New Haven, Conn., May 10, 2018 / 02:49 pm (CNA/EWTN News).- A recent survey indicates that a majority of Canadians disapprove of a new provision in the Canada Summer Job Grants program which requires organizations to support the government’s pro-… […]
Vatican City, May 10, 2018 / 02:21 pm (CNA/EWTN News).- Chilean Cardinal Francisco Javier Errazuriz Ossa, archbishop emeritus of Santiago, has said that he will not take part in a meeting between Chile’s bishops and the pope next week to discuss … […]
Vatican City, May 10, 2018 / 10:29 am (CNA/EWTN News).- The bishops of the Republic of China, also known as Taiwan, arrived in Rome earlier this week ahead of meetings with the pope and other Vatican officials – the first such visit in 10 years, and their first meeting with Francis since his election.
The delegation of seven bishops will meet with the pope next week for an ad limina visit – a customary meeting for diocesan bishops to give an update on the state of their dioceses – which typically takes place every five years.
The bishops of Taiwan last made an ad limina visit in December 2008 with Benedict XVI.
The bishops have brought two gifts for the pope: a painting by Giuseppe Castiglione, an Italian missionary to China who served as a painter in the court of three emperors in the late 17th and early 18th centuries, and a painting titled “Merciful Sun Shines on Taiwan,” by Tawanese artist Chia Shen-chen.
Before leaving for Rome, the bishops met with Taiwan’s president, Tsai Ing-wen, and with Vice President Chen Chien-jen – a devout Catholic who visited the Vatican for the canonization of St. Teresa of Calcutta in 2016 – who held a farewell dinner to express the government’s respect for the Church and the importance of Vatican-Taiwan relations.
The ad limina visit comes during a time of increased pressure from mainland China on Taiwan.
The Holy See has recognized the Republic of China since 1942, and does not have diplomatic relations with the People’s Republic of China, which consolidated control of the mainland at the conclusion of a civil war in 1949.
The People’s Republic insists that Taiwan is a rebel province, and place heavy pressure on countries not to recognize the island as a sovereign state. The Holy See is among the most prominent sovereign entities to do so.
Vatican journalist Francis Rocca reports in the Wall Street Journal that recent negotiations between the Holy See and mainland China may have stalled as the government has cracked down more severely on religious institutions, starting with the implementation of new regulations in February.
The Holy See has been in negotiations with the communist Chinese government in recent months that could eventually lead to Vatican recognition of seven illicitly ordained bishops aligned with Beijing, but which could end up sidelining the Church in Taiwan if an agreement leads to diplomatic ties being formed between the Holy See and Beijing.
Archbishop John Hung Shan-chuan of Taipei, speaking to Reuters in March, said the Church in Taiwan did not anticipate that the Holy See and mainland China would establish diplomatic relations, because to do so requires sharing “common values with each other.”
“The values the Vatican holds are different from those of the Chinese Communist Party. Building ties with the Vatican requires values including freedom and democracy,” Archbishop Hung said.
Taiwan has fewer than 300,000 Catholics – two percent of the population – and seven dioceses. There are seven active bishops, and six who are retired.
Bishop Bosco Lin Chi-nan of Tainan and Archbishop Hung are both close to turning 75, when they will be required to submit their retirement, potentially opening up two sees to new bishop appointments if Pope Francis accepts their resignations.
Vatican City, May 10, 2018 / 05:17 am (CNA/EWTN News).- Pope Francis Thursday paid a visit to two small Catholic communes in central Italy dedicated to living solidarity and promoting ecumenical unity, telling members that their “prophetic” way of living the Gospel must continue with boldness and perseverance.
Speaking to members of the Nomadelfia community and commune, the pope said theirs is “a prophetic reality that proposes the creation of a new civilization, implementing the Gospel as a form of a good and beautiful life.”
Similarly, he told members of the Focolare Movement, which has a Marian spirituality and places an emphasis on ecumenism, that their community is “an illustration of the mission of the Church today, as traced by the Second Vatican Council.”
He told members they should not stay locked inside, but must “go out, to encounter, to take care of, to throw the leaven of the Gospel in the pasta of society, above all where there is most need, where the Gospel is awaited and invoked: in poverty, in suffering, in trials, in the search and in doubt.”
He said “frankness” and “perseverance” – in Greek “parresia” and “hypomone” – were two keywords members should to keep in mind going forward.
Parresia, or frankness, he said, speaks of the “courage and sincerity in bearing witness to the truth” that a disciple of Jesus needs to have, even in prayer.
