Images from "Roman Pilgrimage: The Station Churches"
One of the best-kept secrets of lived Catholicism in Rome, the
station churches pilgrimage, which dates back to the earliest centuries
of Christianity, can now be experienced by the faithful worldwide in
George Weigel's latest book, Roman Pilgrimage: The Station Churches
(Basic Books, 2013).
The handsome, 460-page book includes contributions from art historian Elizabeth Lev and features the photography of Weigel's son, Stephen.
George and and Stephen Weigel spoke recently with Catholic World Report about the new book.
CWR: Roman Pilgrimage
is a day-by-day journey to forty historic churches in Rome. What is
significant about these holy sites and this "pilgrimage" around the
George Weigel: The "station churches" of
Rome take the pilgrim back to the very first centuries of Christian life
in the city, as virtually all of them are associated with early
Christian martyrs. To make the pilgrimage to the prescribed "station
church" for each day of Lent is to relive the experience of the pope and
the people of Rome in the first millennium, when popes led a daily
procession through the city to the "station" of the day, where Mass was
celebrated and the day's fast broken by a post-Mass communal meal. In
addition to being a marvelous way to deepen one's experience of Lent
(and Easter Week, for the pilgrimage extends through the Octave of
Easter), the station church pilgrimage is also a splendid way to "learn
Rome" and to explore some of its hidden artistic treasures.
CWR: Who do you envision reading this book? Is it just for those who are actually in Rome for Lent?
Roman Pilgrimage is a good way to "do Rome at home"that is, to make
the Lenten station church pilgrimage from your living room or study, a
day at a time, reflecting on each day's liturgical texts and getting to
know each day's stational church. So the book really is for everyone.
Those planning on taking it to Rome as a companion to do at least a part
of the pilgrimage might want to order the eBook, which is gorgeous (all
photos are in color) and a lot easier to carry around.
The book is an insider's look at one of the best-kept secrets of those
who live in Rome, although it is certainly not new. What do you think
makes this book "work" to bring the experience to those who may have
never even stepped foot in the Eternal City?
In addition to being a guide book to more than three dozen venerable
churches and their unique architectural and artistic histories, Roman Pilgrimage is
a spiritual companion to Lent and a means of discovering the baptismal
character of the Lenten season, which is for all Christians, not just
the Church's enrolled catechumens. In a sense, Lent invites every
Catholic to re-enter a kind of catechumenate each year, examining
conscience and pondering the ways in which we have and haven't practiced
the imitation of Christ during the previous twelve months. The splendid
cycle of Lenten biblical and patristic readings at Holy Mass and in the
Liturgy of the Hours offers an unparalleled richness of material for
reflection, amplified by the experience of beauty as a "rumor of angels"
that everyone takes from the experience of the station churches. Thus
after making the "Forty Days" through the station church pilgrimage,
we can renew the promises of our own baptism with real conviction, and
fully appreciate being blessed with baptismal water at the Easter Vigil
or on Easter Sunday.
CWR: Art historian Elizabeth Lev also worked on this project with you. What was her unique contribution to the book?
George Weigel: Each day, from Ash Wednesday through Divine Mercy Sunday, Liz Lev shares with readers of Roman Pilgrimage her
unparalleled knowledge of the architecture and art of each of the
station churches and does so with her customary brilliance, explaining
how each church's design and decoration evolved over the centuries and
evokes the sacred memory of the saints entombed there.
Stephen, many of the objects you photographed have been shot perhaps
millions of times before. How did you approach this book so that it
wouldn't be just a repetition of other Roman guide books?
Stephen Weigel: My
goal for the project was to put the reader in the middle of the
pilgrimage, not provide another guide book or textbook on Roman
architecture. While there were obviously certain objects in the churches
that made more sense to include in the book than others, I tried to
focus on what drew my attention and capture what I believed people
would, or perhaps should, notice if they were actually on the
To accomplish this I avoided as much as possible
viewing photography others had done of the churches so that for many of
them I was viewing them for the first time when we arrived each morning.
I would photograph during the Mass and generally no longer than 15 or
20 minutes afterwards. I felt that this made the experience and the
photographs more authentic. Rather than painstakingly capturing each and
every detail of the church, I was limited to what the pilgrims were
able to take in.
CWR: George, you have gone "on
pilgrimage" with the Station Churches many times. Stephen, I assume this
was one of your first times really experiencing the pilgrimage. What
sort of insights did the two of you haveas father and son and fellow
pilgrimsin 2011 as you experienced the pilgrimage together during Lent
and the Easter Octave?
George Weigel: I'd done bits and pieces of the station church pilgrimage while working on Witness to Hope,
but Lent and Easter Week 2011 were my first opportunity to do the whole
pilgrimage, which really does give you an experience of walking with
Jesus "up to Jerusalem," and then meeting him as the Risen Lord at
Easter and during the Easter Octave. Writing a commentary on each day's
liturgical texts also gave me a deeper insight into the catechumenal and
baptismal character of Lent, the recovery of which is one of the
genuine achievements of the liturgical reform. The project was not
without its challenges, including battles with bureaucracies both
ecclesiastical and governmental, but being able to do it with Stephen,
who was the best of company throughout and who did a stunning job with
the photography, made it a very special time capped, that year, by the
beatification of John Paul II on Divine Mercy Sunday. An amazing eight
Stephen Weigel: This is a tough question
for me to answer as I didn’t really see myself as a pilgrim but as
someone documenting the pilgrims and the pilgrimage as a whole. This is
not to say it wasn’t a great experience and it was certainly evident
that the pilgrimage was a moving experience for the many people I walked
with and saw at the stations each day. I think that the station
churches reach people on a very personal level. A woman, who was at the
stations each day, spoke to me of her concern that the pilgrimage was
meant to be experienced in person, not read about in a book. My response
was that our hope for the book was to bring more attention to the
station churches, enhance the experience of those able to make the
journey firsthand, and allow others to remotely engage this experience
that was obviously very important to her.