on the Pope’s study and bedroom,” and later “the entire papal apartment.”
The camerlengo is also responsible for notifying the cardinal vicar for Rome of the pope’s death, who then notifies the people of Rome by special announcement. He takes possession of the Apostolic Palace in the Vatican and Palaces of the Lateran and of Castel Gandolfo and manages their administration.
“During the vacancy of the Apostolic See, the Camerlengo of Holy Roman Church has the duty of safeguarding and administering the goods and temporal rights of the Holy See, with the help of the three Cardinal Assistants, having sought the views of the College of Cardinals, once only for less important matters, and on each occasion when more serious matters arise,” the constitution states.
Only the pope may choose the cardinal to fill the position of camerlengo, though he may also leave it vacant, in which case, the College of Cardinals would hold an election to fill the office at the start of a sede vacante.
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Vatican City, May 27, 2025 / 12:48 pm (CNA).
The official website of the Vatican for the first time has been refreshed since it was created in the 1990s, prominently featuring multimedia content and … […]
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary, Virgin Immaculate, in the Chapel of the Choir in St. Peter’s Basilica. / Daniel Ibañez/CNA
Vatican City, May 29, 2023 / 10:30 am (CNA).
To honor the Blessed Virgin Mary, the Vatican offers a special Marian pilgrimage within St. Peter’s Basilica each Saturday afternoon during the month of May.
The Marian itinerary brings pilgrims from Michelangelo’s marble sculpture of the Pieta to Our Lady of Perpetual Help, a 12th-century painting brought into the basilica in 1578 in a solemn procession.
For those unable to travel to the Eternal City, CNA is providing the following “virtual tour” with photos by Daniel Ibañez of eight beautiful images of Our Lady in St. Peter’s Basilica for the feast of Mary, Mother of the Church.
In St. Peter’s Basilica’s Chapel of the Choir, a large mosaic based on painting by Italian artist Pietro Bianchi depicts Mary, Virgin Immaculate, in the glory of heaven being venerated by St. John Chrysostom (left) and other saints. Daniel Ibañez/CNA
Virgin Immaculate
In the basilica’s Chapel of the Choir, a large altarpiece reveals Mary, Virgin Immaculate, in the glory of heaven above angels and saints. The mosaic based on an 18th-century painting by Italian artist Pietro Bianchi depicts St. John Chrysostom St. Francis of Assisi, and St. Anthony of Padua venerating the Blessed Virgin Mary.
The chapel is located on the left side of the basilica behind an iron gate designed by Gian Lorenzo Bernini. St. John Chrysostom is buried beneath the altar, which also contains relics of St. Francis and St. Anthony.
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary. Pope Pius X later added a larger diamond crown to mark the 50th anniversary of the declaration in 1904.
The original painting by Bianchi can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.
Mother of the Church
St. Peter’s Basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”. Daniel Ibañez/CNA
The basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”
The original image of the Virgin Mary and the Christ Child was painted on a column in old St. Peter’s Basilica, built by Emperor Constantine in the fourth century. It was later transferred to the 16th-century St. Peter’s Basilica. Paul VI honored the icon with the title “Mater Ecclesiae” after the Second Vatican Council.
A mosaic of the Virgin Mary overlooking St. Peter’s Square was inspired by the original Mater Ecclesiae image. The mosaic was installed after the assassination attempt against St. John Paul II in 1981.
When he blessed the mosaic, John Paul II prayed “that all those who will come to this St. Peter’s Square will lift up their gaze towards you [Mary], to direct, with feelings of filial trust, their greetings and their prayers.”
In 2018, Pope Francis added the memorial of “Mary, Mother of the Church” to the liturgical calendar for the Monday after Pentecost.
Mother of Pilgrims
A restored 16th-century painting of Our Lady holding her Son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV under the title “Mother of Pilgrims.”. Daniel Ibañez/CNA
A restored 16th-century painting of Our Lady holding her son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV.
The image is titled “Mater Peregrinorum” or Mother of Pilgrims. The original artist is not known, but Italians also refer to the painting as the “Madonna di Scossacavalli” because it came from Rome’s Church of San Giacomo Scossacavalli, which was demolished in 1937 to create the current Via della Conciliazione leading to St. Peter’s Basilica.