“Prayer must have frankness, to say things face-to-face,” he said, and, pointing to how Abraham bartered with God to continue lowering the number of righteous people needed to save Sodom and Gomorrah from destruction, told members to “fight with God in prayer.”
Perseverance, he said, means learning to move beyond the difficult situations that life presents and not get bogged down by challenges.
“This term expresses the constancy and firmness in carrying forward the choice of God and of new life in Christ. It means keeping this choice firm, even at the cost of difficulty and opposition, knowing that this constancy, this firmness and this patience produce hope, and hope does not disappoint,” he said.
Referring to the image of the “Maria Theotokos” housed in a shrine in Loppiano, which is the epicenter of the Focolare Movement, the pope noted that “the first disciple of Jesus was his mother,” and told members, most of whom are laypeople, not to forget that “Mary was a laywoman.”
Pope Francis met briefly with members of the Nomadelfia and Focolare communities during a May 10 half-day trip to Grosetto and Loppiano, where each of the movements operate.
Nomadelfia – which in Greek means ‘where brotherhood is law’ – is a small community and commune within the Tuscan city of Grosseto consisting of practicing Catholics seeking to live a life inspired by the events in the biblical book of the Acts of the Apostles.
The community was founded by Fr. Zeno Saltini, who after his ordination to the priesthood in 1931, spiritually adopted as his “son” a 17-year-old boy who had recently left prison.
Saltini continued to welcome more and more troubled and abandoned youth. Eventually, as more young people knocked on his door, the community grew and laywomen came as “mothers” to care for the youth who arrived. Soon couples also began to arrive who welcomed the children and raised them as a family.
The first commune of Nomadelfia was located on the grounds of a former concentration camp in Fossoli following the German occupation of Italy during the Second World War, before later transferring to Grosseto.
There is no private property in the commune; everything is shared, and children who come are required to attend school until the age of 18. Today there are some 5,000 youth who have been welcomed into the Grosseto commune. Many of the couples in the community have welcomed children and youth as foster-parents.
The last pope to visit Nomadelfia was St. John Paul II in 1989, just eight years after Fr. Saltini’s death in 1981.
After arriving around 8a.m. May 10, Pope Francis was welcomed by Saltini’s successor, Don Ferdinando Neri, and the president of the community, Francesco Matterazzo.
He visited the commune’s cemetery and led the community in a prayer at Saltini’s tomb, leaving a stone with his name on it, as other inhabitants of Nomadelfia have done, before visiting the tombs of the first members of the community.
Francis then made his way to the chapel of the main house of the community, where he entrusted two children into the care of two separate families, after which he met with the wider community.
In his speech, Pope Francis pointed to the meaning of their name, Nomadelfia, saying the “law of brotherhood” they live was the life-goal of their founder.
Saltini, he said, understood when he saw abandoned and suffering youth that “the only language they understood was that of love.”
Because of this, the priest was able to identify a unique type of society “where there is no space for isolation or solitude, but the principle collaboration between different families is in force, where the members recognize their brothers in faith.”
Francis also pointed to the care shown toward the elderly in the commune, who even when in poor health are not abandoned, but are supported by the entire community.
“Continue on this path, incarnating the model of fraternal love through visible works and signs in the many contexts where evangelical charity calls you,” the pope said, telling members that when faced with a world that is often hostile to Christ and his Church, “do not hesitate in responding to the joyful and serene witness of your lives, inspired by the Gospel.”
After his brief visit to Nomadelfia, Pope Francis made another short stop in Loppiano, heart of the Focolare Movement launched by Chiara Lubich in 1943 as a means of spiritual and social renewal.
The movement, which places an emphasis on universal brotherhood and ecumenical unity, and promotes a Marian spirituality, is currently present in 182 countries around the world.
Although the movement was established by a Catholic, it embraces and welcomes members of other religions who do not necessarily share Catholic beliefs. Focolare has around two million Catholic members as well as thousands of members from other Christian churches and religious traditions, including Jews, Muslims, Buddhists and Hindus.
After arriving to Loppiano, the pope immediately went to the shrine of “Maria Theotokos,” where he sat in adoration of the Blessed Sacrament, and prayed in front of the image of the Mary the “Theotokos” – the “God-bearer” or “Mother of God” in Greek.
In an audience with members of the movement in the sanctuary’s churchyard, the pope responded to three questions on how to live a life of true charity amid modern challenges; how academic and formational entities can grow and build new forms of leadership in society, and what the mission of Focolare is in the New Evangelization.
Speaking of frankness and perseverance, Pope Francis said these qualities mean “to have a heart turned toward God, believing in his love so that his love casts out every false fear, every temptation of hiding oneself in a quiet life, in respectability or even in a subtle hypocrisy.”
“One must ask the Holy Spirit for frankness – always united to respect and tenderness – in bearing witness to the great and beautiful works that God has done in us and in our midst,” he said, and encouraged members to be honest and sincere in their relationships, but to avoid sowing discord and murmuring through gossip.
As he often has in the past, Francis called a gossiper a “terrorist” who “destroys the community, destroys the Church, and also destroys oneself.”
He also stressed the need to persevere amid modern challenges, saying perseverance is a sign of God’s love. “which precedes us and renders us capable of living with tenacity, serenity and positivity,” as well as a sense of humor, “even in the most difficult moments.”
In order for the community to go forward, it also needs memory, he said, because it “allows you to go forward and bear fruit. If you don’t have memory, the tree won’t bear fruit because it doesn’t have roots.”
Speaking of the numerous centers for education and formation run by the movement, the pope urged them to give the entities “a new momentum, opening them to even more vast horizons and projecting them to the frontiers.”
A special emphasis, he said, should be placed on the courses that connect children, older youth, families and people from different vocations.
In terms of the movement’s role in the New Evangelization, Pope Francis said that at 50 years old, the life of the Loppiano community is just beginning in terms of their service in announcing the Gospel, which requires “humility, openness, synergy and the ability to risk.”
“We need men and women – young people, families, persons from all vocations and professions – to trace new paths to follow together,” he said.
Francis then said the big challenge in this regard is to have a “faithful creativity,” which means being faithful to their charism while also being open to the inspiration of the Holy Spirit, courageously interpreting new paths forward.
Discernment is necessary for this “faithful creativity” to be successful, he said, adding that :we are all called to be artisans of communitarian discernment. This is the path so that also Loppiano can discover and follow, step by step, but path of God in service to the Church and to society.”
Dublin, Ireland, May 10, 2018 / 03:00 am (CNA/EWTN News).- Ireland’s upcoming vote on whether to legalize abortion is “a vital issue of life or death” that threatens to change the country forever, Bishop Fintan Monahan of Killaloe tol… […]
New York City, N.Y., May 9, 2018 / 05:12 pm (CNA).- By now, you have likely heard that the theme of this year’s Metropolitan Museum of Art Gala was “Heavenly Bodies: Fashion and the Catholic Imagination.” I will admit: when I first he… […]
New York City, N.Y., May 9, 2018 / 05:07 pm (CNA).- The papal pomp and Catholic circumstance on display at this year’s Met Gala in New York (aka the ‘Oscars of the East Coast’) was met with a combination of confusion and optimism from Catholic thinkers and writers.
The theme for this year’s annual gala, “Heavenly Bodies: Fashion and the Catholic Imagination”, inspired equally creative and controversial attire, including the bedazzled, skin-bearing papal ensemble worn by Rihanna, a pregnant Cardi B dressed up as Mary Queen of Heaven, and a Sistine chapel-inspired dress worn by Ariana Grande, among many other outfits emblazoned with crosses and icons and other Catholic-inspired paraphernalia.
The event kicked off the Met exhibit with the same theme, which features Church garments borrowed from the Vatican, religious art from the Met collection, and 150 designer fashion pieces that were intended to pay homage to Catholicism.
Considered by some to be a perverse and often baffling event, many Catholic writers seemed reluctant to dub the gala as either completely sacreligious or as a stroke of New-Evangelization genius – most fell somewhere in the middle.
Ross Douthat, a Catholic columnist at the New York Times, called the gala a “beautiful and blasphemous spectacle” and noted that “When a living faith gets treated like a museum piece, it’s hard for its adherents to know whether to treat the moment as an opportunity for outreach or for outrage.”
While he lamented the lack of faith behind the fascination with Catholicism, Douthat did wonder whether there was a lesson for the present-day Church contained in the secular world’s enamoration with the trimmings and trappings of an older Catholic aesthetic – one that he said has largely taken a back seat in the Church since the Second Vatican Council.
“The path forward for the Catholic Church in the modern world is extraordinarily uncertain,” Douthat wrote. “But there is no plausible path that does not involve more of what was displayed and appropriated and blasphemed against in New York City Monday night, more of what once made Catholicism both great and weird, and could yet make it both again.”
Also lamenting the lack of real faith behind the display was Matthew Schmitz of First Things, who said that people should pay attention to the real Catholic imagination and the meaning behind it, and not the overly sentimental and shallow aesthetic Catholicism that was on display at the gala.