Our Lady of Perpetual Help
A 12th-century painting on wood titled Our Lady of Perpetual Help in the Gregorian Chapel of St. Peter’s Basilica. Daniel Ibañez/CNA
A 12th-century painting on wood titled Our Lady of Perpetual Help, also known as Our Lady of Succor, was transferred to an altar in St. Peter’s Gregorian Chapel on February 12, 1578 with a solemn procession.
The painting was the first artistic restoration completed under Pope Francis’ pontificate during the Year of Faith, according to a book published by the Knights of Columbus.
The remains of the Doctor of the Church St. Gregory of Nazianzus (d. 390) are preserved in an urn beneath the Altar of Our Lady of Succor in the Gregorian Chapel, found on the right side of the basilica.
Ark of the Covenant
A mosaic altarpiece of the Presentation of the Virgin Mary in the Temple can be found above the tomb of Pope St. Pius X near the left-front entrance of the basilica. Daniel Ibañez/CNA
A colorful mosaic altarpiece of the Presentation of the Virgin Mary in the Temple brightens the wall above the tomb of Pope St. Pius X (d. 1914) in the Presentation Chapel near the left-front entrance of the basilica.
A young Mary is depicted on the steps of the Temple with her parents, Sts. Anne and Joachim, the grandparents of Jesus.
The mosaic completed by Pietro Paolo Cristofari in 1728 is based on a painting by 17th-century artist Giovanni Francesco Romaneli, the original of which can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.
Gate of Heaven
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the oldest door of St. Peter’s Basilica is a reminder of Mary’s title, “Gate of Heaven.”. Daniel Ibañez/CNA
The central door leading to basilica was retained from the old St. Peter’s Basilica and is known as the Filarete Door. Created by a Florentine artist in 1455, the door depicts Christ, the Virgin Mary, and the apostles Sts. Peter and Paul.
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the door is a reminder of Mary’s title, “Gate of Heaven.”
Queen Assumed into Heaven
The mosaics decorating the interior dome of St. Peter’s Basilica depict the Blessed Virgin Mary next to Christ the Redeemer and the Apostles. Daniel Ibañez/CNA
Looking up at the soaring cupola, or dome, of St. Peter’s Basilica, one sees mosaics depicting the Blessed Virgin Mary next to Christ the Redeemer, along with St. John the Baptist and the apostles.
The mosaic of the Virgin Mary on the Great Dome, completed in 1610 by Orazio Gentileschi, is based on drawings by Italian Mannerist painter Giuseppe Cesari.
Mother of the Redeemer
Michelangelo’s Pieta conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified. Daniel Ibañez/CNA
Michelangelo Buonarroti carved the Pieta from a single slab of Carrara marble when he was 24-years old. The sculpture was unveiled in St. Peter’s Basilica for the Jubilee of 1500.
The moving sculpture conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified.
The sculpture sits above a side-altar near the front entrance of St. Peter’s Basilica, where Mass was sometimes offered before recent restrictions. Visitors to the basilica can only see the Pieta behind bulletproof glass after a man attacked the sculpture with a hammer in May 1972.
The Pieta was the only work of art that Michelangelo ever signed.
Another honor for someone who should be investigated. Is Francis serious about dealing with the sex scandal? It doesn’t seem like he has the competence to do so.
By appointing Farrell, a protege of McCarrick to such an important position, Pope Francis has once again shown he doesn’t take the abuse crisis seriously, has no intention of correcting the destructive path he is trying to take the Church, and again confirmed that he is part of the problem, not the solution, in respect of the abuse crisis.
It seems his resignation is increasingly the only way the Church will find a way forward out of this crisis.
Another honor for someone who should be investigated. Is Francis serious about dealing with the sex scandal? It doesn’t seem like he has the competence to do so.
By appointing Farrell, a protege of McCarrick to such an important position, Pope Francis has once again shown he doesn’t take the abuse crisis seriously, has no intention of correcting the destructive path he is trying to take the Church, and again confirmed that he is part of the problem, not the solution, in respect of the abuse crisis.
It seems his resignation is increasingly the only way the Church will find a way forward out of this crisis.