“The same faith that gave rise to these beautiful baubles proposed views on sexuality and social order that are contrary to the spirit of the age. It is foolish to suppose that either the Church’s teaching or its relics are mere artefacts that now have lost their power,” he said.
“These beautiful copes, stoles, clasps, and rings still move men—still have the power Leo XIII acknowledged in Testem Benevolentiae when he advised priests in America to spread the faith ‘by the pomp and splendor of ceremonies’ as well as ‘by setting forth that sound form of doctrine.’ In the Met’s carnival atmosphere, their splendor seems all the more radiant.”
Some writers noted that the gala also revealed a double standard of what is acceptable to culturally appropriated, following an uproar last week over a Utah teen who wore a Chinese dress to her high school prom even though she was not Chinese herself.
Daniella Greenbaum, writing for Business Insider, said that while she finds the whole concept of cultural appropriation “deeply misguided,” she did think that the Met revealed a double standard over what qualifies as offensive, given the outrage over the Chinese dress and the lack thereof over the Catholic costumes at the gala.
“It highlights the unfairness. Social-justice warriors inevitably create distinctions — they have appointed themselves the arbiters of which cultures deserve protecting. And in the meantime, it seems, they’ve left Catholics out to dry,” she wrote.
However, others saw the cultural appropriation as a neutral or even positive part of the event, creating opportunities for further conversation.
Madeleine Kearns, writing for The Spectator, a UK publication, said that Catholics ‘can cope’ with cultural appropriation, and that being offended by it is a “counter-productive, ideological dead-end; a festival of victim culture. As far as I’m concerned, if people want to dress up as the Pope, or drape rosary beads over their car mirrors — why ever not? It starts a conversation about a culture I’m proud of.”
Eloise Blondiau, writing for America magazine, said that “If nothing else, the theme of this year’s exhibition and gala shows a willingness to engage with religion that is healthy and promising in a climate where polarization is rife.”
While the event was organized in cooperation with the Vatican, Cardinal Timothy Dolan of New York was one of a few prelates in attendance, joking later that he ordered in “street meat” – hot dogs from to a pushcart – to the posh event after finding the refreshments insufficient, and joking that Rihanna borrowed her miter from him.
The cardinal, who some criticized for attending the event, said in a press conference for the opening of the exhibition that he came because the ‘Catholic imagination’ honors “the true, the good, the beautiful.”
In the ‘Catholic imagination,’ the True, the Good, and the Beautiful have a name: Jesus Christ, who revealed Himself as ‘the Way, the Truth, and the Life,’” he said. “In the ‘Catholic imagination,’ the truth, goodness, and beauty of God is reflected all over… even in fashion. The world is shot through with His glory,” he said, adding a thanks to the organizers of the event, as well as to the Vatican “for its historic cooperation.”
Dolan later told SiriusXM’s The Catholic Channel that as a self-proclaimed “JCPenney’s Big and Tall man” his personal interest in the event was not for the fashion, but for the chance to engage with people about the Catholic faith.
“There were some aspects that looked like kind of a masquerade party, a Halloween party,” he said. “I didn’t really see anything sacrilegious, I may have seen some things in poor taste, but I didn’t detect anybody out to offend the church.”
However, “A number of people came up and spoke about their Catholic upbringing and things they remembered and it was a powerful evening.”
The exhibition itself will run May 10 – Oct. 8, 2018 and is hosted at the Anna Wintour Costume Center, the medieval rooms at the Met on Fifth Avenue, and the Met Cloisters in uptown New York City. It is the Met Costume Institute’s largest show to date.
Church garments and liturgical vestments, many of which are still in use, will be displayed separately from the fashion exhibit, out of respect. The items in the separate exhibit come from the Sistine Chapel sacristy’s Office for the Liturgical Celebrations of the Supreme Pontiff and range in age from the mid-1700s to the pontificate of Saint John Paul II.
Vatican City, May 9, 2018 / 05:02 pm (CNA/EWTN News).- In June 1978 the Archbishop of San Salvador, Oscar Romero, went to the Vatican to meet with the Bishop of Rome, Paul VI. At that meeting, the Pope encouraged his fellow bishop to help the Salvadora… […]
New York City, N.Y., May 9, 2018 / 03:08 pm (CNA/EWTN News).- A surprise performance by the Sistine Chapel Choir at the Met Gala this week left attendees in awe and helped convey the joy and beauty of the Church, said one of the organizers of the performance.
The choir’s performance had not been announced in advance, coming as a surprise to those present at the May 7 Met Gala, which takes place annually on the first Monday of May and serves as a fundraiser for the Metropolitan Museum of Art in New York.
This year the Met exhibition, which opens May 10 and runs through October 2018, carries the theme “Heavenly Bodies: Fashion and the Catholic Imagination,” and features around 40 items on loan from the Vatican.
The items, many of which come from the Sistine Chapel Sacristy’s Office for Liturgical Celebrations of the Supreme Pontiff, range in time period from the mid-1700s up to the pontificate of Saint John Paul II.
Given the special nature of the Vatican items, they will be set up in a separate display from the other pieces, which include religious art from the Met collection itself and around 150 designer fashion pieces intended to pay homage to Catholicism and which draw inspiration from Catholic iconography, liturgy and other aspects of the faith tradition.
John Hale, one of the leading organizers of the choir’s surprise performance at the gala, told CNA that the evening “was really a wow-moment.”
Hale sits on the board of directors for the Vatican’s Patrons of the Arts, which consists of different chapters, most of which are in the United States, who fund restoration projects for the priceless treasures housed in the Vatican Museums.
At one point after the performance, Hale said Anna Wintour, Met board member and editor-in-chief of the fashion magazine Vogue, told him guests were unusually silent, commenting that “this is the quietest I’ve ever seen for this gala.”
Wintour, Hale said, told him attendees “were absolutely enthralled” by the performance. That sentiment, he added, “summed it up beautifully.”
“I spoke with a number of the attendees and mixed with them right after the performance and it was perfect silence, there was very good applause and reaction…so many folks were just really moved.”
Commonly referred to as “the pope’s choir,” the Sistine Chapel Choir consists of 20 professional singers from around the world, as well as a treble section composed of 35 boys aged 9-13, called the Pueri Cantores.
With a 1,500-year history, the Sistine Chapel Choir is believed to be the oldest active choir in the world.
According to Hale, who is also president and co-owner of Corporate Travel Service, the invitation to sing at the Met Gala came during the choir’s U.S. mini-tour in September 2017, during which the choir sold out performances in Washington D.C., New York and Detroit.
The choir’s director, Maestro Massimo Palombella, had approached Hale several years ago about creating a tour in the U.S. The September mini-version was essentially a test run, Hale said, and given the choir’s success during their fall tour, a longer nationwide tour is being organized for this summer.
Hale said he was initially hesitant when he was asked to help organize a performance at the gala, and had concerns over sensitivity to the Catholic faith. However, when the Vatican green-lighted the choir’s visit, he jumped on board and kept the performance under wraps for nearly a year up until the moment the choir filed in and began singing.
And having worked with the Met to get all the details in order, “I can really say they were not only respectful, they really wanted to communicate the beauty and faith of the Church,” he said. “I really had that sense, and it was very sincere. I was very moved by how sincere they were.”
The exhibit itself was “beautifully done,” and serves as “a real opportunity to express the Church’s teaching through beauty, through truth,” Hale said. “The same with the performance of the Sistine Chapel Choir.”
While there was some “outlandish fashion” that hit the red carpet at the gala, the vast majority of the 600 some attendees were “dressed beautifully and very appropriately,” he said.
“That might not be picked up traditionally because the media wants the outliers,” he said, explaining that while it is important to be sensitive to how the Church is portrayed, the Church also has to “go out.”
“We have to communicate beauty, and we have been invited, as a Church, to communicate what is our expression of beauty and our making manifest God’s presence through beauty,” he said, adding that in his opinion, “it would have been a crime not to respond to that invitation.”
Ultimately, what gets communicated through the beauty of things like fashion and music is God’s love, Hale said. “Everyone wants to be loved and we all need to be loved by God.”
Referring to a recent pastoral letter written by Detroit Archbishop Allen Vigneron titled “Unleash the Gospel,” which spoke of the need to find “shallow entry points” for evangelization, Hale said the Met exhibit and gala “was an entry point into encountering God through the true beauty and good.”
Choir members themselves felt both appreciated and respected by gala attendees, he said, noting that a number of the singers told him they could see people in the front row, and it was obvious they were captivated.
“Several choir members commented on the smiles, the joy, they could see genuine joy,” he said. “There was an exchange and a communication of joy that was palpable and apparent to the choir members and to the attendees.”
Vatican City, May 9, 2018 / 02:10 pm (CNA/EWTN News).- The Vatican’s long-rumored China deal was discussed by Myanmar’s bishops this week during an ad limina visit with Pope Francis, according to the Archbishop of Yangon.
Cardinal Charles … […]
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